Ian D. Campbell

It Was Just a House

It was the year in which the plumbing went bad

That the beloved house, feeling perhaps neglected, began to reveal itself in ways

It had previously chosen to keep to itself, the dead, and the demented.

Redwood, granite, level-set oak floors and an emptied bedroom emanating puffs

of white smoke

Where the man who plowed the best break,

Seam

and furrow

Once lay,

Yellow teeth bared in the ineffable discomfort

Of Active Dying.

Where the gentlest woman had clawed

Him in the chest before being gentled off to a place notable for its nurses, her hair growing longer and whiter as out

Through the locks leaked the lady inside.

Observe (my brother and I) merely attempting to plug a leak above the kitchen sink.

In our Grandparents’ home.

It seemed to have sprung as a watery reminiscence from underneath

Green tile, the slab of cement, the redwood four by sixes.

Perhaps the flooding was — in truth — the final rusted fountain of memories we sought

To contain between our wet fingers

We couldn’t get at the pipes; each fat inch of wall so cemented — the facts

Obscured by the forgotten rose garden,

The desiccated orange tree, bark falling off in

surrendering strips

Distributing a few final white petals

About the bronzed lawn.

It was just a house–blessed with a solidity we each still sought

And rusted pipes elusive as cats. (What plumber

Could we have called?) Stopping ourselves short of prying up the floorboards,

Surreptitiously a large luminousness crept in: the leak sprung to provide proofs of what was essential if not entirely enduring.

Tall, ladylike poinsettias bursting crimson by the white double-hung dining room windows,

Big beamed redwood. Granite, horse-carted down from high mountains to pillar

The place.

Cigar smoke off the back porch, fresh squeezed lemonade, cherry pie cooling on the sill,

White bathrobes, Pendleton caps, bamboo fly rods, five irons, Saturday morning Pancakes from scratch and just the four of us in a tidy yellow kitchen.

No sound but the sound of batter bubbling quietly to itself.

 

Such a Fish

Do you remember the big trout

You caught that summer afternoon

Out on the little lake, hardly more than a

Pond of green and sweetly susurrous waters

In the mountain valley, we had

A small wind, a hot sun, an aluminum row boat your Dad

Could barely manage but

Our lines were tight

Your fine blonde hair lifted by that small wind

Suddenly your slender arms strove

As the rod doubled over and the fine feathery line

Ran like an excitement off the reel and all three hearts beat and once

He even leaped into our world,

Clear of the water

Red and silver and shining like someone’s future

When you were seven and I forty two and we had tight lines

When

Small girls could be happy for hours

After catching

Such a fish.

 

I Watch You Rise

Now, fifty summers behind me,

I come, at last, to worship you.

From my narrowed kitchen window

I watch you rising in ever higher,

Ever-reaching ranks, Tai Chi to the wind.

I see only now what has long been written:

That you leap back

Ever green, ever graceful

No matter how flattened

No matter how fierce or feral

The hammering of the wind;

That your roots snicker at stump grinder, axe,

Poison, pesticide, salt, even the casting of spells;

That excavation will be as foolish a pursuit

As imprisoning wind. You,

(One of three friends in winter,

Sanctuary from evil)

And the woman inside you

Await, a still field of fallen snow,

Your sole exuberance of flowering.

If but one fine fingerling

Of root remains

Up you jump:

Rising ineradicable and readied,

Supple and slender-leafed,

Reaching to hook the sky,

As I brew the morning coffee, bamboo.
Ian D. Campbell

 

The Blight To Bear Arms

What shall comfort us creatures

and offer salve to our sorrow now?

Never those pubescent-speaking

military men who merely glance

in lieu of glaring. Never those

revolting, crippling contrivances

that never set eyes on spirits on

solid ground, nor infantries, trust-

worthy, uninformed in uniforms;

infectiously inexperienced.

Corruption begets corruptions,

atrocity reciprocates atrocity.

 

What prevailing evil winds &

complicitous joining of forces

might accomplish, alleviating

the longings of the pauperised

for despots to transfer loathing

into power, we will never come

to fully comprehend.

 

Hell! Even Mephistopheles lurks

in some shadow of doubt. Our

peripheral vision is veiled if we

fail to wince, hesitate to take

a breather, ruminate, and look at

the larger panoramic view.

Everything is labyrinthine.

All seems crooked, convoluted.

Nothing at all is ever deliberately

straight forward.

 

Gregory Wm. Gunn

 

Gregory Wm. Gunn grew up in small towns throughout Ontario before moving to London in 1970. Writing for over thirty years, he is most passionate about poetry. To date, Mr. Gunn has had poems published in Inscribed Magazine, Green’s Magazine, The Toronto Quarterly, Yes, Poetry, Wordletting Magazine, Songs for Every Race, Ditch Magazine, Ascent Aspirations, Steel Toe Review, Carcinogenic, The Light Ekphrasic, Cyclamens and Swords, et al. Also published are five collections of his selected poetry.

Shakespeare’s Bile

There are some days when more strength is needed than others


and today is one of those days.

 

I do not know

why it happens but sometimes I awaken

and feel that Hell

is at the cusp of my bed,

 

And if I step too hastily I shall fall

for millions of miles

into the mouth of the nether-gods.

 

So I tiptoe around it.

I stand and I stretch

as though I have the limbs of a giant.

 

Yes, of a giant—but I shall need those limbs

today, because today is one of those days.

 

I forgo the oatmeal

and drink dragon’s blood instead,

 

“Yes, there it is,” I say, taking it from the cupboard,

in the canister behind the herbs

labeled The Blood of Dragons.

 

I tread lightly to the basin

and brush my teeth with Caligula’s ash.

 

I shower in the spittle

of an ancient deity (though choosing

one is always the difficult part).

 

I go to my closet and open the heavy doors hewn

from blackened wood and choose my armor.

 

For I must wear something that withstands

the fire of negativity;

the sharpness of stupid tongues;

the putrid mind; the living World.

 

I flank myself in an armor stitched

with Medusa’s hair,

 

and my helmet, usually made of wool or felt, is

now made from the bone

of Pegasus’s skull.

 

I go to my looking glass

 

and behold the wonder I have made

of myself.

 

I forgive the spectacle

of it all,

“Because I shall need it much,” I say.

 

I decide to forgo my vitamins

and down a handful of fingernails

pulled from the hand of Richard III.

 

This dissolves well, I find,

with a shot of Shakespeare’s bile.

 

Yes, I think, now I am ready

to face the day!

 

But before I pass over the threshold,

I stop and do the sign of the cross

thinking it can’t hurt. After all,

I shall need it much today.

 

Gabriel “G” Garcia

Listed at Duotrope
Listed with Poets & Writers
CLMP Member
List with Art Deadline
Follow us on MagCloud