Swai

Ten minutes ago, I dropped you

at the airport, and you cried and I stared

blankly at the wall above your head, waiting

for the tears I knew wouldn’t fall,

not there, not then,

not when I needed them to.

 

Now I’m on the road, heading back

to the apartment you helped me decorate,

and there’s a hole in my stomach,

the air conditioner blasting right through it,

knowing that you’re sitting alone

in the terminal, trying your best

to bury your sadness but falling

short—way short, your eyes red like

the blouse you walked away in. But also

because I’m hungry,

because we ate brunch, not lunch,

and now it’s dinner time; and

if you were here with me right now, in the car,

we’d be discussing our dinner options,

flipping through our combined mental rolodex

of recently purchased Target grocery items,

each of us pretending to desire

what we suspect the other one does.

 

Ultimately, we would debate

over chicken stir fry or baked Swai,

and because neither one of us knows how

to make a decision, we would leave

that decision to chance and play rock-paper-scissors,

and you would win, like you always do,

so we would eat what you thought I wanted, which was the Swai,

and you would have been right.

I do want the Swai.

 

I want the Swai right now, but thinking of the Swai

makes my face contort

like a deep-sea monster,

my upper lip fat

and quivering,

my cheeks swollen, my eyebrows rolling

like the Nebraska Sandhills

we canoed through last summer. And of course

now I’m crying, now that I’m alone,

because how in the hell am I supposed to make Swai

when the only thing I know about Swai

is that I love you? 

Carson Vaughan

Carson is a native Nebraskan and freelance writer with published features work in Salon, Variety, The Hollywood Reporter, Orion, Truthout, the Omaha World Herald, the Lincoln Journal Star, the Wilmington Star News, and other publications. He currently serves as the nonfiction editor of Ecotone at the University of North Carolina-Wilmington.

Sarah Marchant: five poems

Joey

 

at the mercy of my feelings

in the palm of your hand

you’ve got me.

 

headlights float outside my window

like UFOs or the goat-drawn

chariots of Norse gods.

 

I’ll spell these figment cuddles

and kisses into stars

imploding, melting at my fingertips.

 

this has happened too many

times and my smile has found its crease,

but there are too few promises left

 

to group like marbles,

rolling in the bottom of a bucket.

 

 

Polite Love Notes

 

The wind whips, whistling

outside my window. Dirty laundry

strewn across the bed,

my thoughts of you

sprawling over every spare surface.

 

The chill of January

draws to a close and here

I am, my imagination

drawing you close, closer.

 

Kissing ghost lips,

wishing beyond wishes,

pronouncing every “please”

as clearly as I can

 

because my hopes are climbing

out of my chest

onto this page, a canvas,

whatever they can reach

 

ever writing and rewriting

the poem that keeps you near me.

 

 

My Heart Thrums Like the Radio

 

Happy is hard to hold,

fling a rope and do your best

to tie it up tidy

take the flood captive.

 

But you unwound the spark,

tapping a rhythm

amid the ordinary colors

a dance of pulses and pearls.

 

 

Stealing Kisses in An Art Gallery

 

Dropping I love yous like candy pieces

licking up scraps of affection

whenever they are spared.

 

Glorying in the sound of

my own name, eyes closed in

reverence, basking in

 

the thickest fog and prettiest paint.

Stow the memories, the needless nostalgia,

for this moment has me lighter than air.

  

 

Cold Calligraphy

 

Something delicate,

something I could understand

like pink petals cascading

settling soft on pale skin –

blonde hair,

glimmering eyes.

 

Not anything like this cold –

a girl carving sentences,

her friends to fragments,

herself to pieces.

I would hold her but for all

the edges. But for

my wounds being cut

just as fresh, just as cleanly.

 

— Sarah Lucille Marchant (twitter.com/flutterpulse)

 

The Urban Legend of the Video Nasty

My Mother is a video nasty,

a  lurid analog nightmare

transcribed with bloody fingers

onto VHS, shoved in a thin

cardboard box with age lines like soggy skin,

then sealed in urban legends:

tight, taught cellophane.  

 

They speak of it in whispers on

discussion boards.

  

How the tracking is off on every copy,

EVERY copy.  There is a gnarly buzz

scratching through the opening credits.

  

The last 15 minutes are legendary.

She removes her face with her finger nails,

pulls it off like a thin rubbery plastic.

 

A secret face, white 

microwaves of intense mockery,

focused as a lighthouse beam.

  

Papi dies the hard way, the Clive Barker way.

Hangers like hooks, fish hooks,

tear him asunder.

He is hunks of raw, red steak.

Ribs flower from 

torso as marrow oozes like a thick pollen.

 

This is an important shot, the commenters say,

the reconfiguring of his sex.  KubrickFurry asserts

Ann’s monstrous feminine is conservative.  RandallFlag 

retorts there is a lacanian message obscured by this corpse

flower:  the trauma of child abuse embodied by the real.

I am dodging face suns, hauling ass through the

barbed chain bramble that was my home.

 

Avatars debate over impossible architecture: men and women 

sparring with verbal chainsaws as I run through

a five and a half minute hallway, chased by a faceless medusa

in a dream of jagged ambien singed into the glass eye of a

Kodak camera. 

 

No one understands the ending.

They say I have to live,

fight my sister in the sequel.

They say the irrational is the milieu of cult films.

 

I say burn every copy of this ring virus.

Smash it.

Crush it.

Never let your mother watch it.

 

David Arroyo

Fred D. White

1. The Confession

 

“I know that Cheri’s been cheating on me.”

I looked at Rod. We were jogging together around the lake. “She told you?”

“Fuck no; the bitch is too afraid of me to spit it out.”

“Then how—“

“Her face told me. I been with her long enough to tell. No different than if she confessed outright.” Rod picked up speed; I managed to keep up with him even though I hadn’t been jogging much lately.

“Maybe you’re misreading her. Maybe—“

“Here’s what I’m gonna do to the fucker once I squeeze it out of her who she fucked.” He slowed down and pulled a switchblade from his shorts pocket. “I’m gonna cut off his dick. Slowly, so I can enjoy the screaming. Then I’ll shut him up by shoving it into his mouth. And then I’ll grab my .38 and—”

“Jesus, Rod, stop it. Just stop it!”

“It’ll be quite a show, Gus. I’ll give you a ringside seat. ‘Wild West Justice.’”

We finished our jog in silence. As I turned to head for home, Rod said, “If she’s still visiting with Jill tell her to get her ass back here now.”

Jill and Cheri were on the sofa, solemnly watching Cheri’s son, Rod Jr., playing with the puppy. I pecked Jill on the cheek. She didn’t respond.

Cheri stared at me; then she said, “Did you and Rod have a good run?”

“I need a drink,” I said—more to myself than to Jill or Cheri, and went into the kitchen. I poured some whiskey into a tumbler, took a gulp, sat down, and put my head in my hands.

Cheri walked in after a decent interval. She looked ill. I could see what she was thinking.  

  

 

2. The Wound

 

Dennie said he wanted to show me something. We’d been lounging in his back yard. It got very hot so we went inside. He made a pitcher of lemonade, spiked it with his mother’s vodka, what the hell, she was out of town for the weekend. We played some chess. He must have poured a lot of vodka into the lemonade because after just a few swigs the chess pieces began moving by themselves.

“You said you wanted to show me something, Dennie?”

Wincing, he slowly removed his shirt. His fingers were long and thin. “This.” He moved to one side and lifted his arm

There was a huge purple contusion on his ribcage.

“Jeez, what happened to you?”

He dropped his arm, readjusted himself on his chair and returned his attention to the chessboard. He wiggled his finger on a pawn as if trying to decide whether to deploy it or not. “It was BB .”

“Bad Brad Jensen?”

Dennie finally moved the pawn. “Yeah.”

“When?”

“During basketball practice.” As Dennie explained it, he and BB had had gotten into an argument. BB began speed-dribbling the ball and suddenly flung it at Dennie with such force that Dennie stumbled and fell. He called BB a thug and flipped him off. Before Dennie could get back on his feet, BB kicked him in the ribs.

There was this unwritten rule: giving guys like BB the bird would earn you a bashed-in face or a couple of broken bones.

“More lemonade, Carl?

I nodded.

“Too bad BB has such a mean streak,” Dennie sighed. “There was a time when I felt sure we were really gonna hit it off.”

“Hard to imagine.”

Dennie gazed at me for a long moment and smiled. Finally, he said, “Your move.”

 

 

3.  The Rumor

 

Did you hear the rumor?

I most certainly did. Isn’t it disgusting? How could they have been so sinful?

It doesn’t surprise me. Everywhere you look, people are turning into sinners.

I wonder if the rest of the neighborhood heard about it. Well, I am going to find out.

In just a few hours, the rumor had spread through the neighborhood. But the rumor did not stop there. It spread through the next neighborhood and the next. By the end of the following day, the rumor had spread through the entire town.

It was a wildfire of a rumor.

The rumor spread to one town after another. By the end of the week, the rumor had spread across the county, gaining strength as it spread, reshaping itself as it grew stronger with each new county it invaded.

Did you hear the rumor? Did you hear what they did? Isn’t it disgusting? How can people be so sinful?

The wildfire became a conflagration, consuming every county in the state, consuming the state, and eventually every state in the lower forty-eight. Alaska was delayed, thanks to Canada; Hawaii was spared.

Three persons dared to quash the rumor, the monstrosity that the rumor had become. Those individuals were apprehended, branded as enemies of the faith, and promptly silenced. Of course, they had become the flashpoint of yet another rumor.

 

Fred D. White

 

Fred D. White’s work has appeared in Confrontation, Michigan Quarterly Review, Other Voices, Pleiades, Southwest Review, Writer’s Digest, etc. His most recent book is *Where Do You Get Your Ideas? A Writer’s Guide to Transforming Notions into Narratives* (Writer’s Digest Books, 2012).

 

 

Kansas in the Corner

look at old kansas in the corner

everyone laughs

they always do

stared into the sun for too long

went blind went crazy

went way too fast on icy roads

and drinks to dowse a burning mistake

 

he says –

i remember the black and white days

back in goodland

the spencer girls in tight cotton dresses

                  walking back from church

                  in the sweet heat of summer

shutters slapping the old henderson house

most nights i could hear them

 

before you were born

the sky was sepia

 

 

you’re hearing ghosts – old kansas in the corner

he sits slouching with a bible and a bell

the old man knocks one  back and spins faster

                  in the world of whiskey

 

he says –

i dug the earth for fifty years

i’m a fifth generation to plow these fields

but the crop is thin these days

 

the red plains yawn under the  new sun

like beasts yoked for labor

 

 

Kevin McCoy