April 2019 | fiction
He was caught, with loads of cash, trying to cross the border to avoid our invasion. His brown, wrinkled skin resembled bark. Fear glinted in his wide eyes. He hunched his shoulders, anticipating violence, hands tied behind his back. His dark-brown skin indicated he belonged in the hot place we had conquered. I saw him hunched over between two of our soldiers who were bone-white with red noses. His irises resembled freaked mahogany in their tanned surrounds. He was accused of being the head of a clan–with using his money to incite rebellion. No legal process had occurred.
*
Sipping soup in the kitchen, I heard: “Narahhhhh…..”
The spoon stopped before my mouth.
“Yarahhhhhhh……”
That high shrieking of horrified disbelief conveyed the amazement of shocked innocence.
“Barrrrharrrr…..”
My head shot around to look down the corridor.
“KNEEOHHHH!”
I carried a chair down the corridor. Standing on the chair, I looked through a window above the door into the room where the seated suspected clan leader’s ankles and wrists were tied. His head fell forward. Blood dripped onto his lap. His puffed-up eyes were hardly visible in a face that now resembled putty.
Big, blonde Aaron released a flurry of fists, cracking the man’s head. The man howled like a wounded dog when a burning cigarette got stubbed out on his nose by Ariel whose smile resembled a malevolent spotlight in the room’s gloom. The man’s money was scattered across a table. Horror waves smacked my skull.
I bashed on the door while hearing: “Arhhhhhhhh…”
“Go away,” Ariel screamed.
“What did he do?” I yelled.
Aaron opened the door and said: “You’ve got work to do on the trucks. Do it.”
The tortured man’s wincing was high-pitched with disbelief.
I lingered in the doorway. Aaron was my commanding officer. His penetrating, blue eyes, like cut glass shimmering with anger, glared as he jolted his head and hissed: “Well?”
The blood on his green shirt contrasted vividly with his snowy hair. The tortured man wheezed like a punctured lung. Aaron and I stared at each other in a slow moment of both realising that we could never be friends. A savage brilliance filled his electric-blue eyes.
“Is this going to help us?” I asked.
“Go,” Aaron said, pointing down the grey corridor.
His attitude towards the man he was torturing seemed unnaturally personal.
“You don’t know what animals they are,” he said, slamming the door in my face.
The man’s body, dumped onto one of the trucks I had been working on, got taken to a mass grave for people massacred in the villages we had destroyed, its legs flying up and crashing down as the truck hit a bump when leaving the compound.
Terrorism started about ten years later.
Kim Farleigh
Kim has worked for aid agencies in three conflicts: Kosovo, Iraq and Palestine. He takes risks to get the experience required for writing. He likes fine wine, art, photography and bullfighting, which probably explains why this Australian lives in Madrid; although he wouldn’t say no to living in a French château or a Swiss ski resort. 154 of his stories have been accepted by 91 different magazines.
April 2019 | poetry
Normally, we celebrate the holidays,
exchanging gifts, delighting each other
with the latest gadgets. Normally,
we believe in how life always improves,
gets more convenient, easier to live.
Normally, we don’t’ hunker down.
Normally, we don’t have occasion
to use that phrase—hunker down.
Normally, we replace the windows,
rebuild that demolished interior wall.
Normally, we have work to do, relatives
haven’t vanished, and friends haven’t fled.
Normally, the toilet tank refills.
Normally, we change our clothes.
William Aarnes
William Aarnes has published two collections with Ninety-Six PressLearning to Dance (1991) and Predicaments (2001)—and a third collection, Do in Dour, from Aldrich Press (2016). His work has appeared in such magazines as Poetry, FIELD, and Red Savina Review.
April 2019 | poetry
On a good morning
I am the shaman
on a great morning
I am all thirteen of them
a conclave of fire and feathers
atop the Sayan Mountains.
I practice divinations
while sipping coffee
and braiding my syllabic chants
into crows’ shouts
I call the words gather
they descend the World Tree
I lead ancestral heroes
to the island of my page.
This morning
I am a correspondent
fumbling with my camera
to document this Siberian ritual
or worse an ill-fated Yakutian bull
bellowing centuries
as I surrender to the blade
palpable and mute.
On a good morning
I am both the knife
and the warm bowl of cow’s blood –
on a great morning
I am a poet.
Candice Kelsey
Candice Kelsey’s poems have appeared in such journals as Poet Lore, The Cortland Review, North Dakota Quarterly, and Burningword — recently her nonfiction was nominated for a Pushcart Prize. An educator of 20 years’ standing with her master’s degree in literature from LMU, she lives in Los Angeles with her husband and three children.
April 2019 | Best of Net nominee, poetry
The latest research calls it misnaming, says
I likely look
nothing like her. Insists
it has nothing to do with aging, assures me
that the fact that both our names
start with K
is unimportant. In a half-
second, I learned this Scorpio dragon
shares the same semantic network
inside one man’s brain
and something else
located in an organ I won’t try to name
since I might say heart
when I mean penis, both
smoking, catching fire, and I guess
this happens
to everyone at some point:
you get excited, you get
confused, cup your hands to drink
from the same big bucket of love.
Kasandra S. Larsen
Kasandra Larsen’s work has appeared in Best New Poets 2012, Burningword Literary Journal, Under a Warm Green Linden and Into the Void, and is upcoming in The Halcyone Magazine’s/Black Mountain Press’ 64 Best Poets of 2018, among others. Her full-length poetry manuscript has been a finalist for the 2016 Four Way Books Intro Prize in Poetry, and a semifinalist for the 2017 Crab Orchard Series in Poetry First Book Award. Her chapbook STELLAR TELEGRAM won the 2009 Sheltering Pines Press Chapbook Award. She is a three-time Pushcart Prize nominee and a poetry reader for the journal Bare Fiction (UK).
April 2019 | poetry
a plastic water bottle
see-through debris
of an unplanned day-trip
its hollow clunk-clunk-clunk
into the recently emptied
recycling bin echoing through
the shallow chambers
of my heart—blood pulsing
into unwashed fingertips
the cheek-kiss of a too-warm
spring breeze—forewarning of
the oncoming storm
this knowing there is no right here
there can be no rights
out of all these wrong turns
what are we anyway
only ghosts living in
some future past
drifting blindly by
as Earth simmers
but persists
Anne Casey
Author of ‘where the lost things go’ (Salmon Poetry 2017), Anne Casey has worked for 25+ years as a journalist, magazine editor, media communications director and legal author. Her poetry has won/shortlisted for awards in Ireland, USA, UK, Canada and Australia; she ranks in The Irish Times Most-Read. Anne is Senior Poetry Editor of two literary journals for Swinburne University, Melbourne. Her poems feature in The Irish Times, Entropy, apt, Murmur House, Quiddity, Cordite, The Incubator, Verity La, Plumwood Mountain, The Honest Ulsterman, The Stony Thursday Book, Into The Void, Autonomy anthology and Burning House Press among others. Her second collection is forthcoming in 2019.
