I wanted to inform you of the cats and my disposition to move from San Francisco to Palm Springs in about three weeks, living out remaining time in an easier quieter environment.
Serving on non-profit boards plus having a half-century’s active social scene has just become more than we can handle.
I’ll try to adapt to a different existence, and hope to stay in touch with everybody — but I do ask that you be patient, not push too hard – there will be a lot to adjust to plus everything takes extra time at this stage of the game.
I plan on maintaining current email address/ mobile number, will advise you of new home address/ local landline number once have settled in hopefully beginning of March.
I’m so very grateful to have wonderful chums who shower me with love along with support.
Much as I would like to see everyone prior to leaving, it’s impossible. Your understanding is appreciated.
Escape the cold, come to visit next winter during the desert’s wildflower blooming as well as January’s Film Festival if not sooner!
Particularly with my life’s partner passed, I’m missing each of you already.
Gerard Sarnat won the Poetry in the Arts First Place Award plus the Dorfman Prize, and has been nominated for a handful of recent Pushcarts plus Best of the Net Awards. Gerry is widely published in academic-related journals (e.g., University Chicago, Stanford, Oberlin, Brown, Columbia, Harvard, Pomona, Johns Hopkins, Wesleyan, University of San Francisco) plus national (e.g., Gargoyle, Main Street Rag, New Delta Review, MiPOesias, American Journal Of Poetry, Clementine, pamplemousse, Deluge, Poetry Quarterly, Hypnopomp, Free State Review, Poetry Circle, Poets And War, Cliterature, Qommunicate, Indolent Books, Pandemonium Press, Texas Review, San Antonio Review, Brooklyn Review, San Francisco Magazine, The Los Angeles Review and The New York Times) and international publications (e.g., Review Berlin and New Ulster). He’s authored the collections Homeless Chronicles (2010), Disputes (2012), 17s (2014), Melting the Ice King (2016). Gerry is a physician who’s built and staffed clinics for the marginalized as well as a Stanford professor and healthcare CEO. Currently he is devoting energy/ resources to deal with global warming. Gerry’s been married since 1969 with three kids plus six grandsons, and is looking forward to future granddaughters.
Jeanne Julian’s photography has been featured in galleries and art exhibits in Eastern North Carolina, where she is an enthusiastic member of the Coastal Photo Club. The juried exhibits “Lighthouse Stories and Tales of the Sea” (Staten Island) and “The Bicycle: art meets form” (High Point, NC) also have included her work. Several journals have published her images: she was the featured photographer in moonShine review (summer 2105), and her photos illustrate covers of Minerva Rising, Hartskill Review, Kakalak, and Shoal. Her photography also appears in two Nature Inspired anthologies; County Lines Literary Journal 2016; and the book Focus: Passages (2010). Her article “Lighten Up: A Walking Tour of the Luberon” was featured in the journal of the Photographic Society of America. Jeanne’s full-length poetry collection, Like the O in Hope, was published in 2019 by The Poetry Box Select. www.jeannejulian.com
Amy Strauss Friedman is the author of the poetry collection The Eggshell Skull Rule (Kelsay Books, 2018) and the chapbook Gathered Bones are Known to Wander (Red Bird Chapbooks, 2016). Amy’s poetry has been nominated for the Pushcart Prize and Best of the Net, and her work has appeared in Pleiades, Rust + Moth, The Rumpus, and elsewhere. Her work can be found at amystraussfriedman.com.
Jennifer finds great beauty in ordinary things seen in a different or closer way. On any day you may find her stirring pots of poetry, music, gardening, animal care and digital photography. Jennifer is married and has three grown children and a small farm. She is a professional harpist and former RN.
I do not write of my father because he loved me, a truth I have come to believe in for its obviousness—no less obvious that is to say than the way one speaks of rain, its beauty and betrayal. Today’s rain is preemptory, a windless gravitas: what a speaker of political mindset might refer to as bi-partisan, claiming a democracy of garden and glass. How parental! (How paradoxical, both bound and torn asunder!) To speak of my father’s love, then, is as much to speak of weather as if weather is all there is to speak of. My father—who has since taken his words to the grave—has nonetheless left me with rain, another season’s first chill of rain.
Words Frequently Confused: Historicism, Histrionics
If you don’t know the width of the forest when you enter it, how will you know when you’re on the way out? Or do you mean to settle there, to burrow under the dry root of a defeated tree and stay, an abundance of honeybees and berries nearby, a small clear stream? Haven’t you notified the children already, sold every earthly possession, signed up online for Your Majesty’s benefit? Come on, Columbus, isn’t that the way of forests? Aren’t you lost before you know it? Aren’t you penalized half the distance to the goal?
Phillip Sterling’s books include two poetry collections, And Then Snow and Mutual Shores, two collections of short fiction, In Which Brief Stories Are Told and Amateur Husbandry, and four chapbook-length series of poems (Significant Others, Abeyance, Quatrains, and And For All This: Poems from Isle Royale). A fifth series, Short on Days, will be released in 2020.
Featuring:
Issue 116, published October 2025, features works of poetry, flash fiction, short nonfiction, and visual art by Paula Burke, Wes Civilz, Eileen Vorbach Collins, Deron Eckert, Benjamin Erlandson, Don Farrell, MFC Feeley, Pete Follansbee, Nicholas Haines, Karen Kilcup, Alice Lowe, Mary Ann McGuigan, Miranda Morgan, Michelle Morouse, Kaitlyn Owens, Jim Ross, Sayantani Roy, Meggie Royer, Shyla Shehan, JL Smith, Sarp Sozdinler, Carlin Steere, P. J. Szemanczky, Jim Tilley, Hannah Voteur, Frederick Wilbur, Myfanwy Williams, Stephen Wilson, and VA Wiswell.
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