The Garden of Earthly Delights

Stew and Gus were discussing the forces of good and evil. The two men had been friends for years. They lived many miles apart, but they corresponded almost daily by e-mail.

Stew believed in heaven and hell, and Gus professed not to believe in anything. Gus would be the first to admit, however, that he was familiar with the dark side.

“I believe in gods, devils, demons–the whole shebang,” Stew wrote. “It’s the only thing that explains suffering. Good and Evil exist side by side, and you can’t blame Evil on God. Or use it as evidence that there is no God. He does what he can.”

“You mean God gave us the birds and popcorn, and the Devil is responsible for voice mail?” Gus wrote back.

“It’s more complicated than that,” Stew replied, “but essentially yes. I think that in the beginning God and the Devil made a pact. They divided up human affairs like the Allies divided up Germany after the war. You get this, I get that.”

Stew had the flu. His stomach was in a knot, and he had a stuffy nose. His wife had had the bug the week before. “Poor Daddy,” she said, but she was not overly sympathetic. “Take Alka-Seltzer,” she said. “That’s what helped me the most.” Stew did as he was told. He sat down at the computer and logged on. He was feeling very sorry for himself.

“The trick is knowing which is which,” Stew wrote to his friend. “Knowing what God can do and what he can’t. God looks out for drunks, for example. He can help people stop drinking. But smokers are on their own. It’s not God’s business.”

Stew logged off and forced himself through his morning chores. When he had finished feeding the cats, including a gaggle of strays that camped on their doorstep in the morning, he went out on the porch in back of his house and lit up a cigarette. Afterwards he felt better.

At eight o’clock Stew called Nix and told him that he was sick and couldn’t go on their morning walk. “I think I’m going to die,” Stew told his friend.

“Well, you probably will some day,” Nix said.

Stew went outside and smoked another cigarette. He was smoking too much, he knew. He had quit smoking six months before, but then he had started in again. He smoked for a week then quit a second time. This time he lasted a month.

Why did I ever go back to it he asked himself. He sighed. It was the devil’s doing, he opined.

Over the weekend, the remnants of a Pacific typhoon rolled into the coastal area where Stew and his wife made their home. It rained Friday and off and on again Saturday and Sunday.

Saturday morning, returning to his house shortly before noon after running an errand for his wife, Stew was intercepted by a neighbor who asked if Stew would drive him up the canyon in his truck so he could release a skunk that he had trapped in the crawlspace beneath his house. Sure, Stew said. The neighbor’s battle with the skunks had been going on for weeks. First he had released the animals in a vacant lot just down the street. Then he realized that they were doubling back and getting in again. When he decided to remove the captives to a greater distance, he first tried putting the trap into the trunk of his car. That also proved to be a bad idea. At that point Stew’s wife Paula volunteered their truck for any future catch and release operations.

Stew drove up the canyon road for several miles, and then guided the vehicle onto a forest access road. He drove to the gate and stopped. His neighbor released the skunk, and the disheveled animal scrambled to freedom up the steep side of a grassy cut.

The neighbor returned to the truck, opened the door on the passenger side, and got in. “Phew! He got you, huh?” Stew said.

The man sighed. He looked tired and discouraged. The neighbor and his wife were immigrants. He was from Jordan, and his wife was from South Africa. They weren’t used to the rigors of American suburban life.

When they got back to the house, Stew told his new friend that he would give him the name of a handyman who could find and fix the broken vent that was giving the animals access. It was probably under the deck, Stew said.

Stew’s friend Gus had been complaining about his insomnia and depression. Stew told him to see a doctor.

That evening there was a message from Gus in Stew’s online mailbox. Gus said that he was going to talk to his doctor about treating insomnia. His doctor thought his depression was causing the insomnia, Gus said, but he thought she was wrong. Treating the depression didn’t help him sleep, he said. Sleep cured the depression, however. “A good night’s sleep puts the demons to bed,” Gus said.

Stew replied that he thought Gus’s doctor might be right. “You’ve always been a gloomy sort,” he said. “Maybe it’s brain chemistry. Maybe it’s a matter of perception. Some people see life as a comedy, and some people see it as a tragedy.”

Sunday was a busy day. Stew and Nix went for a walk in the morning. At noon Stew helped his neighbor relocate another skunk. After lunch he spent an hour at the animal shelter looking through the lost cat listings, seeing if he could match any of the entries to a part-Siamese visitor that had begun appearing on their back fence each morning and evening, looking for a handout. Stew kept an eye on the football game, too.

On their walk, Nix and Stew debated the usefulness of pain in the sobering up process. Nix, an A.A. old-timer, said it was essential; Stew said it was worthless. “We don’t remember pain, “Stew insisted. “Events, faces, scraps of conversation, trivial bits of information–we may recall these things years later. But feelings, no. When we don’t hurt anymore, we forget about it.” Pain couldn’t hold a candle to fear as a motivator, Stew said.

Nix disagreed. “Fear doesn’t keep you sober,” he scoffed.

“Yes, it does,” Stew replied. “People get sober because they have to, because they know if they don’t they’re going to die. That’s why A.A. doesn’t work with other addictions, with smoking, for example, or over-eating. There isn’t the same urgency.”

They walked in silence for a time, and then Nix, who liked to get in the last word, said, “I still say pain is necessary, in early sobriety anyway. It’s the memory of the pain of withdrawal that keeps the newly sober alcoholic from picking up another drink.”

Stew woke up Monday morning with a song in his heart. His wife was in the shower, and Stew stood in the doorway of her bathroom singing Happy Birthday to himself. It was his birthday. He was sixty-eight years old.

Mother Nature hadn’t greeted the occasion with a smile. When Stew got up at 5 A.M., the rain was pouring down. The floor of the porch in back of the house was slick with water. Stew had patched the roof the previous week, but it was apparent that he had missed some holes.

Stew booted up his computer and logged onto AOL. There was a message from Gus in his mailbox. Among other things, there was a question. Gus wanted to know if Stew and Paula were smoking.

“I’m not, she is,” Stew wrote back. He didn’t elaborate. Stew wasn’t fibbing. He had quit again the previous Wednesday. Tuesday he had felt so bad that he had moved up his quit day from the weekend, which he had previously planned. Miraculously, quitting was painless this time. Stew thought about smoking from time to time in the days that followed, but he didn’t have cravings. He had tried a new approach, which was to keep it simple and put aside the struggle. Previously his head had been filled with information from a stop smoking class that he had taken. He had made lists of reminders and posted notes to himself. He had made quitting a major chore. This time he decided to simply stop fighting, to just quit and see what happened.

He did just one thing in preparation this time. He vowed to reward himself for not smoking. He remembered the advice to be good to yourself from the smoking class and from the time more than a decade ago when he had stopped drinking.

Stew watched with a bemused interest as the day unfolded around him. After breakfast, he pitched into his morning chores. He emptied the garbage and cleaned the cats’ litter boxes. He put a load of clothes in the washing machine and ran the dishwasher. He thought about having a cigarette, but he put the thought aside.

Before lunch, Stew sent an e-mail to every friend and relative in his address book berating them for not sending him a card for his birthday. That afternoon, the replies began to trickle in.

By the time his wife came home from work, Stew had collected a stack of e-mails from kinfolk and friends. A college roommate said it was four days until his own birthday, and he didn’t want to be reminded of it. A cousin in Florida said that she had sat down at the computer hours ago intending to send him condolences, but she forgot about it. A Minnesota friend said she didn’t send him a card because she thought his birthday was the next day. “You’ll get your happy birthday then,” she said.

Stew built a fire in the fireplace, and Paula magically produced a shopping bag full of gifts and cards. One by one he opened his presents. There was a book by one of his favorite authors, a tiny flashlight, a warm jacket, and a new cell phone. Of the cards, his favorite was a Larson cartoon of an elderly man in a cape standing on a windowsill and saying to his wife, “Dang! Now where was I going?” The caption read: Superman in his later years.

Dont make mistakes

When you alight from the train
look for Ramdhun, the rickshaw-wala
Tell him you want to go to chowk and
pay him two rupees no more

When you come to the stream
take your shoes in your hands
hold the rope on the log bridge
or you will get wet

A small walk along the cowpath
and you will reach the village chowk
Ask for Vaidji. Everyone knows him
as he gives them medicines

The village boys will follow you
as you will be dressed strangely
in city clothes
Let them

If you see me playing with other girls
or doing some chores
dont stare or call me by name
They will be shocked

Just lower your gaze
and walk past briskly
towards the house
I will follow later

When you meet Baba
talk about other things
not about us
Or he will think you are brash

When he talks about
the days of the British Raj
look impressed
And ask him to tell you more

If you do all this
and dont make mistakes
he will give you my hand
in marriage

[b]Author’s Note[/b]
Ashok Gupta
Jakarta, September 2002
ashok1082 [at] yahoo [dot] co [dot] uk

Published in –
Reflections Jan 03, Liberty Grove Review July 03, Poetry Billboard July 03 (Also Editors Pick)
Accepted by Slowtrains, Muse Apprentice Guild

The Poolside Chat

Three women lounge beside a pool —
comparing scars and silently,
the sizes of a spreading waist.
Laughing at the family branches,
reading stories for reprieve.
Different brands of syllables
to suit the weight of sorrow’s cloth
and longing, well, it hangs
in sacks beneath the eyes
behind their shades —
it hangs in every swaying elm.

Children cackle in the water,
race across the hot cement
to blankets of their mothers’ arms.
Dancing like a moonbeam’s stripe
toward that grand chameleon, death,
unaware that bodies
are tenuous treasures at best.
Denominators of the years
will water sadness tacitly.
The chairs are facing east
where light arrives and doesn’t stay.

One discusses discipline
for nine year olds
who think a mouth is meant
to tell their father off.
Another, brands of tanning cream
that fake a blush for summer months.
The third is reading Lucy Grealy,
hiding titles under towels
that also drape a half a leg.
She’s the one who wears her grief
like stains across a white lapel.
She’s the one reminding them
that shaving pairs of flawless thighs
is running digits through dazzling silk.

Clinging to the Caving Walls

The battle went flat like a candle pinched.
One moment you were pale soap
resting on a double bed,
dwindling as our tears raged on.
I’d read to you from hardbound books
as if thin scrolls of verse you loved
could break the silence
rubbing against my quiet screams.
A hospice nurse shut down the drip.
I made her check your pulse
at least a hundred useless times
between my racking sobs.

We’d clean and paint the haunted house
as if a broom or brush
could mitigate this hurt.
My sister and I drew straws.
The short one got your bathroom drawers;
the long one got your greenhouse
full of gangly roots,
scents of old geraniums
smothering the faintest smell
of Nina Ricci clinging to the caving walls.

We passed the trinkets of your life
back and forth across the room.
Bubble-wrapped your china dolls
to open when our strength returned.
Balls of cat hair raced my arms
like moths react to woolen sleeves
we rearrange as seasons fold.
Your shoes became two empty rows
of bobbing boats beside a pier
that’s slipped into a stormy sea.
Whatever we grabbed
scalded our tender hands.

*First Published in Retort Magazine

the age of myths, deconstructed: notes on self

i.

the bleeding horse

who is everyone
and no one

who knew pollock
and picasso

who died in ’56
and again in ’63 and
again in the summer of ’97

who lives

stumbles blindly down
all of the empty streets i’ve
ever lived on

crawls crippled through
broken glass alleys

through november fields
in upstate new york with a
crucifix carved into his
soft belly and his
eyes gouged out

who is pain and
the lack of hope in
a sunlit world

things that matter
whether you
talk about them or not

ii.

the burning girl

says she loves you
as she’s dragged through
a barren field in
upstate new york

everything else
smothered by the sound
of flames

iii.

the woman who loves pain

calls me ten years later
to say that all is forgiven

to tell me that
her youngest child is dead

her voice nothing
like i remember it

iv.

the god of starving dogs

refuses to see himelf
that way

wants nothing more than to
fuck this seventeen year-old waitress
with crosses carved into
her wrists

than to rub her face in
broken glass until
she says she loves him

reminds me of my father
ten years after his death

v.

the burning girl

is raped once
and then a second time

screams against
the black and then
lights it up

brilliant but
not like the face of
any god i’d ever call
my own

vi.

the drowning boy

has a name which
no one remembers

is more than just these
last desperate moments
recorded on a cheap sheet
of lined paper
but it’s not enough
to save him

there is possibly
a lesson here

vii.

the poet

hates himself

hates the idea of poetry
and he has no use for god
and only a limited concept
of the truth and
his wife loves him despite
everything

her smile
all he needs to know
about religion

viii.

the queen of open wounds

who i always describe as
naked
and being fucked

who i never knew
any other way

ix.

the man downstairs

with his wife on
her knees

with his hands at
her throat

a picture i’ve painted
a thousand times before

an image i
can’t seem to shake

all of the time
i spent sitting on the
floor and just
listening

x.

the drowning boy

is found
twenty miles away
in the town i grew up in

a small body caught
in the branches

a message from god
if you believe in these things
but what it means isn’t
immediately
clear

xi.

the god of starving dogs

shows up at my door
on a thursday afternoon

holds out his hands
which are empty but bleeding
from where the nails have
been driven through

are stained with the tears
of his wife and child

of the women he’s touched
in windowless rooms

and maybe i
laugh in his face or
maybe i make the sign of
the evil eye or maybe i
just turn away

something this simple to
help split
the future wide open

xii.

my father

collapses on the
kitchen floor

dies two days later
in a
windowless room

i don’t remember
ever telling him
i loved him

xiii.

the room of empty chairs

in a house where
no one speaks the truth

the way men scream
without conviction about
the will of god

the way gorky steps
easily into empty space

spins slowly for
next fifty-four years

xiv.

the eye of god

is blind

the words of christ
are meaningless

picture the bodies
of four small children
laid out neatly
on their mother’s bed

picture a hand held
to a burner
in a house five doors down
from your own

talk to me
about faith with the
smell of charred flesh
wrapped around you
like a shroud

xv.

the man who murdered cheerleaders

only to end up dead in
a prison cell
by his own hand

i will always regret
not being there to watch
this final act

xvi.

the man who crushes the skulls of newborn kittens

and then goes home
to kiss his wife

tastes of blood and
of bone
and she wants more

she crawls

believes there are
worse things
than being in love

xvii.

the burning girl

bleeds
like anyone else

will prove it
if you ask her to

will be remembered as
a better person than
she actually was

the comparison
to christ
too obvious
to miss

xviii.

the prince of swords reversed

who i think
might be myself

a face in a
second-story window
on a street that goes nowhere
in both directions

the weight of the sky in
november
or in january

the sound of my son
playing in another room

something real

xix.

the woman who loves pain

crawls into my bed
on the night
before her wedding

tastes of smoke and
of ashes
and i don’t see her again
for four years

i don’t recognize
the person she’s become

don’t understand
the need for all of these
bitter poems

the act of bleeding
was never meant
to be enjoyed

xx.

the house of the dying man

is where my wife goes
to be happy

calls me at midnight
to tell me she loves me
and then starts to cry

says that what she’s
afraid of
is the future

all of the ways that
things might go wrong

this space that
has grown between us
no matter how close
we are

xxi.

the season of rust

is now

look at your hands

consider the world
beyond your pale blue walls

dirt and ice and
a young boy abandoned
in a store by a man who
no longer has any
use for him

the space shuttle
breaking up over texas like
the failing mind of god

the need to know why
is was up there
at all

xxii.

the season of rust

is forever

this is not prophecy
it’s certainty

i have lived my life in
slowly collapsing buildings
on pitted grey streets

i have stayed thin on
a diet of anger and fear

have become a father
not once but
twice

these beautiful children
who will eventually
be stained by
all of the filth i can’t
protect them from

xxiii.

the queen of open wounds

and her lips that
taste like gasoline

her skin that
bruises too easily

rubbed raw at the ankles
and the wrists and
she smiles for the camera

tells herself that
none of
the pain matters

drinks from a
bowl in the corner then
waits for the next man
to find her

xxiv.

the man who starves horses

says he
knew my father

a drunken fool
he whispers
and then waits for me
to answer

watches my face for
any emotion

laughs when i
turn away
without answering

xxv.

the burning girl

says she just
wants to be left alone

says none of these poems
have anything
to do with her anyway

doesn’t understand
how easily
addictions begin

xxvi.

the human cathedral

which i would never
call home

walls of bone
and windows like eyes

a door
but always locked
from the wrong side

always smeared
with the blood of priests
and the children
they’ve raped

anything built in the
name of god
never meant to stand
forever

xxvii.

the hill of fifteen crosses

where children are buried

where flowers grow
from the bones

this need to
bury tragedy beneath
so much fragile beauty

xxviii.

pollock

who on some days is
the bleeding horse
and on others becomes
my father

always a frightened man

always lost

possibly even myself
which i
almost never admit

xxix.

upstate new york

beneath the grey skies
of february

a woman found
raped and strangled in a
plain white apartment

her boyfriend
disappeared

the smell of gasoline
everywhere

xxx.

upstate new york

and a six year-old boy
who has been
missing for twelve years now

a barn with
JESUS DIED FOR YOU
pinted on the side in
letters ten feet tall

all of the fields
i’ve ever walked

all of the people i’ve hurt

none of these
empty confessions ever what
i mean to say

xxxi.

burnt hill road

and all of the years
it took me to escape from there

all of the excuses i’ve made
to avoid going back

the crosses that have sprung up
at the ragged edges of
dying lawns

the fathers who have raped
their daughters
and their daughters’ friends

the ones who begged for more

xxxii.

the man who starves horses

who sits on his porch and
watches the flies gather

listens to the approaching sirens

looks at the shotgun resting
easily scross his knees

xxxiii.

love

which i
still believe in
despite everything

xxxiv.

the poet

wants to talk
about addiction

34 years old and
a husband and a father
and he wants only to
stand in a sunfilled room
and feel clean

believes only in the
things he can hold and
the ease with which they
can be broken

understands how
useless
words really are

****

portions of this poem originally appeared in Muse Apprentice Guild

 

by John Sweet