Amy Strauss Friedman is the author of the poetry collection The Eggshell Skull Rule (Kelsay Books, 2018) and the chapbook Gathered Bones are Known to Wander (Red Bird Chapbooks, 2016). Amy’s poetry has been nominated for the Pushcart Prize and Best of the Net, and her work has appeared in Pleiades, Rust + Moth, The Rumpus, and elsewhere. Her work can be found at amystraussfriedman.com.
Jeanne Julian’s photography has been featured in galleries and art exhibits in Eastern North Carolina, where she is an enthusiastic member of the Coastal Photo Club. The juried exhibits “Lighthouse Stories and Tales of the Sea” (Staten Island) and “The Bicycle: art meets form” (High Point, NC) also have included her work. Several journals have published her images: she was the featured photographer in moonShine review (summer 2105), and her photos illustrate covers of Minerva Rising, Hartskill Review, Kakalak, and Shoal. Her photography also appears in two Nature Inspired anthologies; County Lines Literary Journal 2016; and the book Focus: Passages (2010). Her article “Lighten Up: A Walking Tour of the Luberon” was featured in the journal of the Photographic Society of America. Jeanne’s full-length poetry collection, Like the O in Hope, was published in 2019 by The Poetry Box Select. www.jeannejulian.com
Jennifer finds great beauty in ordinary things seen in a different or closer way. On any day you may find her stirring pots of poetry, music, gardening, animal care and digital photography. Jennifer is married and has three grown children and a small farm. She is a professional harpist and former RN.
Roger Camp is the author of three photography books including the award-winning Butterflies in Flight, Thames & Hudson, 2002 and Heat, Charta, Milano, 2008. His work has appeared in numerous journals including The New England Review, New York Quarterly, and the Vassar Review. His work is represented by the Robin Rice Gallery, NYC.
I do not write of my father because he loved me, a truth I have come to believe in for its obviousness—no less obvious that is to say than the way one speaks of rain, its beauty and betrayal. Today’s rain is preemptory, a windless gravitas: what a speaker of political mindset might refer to as bi-partisan, claiming a democracy of garden and glass. How parental! (How paradoxical, both bound and torn asunder!) To speak of my father’s love, then, is as much to speak of weather as if weather is all there is to speak of. My father—who has since taken his words to the grave—has nonetheless left me with rain, another season’s first chill of rain.
Words Frequently Confused: Historicism, Histrionics
If you don’t know the width of the forest when you enter it, how will you know when you’re on the way out? Or do you mean to settle there, to burrow under the dry root of a defeated tree and stay, an abundance of honeybees and berries nearby, a small clear stream? Haven’t you notified the children already, sold every earthly possession, signed up online for Your Majesty’s benefit? Come on, Columbus, isn’t that the way of forests? Aren’t you lost before you know it? Aren’t you penalized half the distance to the goal?
Phillip Sterling’s books include two poetry collections, And Then Snow and Mutual Shores, two collections of short fiction, In Which Brief Stories Are Told and Amateur Husbandry, and four chapbook-length series of poems (Significant Others, Abeyance, Quatrains, and And For All This: Poems from Isle Royale). A fifth series, Short on Days, will be released in 2020.
Featuring:
Issue 113, published January 2025, features works of poetry, flash fiction, short nonfiction, and visual art by Linda K. Allison, Swetha Amit, Richard Atwood, Rose Mary Boehm, Daniel Brennan, Maia Brown-Jackson, Hyungjun Chin, Amanda Nicole Corbin, Kaviya Dhir, Jerome Gagnon, Jacqueline Goyette, Julien Griswold, Alexi Grojean, Ken Hines, Minseo Jung, Sastry Karra, Joy Kreves, E.P. Lande, Kristin Lueke, Robert Nisbet, Yeobin Park, Dian Parker, Roopa Menon, Ron Riekki, Esther Sadoff, Chris Scriven, Taegyoung Shon, Mary Thorson, John Walser, Julie Weiss, Stephen Curtis Wilson, and Jean Wolff.
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