La Manzanilla, Jalisco, Mexico, Thursday, July 11, 1991
10:50 am
I am writing in a thatched hut a half mile down the beach from the village. The surf crashes on the shore.
Supplies
2 jugs agua pura
2 cameras
Tortillas
1 can chicken meat which tastes like dog food
1 can Vienna sausage which IS dog food
2 granola bars
1 can Herdez salsa
We have traveled here from Lubbock to witness the greatest full eclipse in decades, using an Eclipse Monitoring Station fashioned from a Johnnie Walker box with a hole cut in it. The hole is covered with foil from a cigarette pack, with a smaller hole poked via a safety pin in the foil. It’s a Camera Obscura, a pinhole camera. Jimbo read about this design someplace. He is a friend from high school and has joined as a Mission Specialist. He wears a straw cowboy hat and a red Speedo. He has a portly frame.
11:00 am
We have not pinpointed what time El Eclipse will begin, having heard many different accounts. Mission Specialist Jimbo was supposed to be on this. One local said it would not occur here in this part of Mexico at all. We discounted his opinion immediately.
The man told us this last night as we sat at a table on the dirt street in front of a little store lit by a bare bulb. A large man with a cleaver, shirt open, was chopping pork on a board, then frying it in a pan over a propane flame.
“El carne?” I said.
“Si, es porco. Taquitos.”
“Dos, por favor,” I said.
He fried the chopped pork and scooped it onto two steamed tortillas.
“Frijoles?” I asked.
He handed me a Tupperware bowl with cold beans floating in it. The taquitos were mas fina. I considered my potential disablement from the mission after consuming the frijoles.
12:45 pm
A hen with six chicks has disappeared from around the shack behind us. El Eclipse underway.
12:55 pm
Eating Herdez salsa out of a can. Smoking a cigarette, peering into Camera Obscura. The earth-rending blackness we expected has not yet materialized.
1:18pm
Sort of like a cloudy day at the beach.
1:30pm
The sky seems to be lightening up. A rooster crows behind us. I believe El Eclipse is over. Jimbo reports that the whole universe has now changed and that his fillings hurt while the spectacle was underway.
A long moment of silence, as the surf crashes.
“Mine, too.” I replied.
Conclusions
The next night, drinking pulque at Hermana Hortensia in Mexico City, Jimbo and I found an English-language newspaper, showing the path of El Eclipse.
We were several hundred miles off course, far from the dark zone, figuring that the moon was really big and would black out the whole country. As the mildly hallucinogenic pulque kicked in, we closed the mission, agreeing we are clueless specks of sand on the beach.
David Fowler has lived in New York, San Francisco, and on a ranch near Penelope, TX. He writes from journals kept during his travels and lives in Jackson, MS. This is his first published fiction.
Ed Gaudet is a writer who lives in Hanover, Massachusetts, where he is a cybersecurity software entrepreneur in healthcare. He has written for Forbes Magazine. His journey with poetry began at an early age and grew during university where he studied under poet Ruth Lepson and was greatly influenced by Robert Creeley. While attending Bentley University, he was the Editor-in-Chief of its literary magazine, Piecework. In 1999, Ed was awarded the grand prize for his poem, “Sitting Shiva,” which appeared in Into the Sun. His work has appeared in The Inflectionist Review, Panoply, Clade Song, and Book of Matches, Lit.
Stanley Horowitz’s work was exhibited in the 2008 Heckscher Museum Biennial show on Long Island. During the past two years, he was a featured photographer for The Wayfarer, and covers have been published for Rattle, Buddhist Poetry Review, Cimarron Review, Kestrel, Off the Coast, Stand Magazine, and Burningword Literary Journal.
Christianne’s chapbook “Oracle Smoke Machine”, a collaboration with painter Stephen Proski, is forthcoming with Staircase Books (Cambridge, MA). Her work has been published by Rust + Moth, The Lakeshore Review, Fahmidan Journal, and Panel Magazine. She is a graduate of the Boston University MFA program, the recipient of an Academy of American Poets University Prize, and a Robert Pinsky Global Fellow.
Lila Byrne’s passion for art began as early as she could hold a pencil. She has since taken many art classes, including programs at RISD, Pratt College, and Stamps at the University of Michigan. She has designed logos for various businesses in the area and has been an assistant teacher for an art school. She is always looking for ways to learn more about the art world and is excited about this opportunity. She creates her pieces using as many mediums as possible to help her learn exponentially.
Featuring:
Issue 114, published April 2025, features works of poetry, flash fiction, short nonfiction, and visual art by Virginia Barrett, Julie Benesh, Alyssa Blankenship, Alex Braslavsky, Vikki C., Tetman Callis, Roger Camp, Zack Carson, John Colburn, Ben Guterson, Tresha Faye Haefner, Moriah Hampton, Sher Harvey, Penny Jackson, Carella Keil, Sam Kerbel, Amy S Lerman, Valentine Mizrahi, Christian David Loeffler, Judith Mikesch McKenzie, Jiyoo Nam, Megan Peralta, Andy Posner, Jim Ross, Beth Sherman, J.R. Solonche, Alex Stolis, Maxwell Tang, James Bradley Wells, Tracey Dean Widelitz, and Stephen Curtis Wilson.
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