Arrives Like the River

The scent of the river on his skin, late, hair and swimsuit wet from Barton Springs. Nine or ten at night, the candles dead. She’s fallen asleep or she’s pretending. It doesn’t matter, she’s nothingness, blue tulle and white dreams. He sheds the trunks, gets in her bed. With her face she seeks the warmth of the sun caught in his skin. Smooth hard chest almost bare of hair. River algae, spring coolness down below, gossamery sustenance, twirling iridescence. It’s loud inside his head . ‘You are full of noise,’ suddenly noticing her deep silence. ‘And drunk, or high, or both,’ she ponders without judging. ‘You are a strong woman’. ‘So?’ He doesn’t tremble but almost. It’s his way of telling her he’s afraid. ‘Shit, you’re not the one who’s almost fifty.’ Damn. Skin against skin, unique kisses. She stops. ‘Yes, it seems incestuous.’ He jumps back half a meter away, escaping. ‘Like mother and son???” His terror makes her laugh and love him all at once. She thinks, ‘No, like brother and sister.’ She means it. Like brother and sister is what it feels like. The skin is exactly the same, the curls, the primordial innocence. He returns to her and the story begins. It will be exactly eight times. The air lowers, breathes them, the earth rises to meet. A vast pool full of people left behind, both in the deep, dancing around each other, as if the water was a ray of sun and they water itself, everyone there, but gone.

 

Viviane Vives

Viviane Vives is a finalist of the Sandy Crimmins National Prize in Poetry and the Pesserof Prize in Poetry, a semifinalist of the American Short(er) Fiction Contest by American Short Fiction and a nominee for Best of the Net Anthology. Recent publications include Tupelo Quarterly, Litro Magazine (London and New York), BurningwordReed Magazine, and The Write Launch. Website: shushchattymonkey.com 

George L Stein

Salisbury Bridge

george l stein

george l stein is a photographer living in northern new jersey and focused on art, street, decay, portraiture, and surreal genres. George has been published in a number of literary magazines such as the Toho Journal, Midwestern Gothic, After Hours, Wrongdoing Magazine, and Fatal Flaw, among others, and had work shown at several galleries, including Praxis (Minneapolis) this month. Online, insta @steincapitalmgmt and at www.georgelstein.com.

the all

& just like that                  aggrieved

or not                            thrust flush

against metal

 

the all of abandoned farm machinery

& all but barn of a house

nettled/ in shambles

 

of razor grass/ rooted/ my feet

stumbling close enough

to peace for breath/ waist high

to the ground/ the all of green caterpillar

 

& algae towers/ peaked up

in cicadas’ buzzing

make for rest

supine back against dock rust/ lake lap

 

& grass hungering for legs

leaving me for just a moment lying

back in black brilliants’ flame/ bursting

swallowing whole

in my dreaming sleep              the all              of everything

 

Mara Adamitz Scrupe

Mara Adamitz Scrupe’s publications include four full collections. BEAST (2014 Stevens Manuscript Publication Prize, National Federation of State Poetry Societies, U.S), in the bare bones house of was (2019 Brighthorse Books Prize in Poetry), Eat The Marrow (2019 erbacce-press Poetry Book Prize UK; shortlisted 2020 Rubery Book Award UK), and REAP a flora (2023 Shipwreckt Books). She has selections in generational anthologies by Southword/ Munster Literature, Stony Thursday, and 64 Best Poets/ Black Mountain Press, and poems in key UK and US journals including The London Magazine, Mslexia, Magma, Abridged, and The Poetry Business/ Smith Doorstop. Twice nominated for the Pushcart Prize in Poetry, she has won or been shortlisted for significant literary awards including Arts University Bournemouth International Poetry Prize, Magma Pamphlet Publication Award, Gregory O’Donohugh International Poetry Prize, Pablo Neruda Poetry Prize and National Poetry Society UK. She serves concurrently as Lance Williams Resident Artist in the Arts & Sciences, University of Kansas, and Dean and Professor Emerita, School of Art, University of the Arts Philadelphia.

Contemporary Stuff

Reading poetry online takes me

down the rabbit hole of the next poem

and the next, and oh, I like this poet

and how did they even come up

with gold leaf or orange sweat.

Outside, Spring is in the world.

 

My husband’s down the hall

drawing machinery on his computer.

He says he’s not an artist,

but those clear, concise lines

are strong enough to swing on.

Lay down your mouse, my beloved.

 

Look! The pine tree across the way

has released a cloud of golden pollen.

 

Patricia L. Scruggs

Patricia L. Scruggs is the author of one poetry collection, Forget the Moon. Born in Colorado, she spent ten formative years in Alberta, Canada before taking root in Southern California. Her work has appeared in Burningword, McQueen’s Quinterly, Inlandia, ONTHEBUS, Spillway, Rattle, Rip Rap, Cultural Weekly, Crab Creek Review, as well as the anthologies l3 Los Angeles Poets, So Luminous the Wildflowers and Beyond the Lyric Moment. A recent Pushcart Prize nominee, Patricia is a retired art teacher who earned her MFA at the California State University, Fullerton. She and her husband of over 60 years are parents of two and grandparents of three.

No Anything

  1. June-ish.

We drove by William S. Burroughs’s house

to see if we could feel his

aura from the street. We were confused about

why he lived in Kansas, of all places—

because we’d only ever prayed to leave it.

 

I was young and dumb and didn’t know

half the story behind this cynosure

who looked like my grandpa.

But I knew how I felt after reading Naked Lunch:

Stoned, mostly. And a bit revolted.

 

You, though, were smitten

with the wasteland of his words.

Obsessed, really—

keeping his books, dog-eared and disguised

from your mother’s eyes (or so you thought).

 

I watched you leave Kansas as a

high school dropout turned

stripper turned

drug addict turned

prostitute.

And I started to wonder where it all

went wrong.

 

I ran into your mom at the store a while back.

Through tears, she claimed it was those

damn books.

 

I thought back to your childhood:

No dad.

No sugar.

No skirts.

No boys.

No fun.

No anything.

Except taking care of your little brother

while your mom got tanked.

 

So I said to her,

“I don’t think it was the books.”

 

Erika Seshadri

Erika Seshadri lives on an animal rescue ranch with her family. When not caring for tame ritters or feral children, she can be found writing.