Cove/Silence

Cove

Where the

Black rock

Is soaked

In silver spray,

Moonlit

 

My guttural baritones

Are

Bowed strings of longing

 

Come in to my cove,

My black wings

Encircling

 

I cannot

Promise

A halo

 

But you and I, we

Could circle the fire

 

Let the howl

Of the wild

Rip the skin

From the waters

 

It will never

Tear the tears

From closed eyes

So please,

 

Burrow

And Settle

 

In the crook

The cradled bay

And I will set us in stone

If you will stay

 

Silence

There is no better sound;

the greatest opus

The caught breath

between thrusts

As her father calls

from beyond the walls

And a gulp slips away down a throat

 

The smoking gun

A peeling onion

and the tears of realisation

tearing out the truth talking noise clutter

It is guilt.

 

Pulled through in puppet strings

A thread long

A tight wire – line straight, an endless

unravelling of the mind inside

 

It is the music of tension,

the eternity of waiting

 

It is taking

the talking for a talking to

Away beyond the sidelines

Downstairs behind the kitchen door

and out through the garden, the garage,

the secret corner and the sly cigarette your father

will never show unto your mother

 

It is the monolith

in white block

One giant eraser ready

for the painting over

The one coat non drip glossing over a canvas

A cosmic napkin wiping the crumbing

of the messy eating of language

and the swirling amateur chaos of colour mixing

 

A palette trashed

A square punch to a whiteout

A collapse from a breakdown

And the blurring, the peaceful nothing

Of a hospital bed in morphine

With a sawn off shotgun

and a hearing all sewn up

A hearing

O, finally a hearing

without a judgement;

 

A hearing we don’t have to listen to.

 

by Greg Webster

Laura Baker

Wine Tasting

Breathe,

but don’t inhale.

Taste and swish,

but don’t swallow.

The experience

lasts a moment,

then discarded

into a silver bucket.

So dignified,

so proper,

delicate ladies

with perfect hair

spitting blood

red mouthfuls.

 

Falling in Love Outside a Ryan Adams Concert

Into a swirl of smoke and music,

awkward chatter fades away.

 

Cigarette smoke mingles with,

Just put your arms around her already.

 

A woman laughs.

Pretense of scalped tickets

 

falls away, as we move closer,

pressed together in the rain.

 

by Laura Baker

Dustin Junkert

Strange Trials

If you must drown or burn, please burn.

At some point, you must choose a scent

(ascent, descent) and go with it.

 

I’ve never seen why we shouldn’t put our bodies through

strange trials for no reason other than that freedom

is knowing perfectly and exactly all the walls of your cell.

 

Everything survives flames. Imagine

touching the nonexistent

top of the sky, your body in ashes on the wind’s wings.

 

Revelation, like all sensations

is for one person, time and place only.

 

If it is true, as Moses knew,

that the desert is God’s country,

the void speaks volumes.

 

The Visitation

In the event of a visitation—

some presumably all-knowing being

coming down to chat—my protocol

is to first ask, Is there a God?

 

So when God Himself appeared to me, I asked this

and He replied, in His unmistakable voice, No.

The sky turned green and chairs

collapsed under people all across the city.

 

All I could do to demonstrate my faith was walk

out on a frozen lake, tiny cracks following

my every step. Laws are governed

by miracles, and these can never be broken.

 

This was in Truth or Consequences, New Mexico

late November. What an unbelievable name.

People had thrown rocks onto the ice

some heavy ones even broke partly through.

 

When I stepped back onto the dock, my hero’s

welcome consisted of a black sun-abandoned line

of trees standing behind a field of yellow

grass poking curiously out of the snow.

 

by Dustin Junkert

 

Dustin started writing in order to impress girls. Most girls aren’t all that impressed by writing, he has found. But here’s hoping. Dustin lives in Portland, OR. He recently had an essay published in the New York Times, and poems in The Journal, South Carolina Review, the Minnesota review, Weber, Georgetown Review, GW Review and New Delta Review.

Car Bombs

We drink until we become different people.  Fuck each other stupid to see who gets the most injuries.  There’s a tally chart on our bedroom wall.  There’s a 911 dialed on a cell phone.  There’s a dispatcher somewhere waiting to hear one of us say, “I don’t know how it happened.”  Last night I went to the hospital.  Two broken ribs and a plum eyeball.  I was trying to be Angelina Jolie.  He was Seth Rogan.  I think we were going for the next cult classic.  I have bark skin where my virginity used to hide.  Instead of a heart beat in my stomach there’s a fist looking for asphalt.  I don’t get knocked up.  I get knocked out.  I can’t remember what missionary position is except that one person is on a mission to find a tidal wave while the other waits for something to happen.  And it never does.  Who is this man lying next to me?  His breath throws Irish car bombs into the mattress.  They explode into nightmares.  I see a ring and I don’t know what that means.  I can’t remember what marriage is except someone stares at a wedding cake, wondering whether she is the bride or the groom, and the other person can’t find the knife.  It’s between my hip and my uterus.  Here.  Take it.

by Jessica Farrell

Memorial Lake

Thousands of leaves scatter toward us,

New Year’s confetti.

Icicles—test tubes,

bruised apples—a baby’s beating heart.

A needle pokes in and out in and out

sewing your name.

 

This is the season in between seasons.

 

Our paddles cut through water,

reminds me of my mother’s porridge

thick, lumpy, never the same consistency.

Your fishing line jerks, the fish escapes.

Your spinner stuck to a tree branch.

 

We had banged on the rack of bones that

was the canoe’s chest.

Mice ran out,

tiny blind bodies clinging to their mother’s

nipples, naked in the presence of the Red-Tailed

Hawk.

 

This is the funnel of nature.

 

I’m swept up between The Valley,

her hips straddling me

the explosions of artillery

from the Gap sound.

I feel the contractions

before she gives birth.

The earth’s blood pools

beneath my feet.

 

by Sarah Grodzinski