Christopher Austin: Poems

Paris

Our paths cross as they have before

greetings exchanged upon a hint of recognition

though unable to  place when or where

I was thinking French class, or maybe

we were lovers in another lifetime.

Perhaps Paris…

expatriates sharing café au lait

and stories of home.


Strolling down the Champs- Elysees

I remove my chapeau and

bowing deeply, I ask you to dance.

Your cheeks blush, desperately

trying to match the perfectly pink

parasol you twirl above your head

in the sun- splashed boulevard.


Mass

Random thoughts,

like slow- moving, hungry beasts

forage through the meadow of my mind

the tireless shepherd of my consciousness

drives them on lest they consider

this range of gray matter a home

still they graze and consume

every grain- do they not know

they too will perish

when all is gone

can they not see

what fate lies ahead


and the shepherd; tender of the flock

simply walks behind these creatures,

not minding the foreboding clouds

forming a dark malleable mass

not yet raining

but always threatening

Cyndi Gacosta: Poems

Old Memories

Between wake and sleep in the hour

Of silent noise of dust and clocks filled space

There are old memories both brittle and tender

Like the fingers of a palm leaf and the shade it spins

On our sunburnt faces, so we bury our cheek on the beach sand

Into another half dream sunk up to our knobby knees

Deep and wet in the riverbed where we collected things

That took shape of arrowheads, or marbles crystallizing planetary nebulas

And sometimes atop the feather-grass knoll we sat cross-legged

To hear the thunder, a sound of steamroll shot from a pistol

Then we’d hear it taper off into the low tides of a cove

Barely whispering into our ears like blown leaves mingling in autumn red

When the day darkened the hour deader than sullen, outside on the curb

The dull warmth of the suburbs, in our throats hummed a Sunday proverb


Imprinting my brain with silent lips

Imprinting my brain with silent lips was only a woman

We casually met in the metropolis

We were together of the nontraditional sense


She was shapely and wan and from her mother’s bath of birth

She was born out of wooded flesh and metal bone


As we strolled along the museum pretending to loiter in profound thoughts

She’d read the veins from leaves of grass pressing a finger against the leaf

It had a pulse and it told her its life story how it lived in the divine soil


The same divine soil grew the pine and oak, the lemon and fig,

The sugar and rice, the white potato and the sweet potato,

The orange orchards where we picked the fruit, and drank its delirious juice

Running from the left corner of her lip, tracing the curve of her bottom lip

Then down, dripping off her pointed chin, and to the moist ground


Her head tilted to the side. Her long neck exposed, darkened by the shadow

She wiped the sweat with a veiny pale hand

The honey odor she radiated surrounded us in a golden and pastoral aureole


Close beside me she clung to me one minute a lasting hour

Stepping over the doorway’s threshold we separated again


Insomnia Cured

When my mother takes her sleeping pills

She thinks she’s drunk

Then like a spinning top ending its spin

Leans over like the tower of Pisa

And topples over me and my brother

Landing on us like we were pillows

Our soft bellies stuffed with feathers and cotton-balls

And stitched up with a gold thread

In her sleep she’s also walking, staring

Talking, stumbling, fumbling

Waking up into a stupor to the infomercials or static of the T.V.

But at 9pm she remembers to go to work from 10pm to 7am

And at 9am, like a shot of liquor, she drinks up the sleeping pills

The Ansonia Girl

by Peter LaBerge

After a while, I got used it. I think the shrill wind’s kicking at my dusty, bloody ankles is the most painful part. I guess you could call it trading one set of parents in for another- the amorous couple in Cadmonic, then the old rickety woman on Lincoln Avenue, and now the newspaper salesman with the clouded cheeks and constantly stuffy nose. The first time, I had to sit for a couple hours at the train tracks across the street from Henry’s Barber Shop. The same boring Broadway and Poland Springs ads keep me company, as I wait to restart my life again and again, each time with a renewed hope echoing in 3.0 circular motions. I recite the words printed below the stoic mountains on the water bottle ad for enjoyment, sometimes even in exotic European accents. Eyes of various colors and shapes pierce into my body as I board the dingy Metro North local bound for Ansonia. I feel the set of needles the nurse at the public health clinic used to give vaccines last month re-puncture my delicate skin as my nerves twist my stomach around like dancing shapes on a chalkboard. Maybe food will help, I think, and I start nibbling away anxiously at the pack of 100 Calorie Oreos that the foster woman put in the CVS bag I always got full of things that are supposed to act as entertainment. The loudspeaker’s rusty voice croaks Ansonia Station and I collect my few belongings. On my way off the train, I hear a little kid lean over to his mother and say, Mommy, why does she look so miserable? I wipe away the tears clinging to my face before the blur of my new family’s car lights get a peek.

Peter LaBerge is currently a sixteen-year-old high school student. His writing and photography are forthcoming or featured in a handful of publications, including Reflections and This Great Society (respectively). When Peter isn’t writing, you can probably find him composing or playing piano music, singing in his a cappella group, practicing his improvisational comedy, or frantically studying.

Sheila Ann Dane: Poems

Umbilicus

“What cha doin’, kid”,

Your living voice spirals over telephone wires.

“Nothing, what choo doin’?”

“Nothing.”

You sound as thin and reedy as a child.


Cancer is rocking you backward, backward,

Undoing you

Soon you will be an infant

Suckling at your mother’s breasts

But they were dry, as I


Am dry, a dry sea bed,

Replenishing my waters by

Drowning in a vat of Brandy while your bones,

Ghastly in hospital whites, are

Busily being devoured.


Faithful to your science god you fear

This is all there is-

That we go clod-like back into the stupid dirt,

Our life force snipped off like some dead rose

Beheaded not by an vengeful God

But by hollow eyed evolution

And the betrayal of your own cells gone amok


I do not want to follow you into the grave;

We do not belong to some ancient tribe

That buries its living wives as

Tribute to their fallen dead.

You’d like to take me with you, I think,

Into the fire that purifies


Not for you the grave with her dark secrets

The moldering body,

The worms that fatten on the scent of putrefaction,

The dissolution of the eye, with its illusion of control

No, you go into the fire,

As you have burned all your life,


Burned brightly, brightly

As if aware you had but a short time

To do all that needed to be done.

As you frantically filled your hours

With the accoutrements of modern life,

Afraid of silence, afraid of stillness, afraid of absence.


During the day, the hospital takes my oxygen,

Squeezes my lungs dry and arid as a desert.

There, I am merely a bit player,

Held together with tenuous wires of tendon and silent screams,

Breaking apart in a high carnivorous wind.


Sinner I am that I cannot bear the dark with you

For it swallows me up in nightmares

Like the nightmares that ate me as a child

Though at the end I will suffer them

As a woman suffers rape


Twenty minutes and a million light years distant

As Andromeda whirls and wheels in my backyard

The umbilical cord between us quivers

And I shiver.


So here I am alone,

As you are alone in your hospital whites,

Each silently telegraphing fathomless need

Over indifferent wires

Our voices a flickering filament of light

In the steepening night


Look Before You Leap

Grandpa’s barn was for the corn

That fed the chickens.

It was dark and musty with

Rolls of yellow piled up to the ceiling

Our job was to shell it, cob by cob,

Young arms would crank

Until they fell off,

Little white sticks

Mute testament to labor

Grains would slide into the bucket

Hissing like snakes

To then be poured,

Sweet and dry and dusty,

Where the golden mound would

Rise throughout winter

Until at last, there was corn enough

To dive into, like seals

On some gold rimed beach

Silvery dust motes flying

In the slatted sunshine

There were rats and snakes

And one year, an errant pitchfork

My sister launched out from the rope

Icarus spiraling down into the sun,

Missing the shiny prongs by a breath

Teaching me anew

All that glitters is not gold and

Look before you leap

Advice that ill suits poets

Who must often leap blind

Into radiance

Keith Moul: Guilt By Implication

A man came to my door

claiming witness to atrocities

committed on my behalf, but

in places I had never been.

 

He said I was duty bound

as a citizen beneficiary–

whether on hillsides of poppies

bodies explode, or not–

to stand behind our rightful leaders.

 

He offered digital images for sale,

un-enhanced, if I preferred.

If I preferred, guilty charges

made first in ancient texts

illustrated by monks, could be had–

actually his biggest seller–all certified.

 

I sent him away.

I alerted friends to his scam.

But, I checked local news in case;

published articles did appear,

but made no local accusations.

In fact I inferred implicit guilt.

 

Amazed,

I could not disprove any atrocities

on any dates cited

by any surrogates

killing thousands in my name.

 

Confused, I went to the mountains.

Heavy snow fell, drew me in,

quietly deep. I shook, although relieved.

The National Geographic

reports deprivations in deep

snow abet atrocities.

Judy Shepps Battle: Waking Up In 2010

i

Past

images of vulnerability dance

naked eyes blink, shut out

ageless tormenter

held captive on stomach

a small child begs for help


big room no adults

sadist rages human victim

soul broken bones intact


held down sat upon

“I’ll tell Mom” you laugh

my cries unheard despair


When will he finish?


worse when he leaves

unwanted by anyone

even the tormenter.


ii

Today

gentle words embrace

compassion flows as

I face my younger self


Hi, you don’t know me but

I am you all grown up,

we survived.


Eyes wide you whisper

I knew one day you

would awaken.

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