Anna Zumbro

No Good Deed

 

He might have been twenty-five, or fifty. His face was so dirty it was impossible to tell.

Mayra first saw him picking through a pile of litter near her dormitory. His purposeful search stopped with the discovery of a half-eaten cheeseburger. Horrified, Mayra watched the burger travel from the grass to the man’s mouth and disappear in two bites.

Her friend Lauren, a social-work major, said, “That’s Big Bill. Shelters don’t take him because he’s usually drunk, but he’s harmless.”

            He’s still a person with dignity, thought Mayra, who tried hard to see the spiritual beauty in everyone. She gave him a ten. He thanked her.

“You’re just enabling him,” Lauren rebuked.

“But someone’s got to help.”

And she did, organizing a benefit concert and convincing the university to hire Bill as a janitor. When Bill stepped into the entrance of his new apartment, reporters were there to capture the moment. Conscious of the spotlight, he examined the secondhand furniture and full pantry with stoic gratitude.

Mayra chose to major in journalism after reading the feature article and deciding she could do better. A year later she won an internship at the local newspaper.

She interviewed Bill and discovered he was homeless again and unemployed. His breath reeked of vodka. She choked back her heartbreak, filed the story, and resolved to forget.

Two days later, she received an email.

            Thank you so much for writing about Bill Arnolds. I’ve been searching for him for years. He’s my son.

 

 

Guilt

 

“Joe, get rid of that gum! You’re goin’ to church!”

Joe extracted the pink blob and smashed it into the coin slot of the parking meter, then ran to catch up with his mother.

His older sister Maggie scolded him. “That was nasty. God will get you for that.”

During Mass, Father Mayhew opened a birdcage and released two doves. As they escaped toward the open window, one defecated on Joe’s head.

Maggie elbowed him. “I told you. That was God.”

No, Joe thought, that was just a bird. And for that, he felt guiltier than he’d ever felt before.

 

Anna Zumbro

 

East Atlantic Avenue

I am reading secrets of yellow

tomato plants, studying life-lines

on their leaf-shaped palms.

Home from school the neighbor boy leans

over the fence. Asks about my day.

 

I’d tell him I found a lump

under my skin. I think it will end me.

Like a fly on meat

it’s hatched its eggs.

 

I’d tell him how my husband knew

a year ago, my mother three

decades before that.

 

I’d tell him but we’re done

talking. He hangs a thick arm

over the chain-linked fence.

 

Last week we admired our shadows

over cardboard guns held together

with rubber bands and silver

tape. He told me he’s an artist—

that sometimes he watches me

from his kitchen window.

 

I want to say that I’m an artist too

but the arrangement has turned

somehow, fast like a fire, or slow

like a leaf.

 

 

Tamra Carraher

Tamra Carraher has published two books of poems and illustrations for children titled PICTURE/BOOK and Bluefish Haiku and is currently exhibiting line drawings of poems at Bahdeebahdu in Philadelphia. Her poetry has been featured in the online literary journal Toe Good Poetry. She received an MFA from New England College in January 2014 and has worked as an Associate Editor for the Naugatuck River Review.

Someday, I’ll explain it all to you

I: Ascription

 

i ascribe meaning to moments

you: to dice and bones and chance

 

what did the tea leaves say this morning?

 

lies are coincident to actuality—

the bees are disappearing

 

do you take yours

with cream or sugar?

 

one scoop

or two?

 

 

II: i prayed a Novena

 

i prayed a Novena

 

you don’t come around much

anymore

 

squirrels are the least interesting
creatures in the yard.

 

i spend so much time waiting

 

water boils

the phone rings

the postman comes and goes

 

everything happens eventually,

says the praying mantis,

hungrily

 

 

III: Jicama stick salads

 

winter beaches

frozen sunset

ice chimes

 

tea, watered down more than it is already

cancer-survivor relatives

seekers of good fortune (read: lost change)

 

cinnamon jicama stick salads with maple syrup

and rye whiskey; French pressed coffee

cereal for dinner

 

midnight; spring-time shower trysts

walking. home—not a place, but

fingers grasping fingers

 

 

IV: on poems written in the middle of the night

 

he said, don’t

read too much

into all this

 

i’ll tell you

when you

need to know

 

most times,

i just like the way

the words sound together

 

 

C. L. Carol

C.L. Carol tries to be a good human. But, humans being humans, he’s known to fall short, stumble into a local haunt and spend time ruminating. Sometimes he writes. More often, he thinks. Diane Wakoski once likened one of his poems to Yeats, but the poem is lost and the story has now been relegated to fable. He lives in Northern Michigan with his wife, Emily, and their daughter, Berkleigh. Companion to cats. Friendly gentleman. Terrible golfer.

These Ill Spirits

In dreams or in sweaty moments driving, the classroom—

clarity spins away like water carving out a canyon.

I do not know when mind sinks into past crevasses

if it is Rumpelstiltskin padding down the dark hall

outside my room, or Captain Hook who will play

forbidden games.

 

These ill spirits are not poured from a bottle.

The hands sliding like serpents under the covers

are not healing. I go away and become a new

born, sleek baby seal swimming in arctic

waters with my mother. I nurse at her nipple,

the milk fat, hot, thick, nourishing, as she

protects me from those who would fill me.

 

This is the ocean womb, where I can take refuge

in shadowed canyons, hidden, watery valleys.

Safe from those who take away my blanket,

Nazis with lugers aimed at my being, panzer

hands driving their muddy tracks over my body.

 

Corrupted beyond their concentration minds,

deeper into shadow’s valley, I go to earth’s

heart beneath salvation’s waves.

 

This is the secret place that I prepare.

Here I will grow big, grow strong.

Here I will prepare for reckoning’s resurrection.

Here I will build the russet fire.

Here I will eat the hearts of men.

 

 

Ralph Monday

 

Ralph Monday is an Associate Professor of English at Roane State Community College in Harriman, TN., where he teaches composition, literature, and creative writing courses. In fall 2013 he had poems published in The New Plains Review, New Liberties Review, Fiction Week Literary Review, and was represented as the featured poet with 12 poems in the December issue of Poetry Repairs. In winter 2014 he had poems published in Dead Snakes. Summer 2014 will see a poem in Contemporary Poetry: An Anthology of Best Present Day Poems. His work has appeared in publications such as The Phoenix, Bitter Creek Review, Full of Crow, Impressions, Kookamonga Square, Deep Waters, Jacket Magazine, The New Plains Review, New Liberties Review, Crack the Spine, The Camel Saloon, Dead Snakes, Pyrokinection, and Poetry Repairs. Poet of the week May, 2014 Poetry Super Highway. Forthcoming: Poems in Blood Moon Rising. His first book, Empty Houses and American Renditions will be published by Hen House Press in Fall 2014.

Last Day On The Job

Bill’s desk was clean, nearly antiseptic, holding a stapler, a rolodex and a computer terminal, the computer tower stashed under his desk. He had always believed the neatness of his desk represented his efficiency, and thus his value. That and his expertise with the Infamous system. By now, he was its resident expert. Surely that guaranteed job security.

He had recently seen others “let go” during the current downsizing, but he knew he was safe. Until he tried to log on to his computer:

LOG IN FAILED. SYSTEM DOWN.

Then his phone rang. It was Jim from Human Resources.

“Bill, can I see you in my office for a minute?”

Walking down the hall, his footsteps muffled on the carpet, Bill felt as though he were following an invisible executioner leading him to the gallows.

Jim’s office was sparsely furnished: a wastepaper basked next to a desk with a chair on casters behind it and a straight-backed metal chair in front.

“I’m sorry it has to be this way, but the company’s been downsizing for some time now…” Jim droned on. Bill stopped listening and stared at the curtain fluttering at the window.

After eighteen years, no retirement, no “golden parachute,” just a man saying something about “references” and “severance pay.” References? For what? At 58, who would hire him? He was alone; no children, his wife dead five years.

He began to listen again. Heard “… let you go,” and, at the word “go,” did just that – ran to the open window thirteen floors above a concrete sidewalk.

 

Lon Richardson

He has been writing non-fiction and fiction for about 20 years — in journalism having been published in newspapers, magazines, industry newsletters, and have had short stories published in two literary journals: From The Depths (“Two Tickets,” December 2012) and The Torrid Literature Journal (“One Thing Led To Another,” October 2013).