October 2012 | back-issues, poetry
One doesn’t intend to comment on
strangers lives, but when you wake
to a glass shattering on the floor
above you, followed by a scream
and then the words I refuse,
repeated, you know that sleep
will not return for quite some time.
They divorced and for a while
it was quite. The husband would wander
the neighborhood in white undershirts,
the wife presumably far away. Then
they discovered the phone and a whole
new kind of one sided argument erupted,
louder, with no broken dishes.
Our next door neighbors were happy,
and in love, which is a different sort
of problem. A different set of sounds.
by Caitlin Elizabeth Thomson
October 2012 | poetry
Destiny
While you are dealing the cards, your face is stoney and noble,
You observe your victim like a sphynx.
I escape to the casino table,
Because I don’t have much left,
Just an old family heirloom ring
And very little hope
That I shall avoid seeing you in the croupier’s uniform,
Or the habit of a butler
Who is serving death.
My place is at the casino table.
The emptier my pockets,
The hungrier my passion.
I’ve heard the restless voice of a gambler:
“Perhaps I shall once manage
To deceive destiny… Perhaps…”
And the voice vanishes in the echo of many a gambler’s sigh.
You once again decided to scourge me,
Your shiny hand throws the white ball.
Who knows whose bones this white ball was made of,
This ball that dances so seductively
In front of the inebriated man’s eyes?
Will my bones end up
In its white interior tomorrow?
It didn’t take you long, destiny,
To throw me out into the street
With an empty wallet and a vacant gaze.
Now I stare into this empty night,
And death awaits below the old oak tree
That has accusingly raised its bare branches
Into this empty night.
Do not wear the black butler’s suit, destiny,
Let death wait.
I know you will comply, destiny,
You don’t like those who play it safe,
Because there is me in you,
And there is you in me.
Throw another one, destiny!
by Walter William Safar
Newborn Verse
I could write a new verse today
About two roses
That we laid down onto the black soil
When we parted,
Perhaps even a poem
About the warm tears that were mutely sliding
Into the cradle of your wonderful soul.
I could call you loudly,
Without shame and boundaries,
Like a bird calls another bird,
But my throat is trapped by silence
Born to powerful solitude.
Yesterday, I loved you less than I do today,
And the living memories are proof of that,
Memories that are warmly flowing
Through the dreamy summer air,
Like blood is flowing through veins.
In the silence of this summer day I could write a poem
About our last dance below the old walnut tree,
From which the beautiful memories still emanate,
But the sun is still so cold without you,
Shining like gold:
Cold and deadly blinding.
When solitude tends to my heart with sadness,
All I have left are memories
To give birth to a verse
Like a wonderful child of hope.
While the present haunts me into the past,
I haunt my spirit towards the sun’s golden cradle,
So it would become a blood brother to the newborn verse,
Because I might see you tomorrow
And read this poem to you.
by Walter William Safar
Old Oak
In the shadow of solitude now I see Your eyes,
that so faithfully carry about the light
through my thoughts so dark,
and the pen trembles in the hand,
waiting for the prodigal son’s acknowledgement.
My one and only, acknowledgements arrive in solitude’s embrace,
just like tears, and where there is a tear, there is love,
always faithful and invisible but so real
that you can touch it with thoughts
and with the fiery breath in the infinity of solitude.
I admit to using my verses as ransom for my guilt,
(and guilt is my silence),
and I listen to the rumor
that perpetually, like a bat,
whirls across the lonely poet’s street.
They say that me and You,
my one and only,
are fantasy, but a pen immersed in ink.
But You know, don’t You,
that me and You are perfectly real, full of wishes,
dreams and memories.
My one and only, I am listening to the whisper of the wind
in this warm, dreamy summer night…
It is silent, horribly silent without You,
and the wind’s whisper is dying down, farther away, oh so far,
as if called by death to its black hearse,
and I have waited for so many days, months and years to appear,
to bring Your voice to me,
gentle, soft, warm and yearning,
but it is so silent, oh so silent now,
that I can hear the screams of solitude
chase away memories
into this warm summer night,
my one and only, I am standing in the shadow of the dignified oak,
and I am looking into his empty sleepiness,
as if its playfulness left along with You,
it is silent like the wind.
Its dear, green, eternally waking young leaves,
who used to whisper in Your vicinity, untrammeled and confidential,
are completely silent now, completely dead.
Now I am trembling in the shadow of our oak,
fearfully looking at it as it drags its dignified old face along the ground,
its memories are as lively as mine.
Once, yes, once the memories,
who live so inaudibly,
shall become so weak,
so humanly weak,
that they shall find their dark home
next to our wooden crosses.
by Walter William Safar
Walter William Safar was born on August 6th 1958 in Sherman-Texas. He is the author of a number of a significant number of prose works and novels, including “Leaden fog”, “Chastity on sale”, “In the flames of passion”, “The price of life”, “Above the clouds”, “The infernal circle”, “The scream”, “The Devil’s Architect”, “Queen Elizabeth II”, as well as a book of poems.
October 2012 | back-issues, poetry
Herb Robert
The pale-pink spikes of Herb Robert
recede in hedgebank’s galaxy
of buttercup, harebell and phlox
unsucked by butterfly or buzzing bee;
one visitor alone alights
on its unfancied petal- fair
hard to tell if wasp or fly-
its pungent nectar to imbibe.
As in the case of flowers spurned,
insects that seem grotesque,
everyone and everything
is each by nature blessed
with purpose and the gift
of love and being loved;
and for their very difference,
by only fools are scorned.
by Mike Gallagher
Car Park
Blonde: Tall
Legs: Long
Jeans: Blue
Coat: Brown
Colours: Clash
Beauti: Fully
Long legs
Long strides
This way
Bygone
Old man
Dream on.
by Mike Gallagher
Mike Gallagher was born on Achill Island, Co. Mayo, Ireland. He lived in Britain for forty years before retiring to Lyrecrompane, Co. Kerry. In Ireland he has been published in The Doghouse Book of Ballad Poems, Irish Haiku Society, Revival, The Stony Thursday Book and Crannog; outside Ireland, his poetry and prose has been published throughout Europe, America, Canada, Japan, India and Australia. He won the Eigse Michael Hartnett viva voce prize in 2010 and is a current nominee for the Hennessy Award. He is the editor of thefirstcut, an online literary journal.
October 2012 | back-issues, poetry
maniacal
although she nods, pats my shoulder, and says, “Don’t worry about it, Dear, I know you’ve been busy. I know you have more important concerns on your mind,” I can tell that behind those soft brown, pseudo-sympathetic eyes lurks a maniacal, mindless, slaveringly hideous female beast, already plotting her revenge for me not having noticed her new hair-do.
pricked
in the twilight I see her across the grass and the folding chairs and faded blankets talking with some friends, gesticulating, pushing the hair back off her face, and I think how very pretty she is still, and listen intently, like a fox with its ears pricked, for the sounds of her precious voice to reach me in brief, simple, unorganized tones
serenade
I always felt I should do something unusual or extreme to win her over, to gain her attention, her look of approval, like serenade her or call out to her from beneath her window like in the balcony scene in Romeo and Juliet, climb a ladder, snatch her away, her knight in armor shining like the moon
first kiss
we’re up in the spotlight booth as the lights go dim in the high school auditorium, she seems so happy, yes, she does seem happy, quietly waiting with her eyes closed tight allowing me to steal my first kiss from her there alone in the night
beauty
on the steps outside the old gym, early winds of autumn blowing in from across the playing fields, I have to try and tell her, I must tell her, about her unspeakable softness, her shattering beauty, her shining brown eyes, her sweet, feminine scent, but all I can proclaim is, “I love you,” and clasp her precious hands desperately in mine
glimpse
under an empty moon, I walked the three miles from my house to her house, hid in her back yard, down low in the bushes, waiting, hoping, for a mere glimpse of her sweet, pure, white form moving up in her bedroom window
incredulity
she’s incredulous as I tell her my terrible dream where she no longer loves me, her eyes staring empty, so empty, into space
by Michael Estabrook