Oates has B.F.A. from the Rhode Island School of Design, an M.F.A. from The School of the Art Institute of Chicago and is a Fulbright Fellow for study at Edinburgh College of Art in Scotland. Oates has had solo shows at Susan Eley Fine Art, The Central Park Arsenal Gallery, The Center for Book Arts, Real Art Ways, Artemisia Gallery, The Brooklyn Public Library and the MTA Arts & Design Light Box series at 42nd Street, NYC. Oates has been part of group shows in NYC at The Pen and Brush Gallery, Metaphor Contemporary Art, NYOC Gallery, 440 Gallery, Nurture Art Gallery, Momenta Art, Associated Gallery, Susan Eley Fine Art and at Denise Bibro Fine Art. Works on paper by Oates are in numerous public collections including the Harvard University Libraries, The Brooklyn Museum Artists’ Book Collection, The Walker Art Center Libraries, The Smithsonian Libraries and the Franklin Furnace Archive at MoMA, NYC.
Tom Lavazzi’s poetry and criticism appears in such journals as American Poetry Review, Postmodern Culture, Women in Performance, Performance Practice, Post-Identity, Reconstructions: Studies in Contemporary Culture, Symploke, Talisman, Midwest Quarterly, South Atlantic Review, The Little Magazine, Mantis: Journal of Poetry, Criticism, Translation; Rhizome: Cultural Studies in Emerging Knowledge, and Sagetrieb, among others. His work has been anthologized in Finding the Ox: Buddhism and American Culture, Volume I: Breaking Out: The Emergence of Buddhist American Literature (SUNY Press), Dialogism and Lyric Self-Fashioning: Bakhtin and the Voices of a Genre(Pennsylvania: Susquehanna University Press), Modernism and Photography (Praeger), Synergism: An Anthology of Collaborative Poetry and Poetic Prose (Boshi Press), Carl Rakosi, Man and Poet (National Poetry Foundation), Contemporary Literary Criticism (Gale), Poetry Criticisms 42 (Gale), and Jumping Pond: An Anthology of Ozark Poetry (Sand Hills Press), among others. He has published three volumes of poetry: Stirr’d Up Everywhere (collage poem/artist’s book, A Musty Bone), in collections at MOMA/Franklin Furnace, the Brooklyn Museum of Art (featured in recent group show, “Working in Brooklyn,” 2/3-4/16, 2000), Cleveland Art Institute, Banff Centre Library–Canada, Yale University library, Archive for New Poetry-UCSD, Rare Books–Columbia University, Poetry/Rare Books–SUNY-Buffalo; Crossing Borders (Mellen, 1996), and LightsOut (Bright Hill Press, ’05; BHP chapbook contest winner). A book of experimental critical performances, Off the Page: Scripts, Texts and Multimedia Projects from TEZ (a performance group he founded in 1995) is forthcoming from Parlor Press’s Aesthetic Critical Inquiry series. He is Professor of English at CUNY-Kingsborough.
Google News tells me academics in India are robbing literature of any personal touch. Poor literature breeds poor syllabus breeds poor literature, a vicious cycle while banner ads of Clarks walking shoes keep stomping across my laptop. Page down leads to Baltimore cops reading Plato and James Baldwin. Then: No bombs, no guns, just 90 minutes of football. As Google knocks, I learn that cinnamon may help attack fat and obesity. Scrolling up to schizophrenia, the subhed says angry avatars help people stop hearing voices by shouting at them. Meanwhile, Ohio State rallies past Michigan, Pakistani authorities order a media blackout and Easter eggs lay hidden in the new Senate tax bill. Are millennials narcissistic? The evidence is not so simple, says Google News. Silicon Valley, Black Friday, Donald Trump and the FCC. Badgers football, tobacco companies and the Pope in South Asia. I can still hear Google knocking. What to click? I choose the one that says Buddhism includes everything, even comic books.
Gary Singh was recently a Steinbeck Fellow in Creative Writing at San Jose State University. As a scribe, he’s published over 1000 works including newspaper columns, travel essays, art and music criticism, profiles, business journalism, lifestyle articles, poetry and short fiction. His poems have been published in The Pedestal Magazine, Maudlin House and more. For 650 straight weeks, his newspaper columns have appeared in Metro, the alternative weekly paper of San Jose and Silicon Valley. He is the author of The San Jose Earthquakes: A Seismic Soccer Legacy (2015, The History Press). http://www.garysingh.info
Teresa Sutton is a poet and a teacher. She has taught at Marist College for ten years and high school English for 28 years. She lives in Poughkeepsie, NY and has two grown children. Her poems appear in a number of literary journals including Stone Canoe, Fourteen Hills, and Solstice. Her second chapbook, “Ossory Wolves,” was a finalist in the 2014 Bright Hill Press’ Poetry Chapbook Competition. Sutton’s third chapbook, “Breaking Newton’s Laws,” won first place in the Encircle Publication 2017 Chapbook Competition; it was a top-12 finalist in the 2015 Indian Paintbrush Chapbook Competition, a finalist in the 2016 Minerva Rising Chapbook Competition, and earned an honorable mention in the 2015 Concrete Wolf Poetry Chapbook Competition. One of the poems in the collection, “Dementia,” was nominated for a Pushcart Prize. The final poem of the book, “Confiteor 2,” was honored with second prize in the 2018 Luminaire Award for Best Poetry by Alternating Current. The Poet’s Billow recognized her work as a finalist in the 2015 Pangaea Prize and a semi-finalist in the 2014 Atlantis Award. The Cultural Center of Cape Cod recognized her work as a finalist in their 2014 National Poetry Competition. Two of her poems won honorable mention in other poetry competitions: Whispering Prairie Press and California State Poetry Society. Sutton earned her MFA from Solstice Creative Writing Program at Pine Manor College. She has a MA in literature from Western Connecticut State University and a MS in education from SUNY New Paltz. She earned her BA in English from SUNY Albany.
Arno Bohlmeijer holds an MA in English Lit, BA French, and is a bilingual author in English & Dutch. He is winner of the National Charlotte Köhler Prize, finalist for the 2018 Gabo Prize, and finalist for the 2018 Poetry Matters Project. Arno has been published in five countries.
Featuring:
Issue 114, published April 2025, features works of poetry, flash fiction, short nonfiction, and visual art by Virginia Barrett, Julie Benesh, Alyssa Blankenship, Alex Braslavsky, Vikki C., Tetman Callis, Roger Camp, Zack Carson, John Colburn, Ben Guterson, Tresha Faye Haefner, Moriah Hampton, Sher Harvey, Penny Jackson, Carella Keil, Sam Kerbel, Amy S Lerman, Valentine Mizrahi, Christian David Loeffler, Judith Mikesch McKenzie, Jiyoo Nam, Megan Peralta, Andy Posner, Jim Ross, Beth Sherman, J.R. Solonche, Alex Stolis, Maxwell Tang, James Bradley Wells, Tracey Dean Widelitz, and Stephen Curtis Wilson.
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent may adversely affect certain features and functions (bookstore, announcements, submissions, etc).
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to send newsletters, calls for submissions, and for similar publishing purposes.
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to send newsletters, calls for submissions, and for similar publishing purposes.