November 2003 | back-issues, poetry
By Joseph Armstead
Forgive us our trespasses…
There is a room inside
Our minds, inside the
Swirling maelstrom of
Sensation, fear, sex
And ego that makes us each
Unique, where we joyfully
Visit the deepest pit
Within the Circus Infernal.
No one likes to admit it.
No one likes to
Acknowledge they know
Where this place is in
Their minds, this tunneling
Spiraling hole through
Their soul, but when
Emotions are at a fever pitch,
When despair takes hold,
When the reptilian brain
Awakens, we stride growling
through the door, willingly,
and we dance amongst the
sulfurous magma and the
leaping flames with the
lunatic abandon of
broken children at play
in the fields of the brutish.
Our lust for the wicked
brings us to tears, falling
like wet crystal razors.
It frightens us, how much we belong.
It is our darkling home away from home.
Forgive us our trespasses,
Because we can be ever so
Much more inventive than that.
We need to sin big or
Not bother sinning at all.
It is our nature to be cruel.
It is our desperate aspiration
To be children of the Divine.
There is beauty in The Pit,
There are stories of courage
And of devotion, tales of
Raging angels and crying devils,
Of sins against nature and
Sins against the purest of Love.
The flames on the pyre of
Malevolence leap, burning
white-hot, close as an embrace.
We love that dark doorway
To Hell every bit as much
As we despise hosting it
Inside our hearts and minds.
Our duality is a curse.
It is also our strength.
Battling the beast enobles us.
At least, that is what we
tell ourselves when we are
alone staring into the
mirror at a face that seems
more animal than Man,
insanely impassioned, yet
more angelic than mortal,
perfectly flawed compassion.
Forgive us our trespasses…
Opening the doorway down,
We do not look back.
It frightens us, how much we belong.
Our hunger for all things
Wicked brings us to tears,
falling
like wet
crystal
razors.
October 2003 | back-issues, Kelley Jean White, poetry
Midge
show me the one that leaps
that spirals
that plummets
that rises
remains
is lost
is gone
Midge
show me the one that leaps
that spirals
that plummets
that rises
remains
is lost
is gone
Midge
show me the one that leaps
that spirals
that plummets
that rises
remains
is lost
is gone
Midge
show me the one that leaps
that spirals
that plummets
that rises
remains
is lost
is gone
Midge
show me the one that leaps
that spirals
that plummets
that rises
remains
is lost
is gone
October 2003 | back-issues, fiction
by jc jaress
The hair around my nipples has grown longer. It’s not something that one would notice. Hell, I didn’t even notice until one late summer day – actually, an early fall day in Southern California where we regularly push the summers well into October and on into December if we’re lucky – while smoking a cigarette and reading the latest edition of “Modern Painters” I looked down across my bare chest at hairs that had begun to grey and noticed a lengthy curl about my left nipple. Fortunately, the right nipple had equal growth so I did not look unbalanced in any way but the long hairs and the greying and the fact that I could repose on a Thursday late-summer morning and consider this newly discovered arrangement satisfied me in a very adult way.
I had long wondered when I might consider myself adult. 40. And without children. Two years divorced from a 16-year marriage that had begun desperately, ended tragically and with the in between years spent running up and down the same tired hills so often that the geography had ground down into a long, flat, arid plain complete with mirages, and buzzards and the ever-hopeful site of an oasis. It was from this Italian Western image of my life that I prison escaped myself, albeit kicking and screaming and thirsting for more staked-to-the-ground-waiting-for-the-ants-to-eat-me-alive-Indian-torture that I had so come to love and hate. It was in these few short years after the divorce that I had learned to see me. Not the “star of my own movie” image of me but the real me. The whole me, with flaws and fears and unspoken desires; a me that previously had demonstrated itself only in sweaty palms and knotted tongue and ranting self-directed, though outwardly-manifested, anger.
But there had been plenty of real Vincent Price torture inflicted upon me. Like the night that I spent outside of her boyfriend’s closet/office (he was a glorified janitor – a “maintenance man”) listening to the amorous lovers until I could take it no more and introduced myself by the uncontrolled banging on that cold steel door with the sort of fever that sends one hastily to the hospital for fear that the body might boil inside of its own skin. Had that door been wooden, or had there been a window. But what janitor’s closet would rate the expense or privilege of a window. And so, I sat. And read aloud to the caged birds that did not sing. Charles Bukowski. I went out to my car and pulled a recently purchased copy of “Burning In Water, Drowning In Flame” and began to read as if to children at bedtime. Of course, and unpremeditated on my part – for it was an unread copy to me, Buck’s poetry called for “cutting the balls off of the guy” in the first entry. I skipped ahead a poem or two to share in his dismay with his “sack of shit black-haired whore”. Bukowski probably was and wasn’t the best of choices that nig…no one sings of what beautiful sacks of shit that we humans are better than Bukowski.
The faint hum of a car engine preceded the police by just a few seconds but enough that I remained calm and expectant as they “surprised” me with guns drawn for whatever madman must be lingering about outside of the University janitor’s closet reading poetry at 2:30 in the morning. Surreal does nothing to describe the flush of emotions, the acuity of the senses, the sharpness and absolute blindness of that moment when first you hear your loved one’s panting, throaty, impaled voice through a steel door in the hallways of your own alma mater. Nearly twenty years prior I would have given nearly everything to steal away into an unlocked closet with any number of fresh, new little college girl-things or some worldly, frustrated, closed-down, soon-to-be-spread-eagled instructor that chose to lose it one day with a coed and dragged me into some secreted space. But not your wife. No one, no one wants to hear their wife’s murmurs and squeals from the other side of That Door.
I tried explaining all of this to the police; there were three. Good, bad and indifferent. Mr. Bad talked with the inconvenienced couple while Mr. Good chuckled with me over the absurdity of the situation. How, no, he never had come across a guy reading poetry to his wife and her lover and, though there were several other choices of action that he suggested, this was far and away the most inventive approach to the dilemma that he had ever encountered. Mr. Indifferent was the go-between; running back and forth with updates, “If they want to pursue this, you will go to jail” and “It is against the law to stalk someone…even your own wife” and, finally, thankfully, “They have agreed not to press charges.” The cops, in their car now, followed me the mile and one half to my house. They stopped short of walking me to the door figuring that their last threat of arrest if I stepped foot on the campus again should suffice a guy that had enough deranged wits about him to sit and read a book when he could just as easily taken apart both of their cars that were so conveniently parked together like a pair of cooing doves in the deserted campus parking lot.
I spent the next six hours packing her things. The U-Haul station opened at 7:00am and I bought two bundles of the largest boxes they sold and filled them, carefully, and with packing paper, with just about everything that looked or smelled or intimated a connection to Bukowski’s, and my, sack of shit whore. It’s only now, today as I sit admiring my lengthening and greying chest hairs, that I begin to truly appreciate the wonderful gift that she bestowed upon me; that surreal sense of what it is to be alive. To begin to feel the world disappearing from under my feet until I was left completely ungrounded and, for the first time in my life, face-to-face with myself.
October 2003 | back-issues, fiction
by jc jaress
She ended it with the slamming of a door that had begun to chip the paint from around the jamb
One day she’d slam that door and knock all the paint off of everything and he would just stand there
Still
There was no sign or warning
No look in her eye
No twitch
No minor hesitation
And then, as if out of nowhere, she would lay 14-years of marriage across his face with a swift, flat hand that reeled the memories in his already spinning brain
It wasn’t fair
It was never fair
As a child he had lived this same way for too many years,
Until that day, as a young man, when he caught his mother’s hand in mid-strike and held it there
Just a little too tightly
And a little too long
And told her, “Never again.”
But not this one
He never stopped her
He just stood
And took it
And never raised a hand
She was just too close to him
Or maybe he was too close to her
And it didn’t seem to matter on which side he chose
Like trying to pick between two long lines at the checkout stand and always guessing wrong
There was no winning in it for him
Just chipping paint
And so many things left untold
October 2003 | back-issues, John Sweet, poetry
your name called out at
the exact moment
a woman’s body washes ashore
three thousand miles away
or a man pulling poems
from the bones of old lovers
obvious things
my wife and her fears
my lack of faith
my lack of money
the possibilities of
highways and of walls
the idea of starvation
of sunlight
through rainsoaked trees
and what if
the unborn child becomes
a weapon?
what if the ocean is bottomless?
don’t believe for a second
that any of this poetry
don’t think that
killing the killers is
the same thing as justice
and maybe
it doesn’t have to be
maybe christ’s death was as
meaningless
as anyone else’s
can you accept this
as the truth or
do you want to see me bleed?
consider your answer
maybe all that it
makes you is human
October 2003 | back-issues, John Sweet, poetry
rain
somewhere
animals caught in
baited traps
or the air thick
and yellow
the sun shapeless
and the pieces of
a sixteen-month old girl
are found in a city
five hundred miles away
the smell
of battery acid
like a blanket over
everything
and the rooms in
this house are familiar
the bodies found hung
from the trees outside
have names i’ve
heard before
and i don’t
live here anymore but
maybe at some point
in the past
maybe before
the first tiny hand
was dropped into a
food processor
and now i live
nowhere
while faceless men
decide my future
fucked
but not quite the god
of starving dogs
this by itself a
reason to live