Connor Doyle is a photographer and filmmaker based in the Chicagoland area. Using a number of analog film formats, Doyle’s work focuses on the idiosyncratic details of daily life in Northern Illinois, specifically his native Wheaton, IL. Though often trivial, his subjects capture the formal beauty and potency of these everyday sites, urging his viewers to reflect on the significance of their lived experiences. Connor’s work has been published in the Hole In The Head Review, Humana Obscura, the Parliament Literary Journal, and Burningword Literary Journal. You can visit his website at https://connordoylephotographyfilmmaker.cargo.site/
Patrick T. Reardon, a three-time Pushcart Prize nominee, has authored eleven books, including the poetry collections Requiem for David (Silver Birch), Darkness on the Face of the Deep (Kelsay) and The Lost Tribes (Grey Book). Forthcoming is his memoir in prose poems Puddin’: The Autobiography of a Baby (Third World). His website is patricktreardon.com. His poetry has appeared in Rhino, Main Street Rag, America, Autumn Sky, Burningword Literary Journal and many others. His poem “The archangel Michael” was a finalist for the 2022 Mary Blinn Poetry Prize.
Cathy Hollister is an older writer whose poetry often explores the treasures embedded in age, isolation, and continual readjustments. When not writing you might find her on the dance floor enjoying the company of friends or deep in the woods basking in the peace of solitude. Her work has been in Silent Spark Press, Humans of the World Blog, Open Door Magazine, Beyond Words Magazine, The Ekphrastic Review, Smoky Blue Literary and Arts Magazine, Poet’s Choiceanthologies, and others. She lives in middle Tennessee.
The inside of the ice-cream truck is a hot dark closet with syrup air that gags. We are rumbling around a New Jersey cul-de-sac and no one can catch us. My six-year-old fingers are soft worms straining to hold onto the slippery silver rod above. The floor shakes, but my bare legs do a clumsy dance to stay standing. The man in the white uniform driving looks back at me and smiles. I wonder if my big sisters can see me. The ledge of the slide-open window is too high to peek over. The tinkling bells and cries of the neighborhood children outside, the radio voices of Diana Ross and The Supremes inside cannot drown out the sound of my blood pounding: This is the bravest thing I have ever done. …baby love, my baby love / Been missing ya, miss kissing ya.
We stop so hard I must grab the bar with both hands. I bump up against the freezer with sticky red popsicles, ice-cream sandwiches, and fudge bars. I cannot wait to see the faces of the others clutching quarters in their hands, when I pop out of this ice-cream limousine. They have never been inside, like me. I will spring out in surprise.
But the only face I see is my father’s.
What is he doing here? He is never here when we buy ice-cream. He is away “on business” when we buy ice-cream, when we ride bikes, when we go to Brownies, when we have back-to-school nights. When we wake up because our mother is crying, smoking and drinking from the jug of red wine on the kitchen table. My father’s eyes scare me; he looks like a killer. I am afraid he is going to hit me. But he lunges past, at something white behind me.
A. Cabrera’s poetry, fiction and creative nonfiction essays have appeared in The New Guard, Brain Child Magazine, Colere, Acentos Review, Ravensperch, Best Travelers’ Tales 2021 Anthology, Deronda, and other journals. Their work has also been nominated for a Pushcart Award and adapted for stage by the Bay Area Word for Word Theater Company.
MD Bier is a binge reader and you’ll always find a book with her. Her writing reflects her passion for social change and social issues. Being part of the Project Write Now Community is where she writes and studies poetry. She has been published in the Write Launch, Humans of the World, New Brunswick Poetry Anthology, and the New Brunswick Windows on the World. MD Bier lives in NJ with her family and dog.
Featuring:
Issue 114, published April 2025, features works of poetry, flash fiction, short nonfiction, and visual art by Virginia Barrett, Julie Benesh, Alyssa Blankenship, Alex Braslavsky, Vikki C., Tetman Callis, Roger Camp, Zack Carson, John Colburn, Ben Guterson, Tresha Faye Haefner, Moriah Hampton, Sher Harvey, Penny Jackson, Carella Keil, Sam Kerbel, Amy S Lerman, Valentine Mizrahi, Christian David Loeffler, Judith Mikesch McKenzie, Jiyoo Nam, Megan Peralta, Andy Posner, Jim Ross, Beth Sherman, J.R. Solonche, Alex Stolis, Maxwell Tang, James Bradley Wells, Tracey Dean Widelitz, and Stephen Curtis Wilson.
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent may adversely affect certain features and functions (bookstore, announcements, submissions, etc).
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to send newsletters, calls for submissions, and for similar publishing purposes.
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to send newsletters, calls for submissions, and for similar publishing purposes.