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I. The Garage
Knelt beneath the staircase
my skin hummed against the threat
of discovery, the shock of her
blonde hair, the string of his guitar,
the damp silhouette beneath my thin
cotton dress. Clouds of laughter
and smoke swung between us, a circuit
of pungent electricity rocked
with soft delirium. She kissed
my lips with curling halos
of marijuana and strawberry, blew
dandelion-seed wishes for a boy.
II. The Carnival
The arc of the Ferris Wheel winked
above
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The Journey
I wonder if The Age of the Journey has passed
in America now that The Port of Arlington
has become Earl Snell Memorial Park, and not
one hundred yards from rocky banks
where burly voyageurs and their Cayuse brides
upended canoes of fresh pelts, a toothless
Shell station attendant who’s a dead ringer
for Carmine Ragusa tops off my tank.
Travel means nothing in an era when every
destination is your living room. Will any
of us ever drink our urine on the
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Scattering Garden
The bushes bear
no seed in winter.
Mourners stand
on planks
of a wooden arch.
They release ashes
onto rocks below,
a sea of blank faces.
Spider’s Stance
An alabaster stone,
smooth as the rock which bore it
and washed it by the stream -
among grainy bits of speckled white,
stood a spider.
It turned – paused – positioned,
its body, thick and copper,
reared like a wild mustang
in the western plains.
I swallowed my fear,
careful
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by Abigail Robertson
She talked of working in the factories, riveting metal to metal, the amount of manicures it took to right the calluses. She said it was like sewing together planes. She asked what the war was like. I wanted to say it was like sewing body to body, trying to hold the world together…I told her people saw worse than me. She frowned. I was not a war hero with medals pinned to my chest. I was a man with neatly parted hair who drank too much, coffee and the other stuff. I could
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My Internist Prescribes
Guess it depends on which of your three eyes that you look at it with.
All I see, floating around me, is detritus.
The detritus of denied intimacy.
The detritus of the glib.
Like beautiful Venezia, you float in your gondola
and ignore the surfing turds.
Peripherally, if you take the time to stuff cotton wool up your nose,
there is the renaissance,
gargoyles in repose.
Pretty girls chinning crumbling window sills.
Perry Como crooning.
A strand
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The Dialogue
I say, Some parts of me are like this—
and open his hand
Rain water funnels into the pink
Thin channels of water
branching out and then contracting
as if surface tension isn’t a thing at all
He says he doesn’t understand
how I made him this way
so porous
I did it to show you, I say
made us parallel and reflective
He says, I cannot accept this
He means to say my body
but the word has too much shape
doesn’t fit well between
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My grandmother, after her stroke
I.
Here, you are in that nightgown, a girl
again, wandering the downstairs hallway
escaping some dream. Later I will find you
in the dark kitchen trying to remember
how to read the digits on the microwave.
II.
In our house the bell was unexpected,
the cops even more so. A call about a gun,
my father’s rigid confusion, my mother’s balance
failing. I’m watching from
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Big Dirty
A brown doe with tranquilizer darts stuck in her hide enters the red line to 95th, nestles vacant space between seats of Vietnam vets in Chicago-stained Cosby sweaters. A junkie teenager, ringworm scars like trilobite spirals fossilized into his scalp, steadies himself as the train quakes over demagnetized tracks and walks toward the deer. The two of them sleepy-eyed, unsure of movement, drunk and emaciated dancers on fetal calf legs.
The deer mistakes industry for a meadow; passengers’
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