Dan Jacoby

luck

 

young dog

standing in the blocks

four blue bills working

in against a cigar smoke call

once more around

try to take them

tree high shots

tipped one and feathers

out of another

but the steel shot

fails me

they are gone

like mad buddists

westing to the timber

only the grey spent husks

to show for

 

normal heart

 

day has a playlist

heartfelt grooves

breaks creative logjams

emphasizes flaws

errors honored

as hidden intentions

sing into the sadness

canons for life

makes a tasty soul

 

write a catchy tune

about a nerve induced asthma attack

don’t miss a beat

wage a heavy peace as

going around corners is scary

see it with new eyes

get into woodworking

follow hockey in church basements

crush the capsule

 

life is a godzilla disaster movie

success beat you down

tough to imagine

ever being young

an original american horror story

billionaires in birkenstocks

johnny cash not being played

on country radio

teenage jesus jerks in cowboy hats

 

creative people don’t always turn out

to be interesting

like chance meetings in london tube

someone called amy

conversation like watching sausage

and politics being made

world just gets tinier

it used to be a stage

a private confessional

 

by Dan Jacoby

 

Dan Jacoby is a graduate of St. Louis University. He has published poetry in Belle Rev Review, Black Heart Press, Canary, Chicago Literati, Clockwise Cat, Indiana Voice Journal, Haunted Waters Press, Deep South Magazine, Lines and Stars, Red Booth Review, Wilderness House Literary Review, Steel Toe Review, Red Fez and the Vehicle. He has work soon to be published in Bombay Gin, Dead Flowers, Floyd County Moonshine, Maudlin House, R.KV.R.Y., and theTishman Review.. He is a member of the American Academy of Poets.

With a Slash Between

She scribbles a few letters on the back of her card and hands it to him. She smiles and says something cheerful. The words don’t matter. As he takes the card, he answers in kind, if only to keep his tenuous grasp on the vision of civility he’s retreated into. He does not think of all the countless things he would like to say, because he does not want to risk their appearance, even in his eyes. But she is not as perceptive as he fears. She has another appointment waiting, and he is not the face she puts on a world’s betrayal; he just isn’t that important to her.

In the elevator on the way back down, he presses himself into the corner though no one else is riding;  it’s the only way he can keep from pacing. He walks past the metal detectors, where a man is shaking his head as he struggles to undo his belt; false suspicion has shamed this nameless man into stripping away another layer of his pride, if only to prove his innocence. The security guard that mans the machine doesn’t notice this inner struggle the man is having, but only does his job instead. But our man notices, just before he hits the door and once more takes a breath of the good air under an open sky. He wishes he could remember what it was like to take that for granted.

 

by D.F. Paul

 

D.F. Paul lives in the Midwestern United States. He’s been writing since he was a child, when he uncovered a beat to hell typewriter cleaning out the garage. Many years and a lot of wasted paper later, he still doesn’t understand the process any better. A list of his published work can be seen at: dfpaul.wordpress.com

Baking in My Sleeping Bag

You’re on the other

side

being abstract, acting

distant,

 

I have a stack of

thoughts in front of me,

unfinished; have poems to

write, poems I

should be writing; instead

 

I’m writing this; an

 

alarm goes off, it’s mine

 

Saturday morning, you’re

laying around somewhere,

Cootie Williams is blowing

Gator Tail; I shut the blinds

 

and the world outside

goes on and on and about

and out without me,

 

this poem is running, jazz is

dead, so are all those jazz

men playing, dead, but time doesn’t

make sense anyway; it’s

just going in circles, stealing

what it can,

 

which is everything,

 

we aren’t friends; I can’t see the

trees,

 

I’m hiding from the sun.

 

by Thomas Pescatore

 

Tom Pescatore grew up outside Philadelphia dreaming of the endless road ahead, carrying the idea of the fabled West in his heart. His work has been published in literary magazines both nationally and internationally but he’d rather have them carved on the Walt Whitman bridge or on the sidewalks of Philadelphia’s old Skid Row.

Terminal

The time until you die

grips the top of my hand

 

grates my fingers against

puckered metal

 

collects skin and bone

shavings

 

into a soft pile

on the good China.

 

by Jane Juran

 

Ashlie Allen

Like lace

 

Itsuki always dances behind cob webs

There, he can manifest several shapes

and pick which one he likes

 

Sometimes I help him move,

for he has no control over his particles

He is like lace,

weightless and transparent

 

Sometimes I worry I will injure him

if I want to kiss his cheek bone

or cradle his hands

 

If he would beg for my love,

I might be happy

If he would look at me and blush,

I might feel gorgeous

 

Today when he performs,

I tilt against the fireplace mantel,

hands gripping my elbows,

eyes exhausted with longing

 

I wish I could be a ghost

and be afraid of myself

for a good reason

 

 

Mournful  moments

 

I imagined myself dancing,

arms out to cuddle lonely spirits,

eyes closed to feel powerless

 

I imagined someone told me I was handsome

and didn’t need to smile

I imagined I was in Japan,

the place my embryo developed

 

I imagined there was romance to my suffering

and that the pulse in my chest was a hand begging for me

I imagined the lights were off

and that my shadow was someone I liked

 

I imagined the room was full of demonic voices

and that I was not afraid of anything

I imagined I was dying and that my funeral

would be  beneath the ocean

 

I imagined I was titling into glass

and cracking my bones

I opened my eyes and saw a skinny silhouette standing

ahead of me, arms tied behind the back

 

I made not a sound as the figure came forward

and kissed my throat

“Stop picturing mournful moments.” a feminine voice hissed

“It is shattering my organs to see you so sad.”

 

I remember hearing myself laugh

Then I was unconscious, floating through lavender mist

and tiny insects

 

by Ashlie Allen

 

Ashlie Allen writes fiction and poetry. She is also a photographer. Her work has appeared in Literally Stories, The Gloom Cupboard, The Birds We Piled Loosely and others. She wants to visit Japan one day.