It was spring, no I mean dusk, and the killdeer began stepping up out
of intricate doors in the field.
They sported unseen fires beneath their downy vests.
Their presence had been warming the soil before the corn crop, except
for their dead sisters, brothers who had joined the soil.
No, that was in my dream, before the part where the covers had parted
and a voice I didn’t recognize asked a question.
It felt like an ancient alphabet trying to spell some message.
It left a churning in my belly for the rest of that day, and again the day
after.
And the killdeer, that first night, had yet to break their wings.
They had no fear of owls, nor of hawks in the morning, after
daybreak.
And the toe prints they left in the muddy swale read as the myth of
Osiris.
Steve Fay began life twelve miles from the Mississippi River in western Illinois. Since the mid-1970s, many journals have published his poetry, which lately appears (or is forthcoming) in: Closed Eye Open, Comstock Review, Decadent Review, Jabberwock Review, Menacing Hedge, Santa Clara Review, Tar River Poetry, The Dewdrop, TriQuarterly, and Watershed Review. His collection, what nature: Poems (Northwestern UP, 1998), was cited by the editors and board of The Orion Society as one of their 10 favorite nature/culture-related books of the 12-month period in which it appeared. He lives among wooded ravines and a donkey pasture in Fulton County, Illinois.
erasing him with ease for forty years. yet he is coming
and wants to meet for a drink. really?
does he regret the divorce and realize he fucked
up by sleeping with Sally and Sara and Sue?
spending weekends shuffling numbers in his fancy office
on the thirty-sixth floor. but honey
my heartstrings have moved on. happily
Married to a marvelous man. and what
would I wear? certainly not my usual jeans or sweats
that make me look dowdy. which I definitely am. but
certainly not a tight sweater over sagging boobs.
certainly not scads of makeup. which I would have to buy.
I don’t want to fire up his remorse. or do I?
vengeance sweeter than Christmas pie. especially pecan.
rolling the taste on my tongue like a butterscotch disc.
what about the bills for two-hundred dollar “massages”?
Yet we did have some good times, didn’t we? I finger
my rosary of memories. breathless in Florence
standing before David. Coins tossed
in Trevi Fountain. but honey do I really want
to reminisce? do I really want to spend strung-out nights
worrying about what to wear? and fretting
that faint embers might gleam again? flaring
with a word, a look, or even a friendly kiss.
maybe best to say I am busy.
for the next forty years.
Claire Scott is an award-winning poet who has received multiple Pushcart Prize nominations. Her work has appeared in the Atlanta Review, Bellevue Literary Review, New Ohio Review and Healing Muse among others. Claire is the author of Waiting to be Called and Until I Couldn’t. She is the co-author of Unfolding in Light: A Sisters’ Journey in Photography and Poetry.
Aidan J Hong is a sophomore at Seoul International School in Seongnam, Korea. His passion for arts is geared towards architecture and art history. He also develops ideation on journalism, environmental concerns, archeology, and more. Aidan plans to continue pursuing his art and business interests to grow his inventiveness.
Jihu Kim is a junior at Yongsan International School of Seoul, South Korea. Her art practice began with an interest in art history. She is the founder of her school’s Art of Korea club and studies art conservation. Skilled in traditional art forms, she applies historical perspectives to her works.
Jian Kim is an 11th grader student attending St. Johnsbury Academy Jeju in South Korea. She is interested in many fields, wanting to explore and inquire deeply about them and express them artistically. Also, She always tries to convey a particular message to the public. To visually convey what she wants to say, she uses various materials and creative styles instead of pursuing only one specific thing. She tries to find the best combination by that process. She creates more than just visual pleasure through art creation. She strives to develop various techniques such as pottery, painting, sculpture, and drawing.
Featuring:
Issue 113, published January 2025, features works of poetry, flash fiction, short nonfiction, and visual art by Linda K. Allison, Swetha Amit, Richard Atwood, Rose Mary Boehm, Daniel Brennan, Maia Brown-Jackson, Hyungjun Chin, Amanda Nicole Corbin, Kaviya Dhir, Jerome Gagnon, Jacqueline Goyette, Julien Griswold, Alexi Grojean, Ken Hines, Minseo Jung, Sastry Karra, Joy Kreves, E.P. Lande, Kristin Lueke, Robert Nisbet, Yeobin Park, Dian Parker, Roopa Menon, Ron Riekki, Esther Sadoff, Chris Scriven, Taegyoung Shon, Mary Thorson, John Walser, Julie Weiss, Stephen Curtis Wilson, and Jean Wolff.
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