Elevator Girl

Red coat. That’s the first thing I see when she walks into the elevator. She’s pretty. She sees me there standing between six others in a cramped elevator. We lock eyes. She smiles. I blush. A scent passes my nostrils. Spring time rain. I envision lying in a field in a soft springtime drizzle. I look up and see her. I smile. A loud conversation carries around us, but her and I stay silent.

She reaches to press her floor button, 6. I see mine, 9. Damn. Not enough time. The elevator stops at the third floor. The crowd around us leaves. We make eye contact as the door closes leaving the two of us alone. We both look back down, smiling to ourselves.

Fourth floor. I start to sweat. I check my phone out of habit. The silence is stifling. I gulp nervously.

Fifth floor. Wait what could I do? What can I even do now? Is it too late to start a conversation? No! I need something more direct. This girl must obviously be someone special. She’s even wearing rain-scented perfume, I love the smell of rain!

Sixth floor. She looks at me, smiles nervously. I smile back hesitating. The door opens and she starts to leave. I grab her by her hand and she looks back at me surprised. I smile and pull her in to kiss her. Inches closer and closer. She snaps out of my hand and slaps my face disgusted

“Oh! Sicko!” She yells.

She grabs her bag and guards her body as she strides quickly off the elevator and out of my sight.

“Well I misread that,” I say to no one but myself as the elevator door closes behind her.

Bryan Crumpley

Bryan Crumpley is a Chicago writer, currently studying fiction writing at Columbia College Chicago. He has spent half his life in California and half in Chicago, but he’s spent the entirety as a writer both in craft and soul.

The Proposal

Once, I had one hundred imaginary dogs and my nursery school classmates decided to have imaginary dogs too. Siddhartha decided to have imaginary elephants instead with names filled with letters strung together like the pretty glass beads my teacher wore around her neck. I liked Siddhartha because he always shared his crayons.

Once, Justin, who lived in my grandmother’s building and showed me how boys could pee standing up, told me he was eating my imaginary dogs. I watched him bring his grimy fingers up to his mouth and ran away angrily. Loneliness tainted the rest of my day, and I kept turning my head to look mournfully behind me as I walked, now void of one hundred imaginary puppies that always frolicked in my wake.

The next day, he came up to me again. “Yum, yum, yum,” he said, gnashing his pearl-white teeth together around the necks of my dogs. “Your dogs are delicious.”

“Nuh uh,” I retorted, my hands planted firmly on my hips. “I left my dogs at home today. You’re eating imaginary worms.” Justin, who wore batman underwear and always scored in kickball, stared at me with his mouth open as I walked away triumphantly knowing that his stomach was now filled with imaginary worms.

Justin asked me to marry him at recess the next day. But unfortunately for Justin, I had already asked Siddhartha, who had very politely, said yes.

by Amelia Jane Nierenberg

 

Amelia Jane Nierenberg is a Junior at the Ethical Culture Fieldston School in New York. She is a Fiction Reader for the Adroit Journal, the Fiction Editor and co-founder of the Fieldston Literary magazine, The Icebox, and spends much of her free time painting and writing. Her work either appears, or is forthcoming in Amazing Kids! Magazine, Tap Magazine Issue 25: Bare, Prick of the Spindle, the Blue Pencil Online, the Doctor T. J. Eckelburg Review, the Emerge Literary Journal, the Eunoia Review, the Postscript Journal, the Poydras Review, the Rusty Nail, the Black Fox Literary Magazine, Torrid Literature Polyphony HS and the Blue Lake Review. She received an Honorable Mention for creative nonfiction in the Young Authors Competition in addition to five regional Honorable Mentions, eight Regional Silver Keys and three Regional Gold Keys from the Scholastic Art and Writing Awards, and a National Gold Key for Flash Fiction.

A Foot in the Grave

It felt like I was somewhere I wasn’t supposed to be, like I’d walked into a house that looked like mine, but belonged to someone else. She found me in the kitchen drinking a glass of water. Her eyes welled up and shone bright with what would soon form tears. I was in the right house, but at ten in the morning, I should’ve been somewhere else.

 

“Don’t cry,” I said.

 

“How much do we have?” She always cut to what mattered most, and in that minute, what mattered most was money. She didn’t care how I lost my job, she only cared that in that moment, I didn’t have one.

 

“We’ve got enough. Don’t worry, I’ll find something.” I didn’t know how long it would take and we both knew my words were empty, but I said them anyway.

 

“And then?” Her voice rose; she was angry, but not at me.

 

“And then I’ll find something,” I said, letting my tone match hers. “Where are the kids?”

 

She pointed toward the back yard.

 

I walked to the window, frosted with ice. Through a clear patch, I envied the innocence on the other side. “Where’s the camera?” I asked. “I want to save this.”

 

“We sold it. The last time.”

 

About a month later, I was working again and with my first check, I bought another camera. Nothing fancy, just something that  saved scenes worth saving because some things are more important to save than money.

 

 

by Foster Trecost

 

Foster Trecost is from New Orleans, but he lives in Germany. His stories have appeared in Elimae, Corium and Metazen, among other places.

Outlaw

Being on the run wasn’t half as glamorous as I had expected: they never tell you about Bonnie and Clyde shitting in the woods.

 

by Samuel Best

 

Samuel Best is a Glasgow-based writer and also runs Octavius, a literary magazine for students studying in Scotland. Samuel is currently writing two novels based on different blends of Scottish national identity, violence and running away. He tweets at @spbbest and has more stories available here: http://samuelbest.weebly.com/

Angst and the iTunes Librarian

You said you felt under the weather. I suggested soup and you replied tomato. Tomato with grilled cheese. While I blanched them, you put on Van Morrison and scrolled through my songs. You considered yourself an expert.

 

“You need to clean your music library. Doesn’t it annoy you? How do you know what you have, what you don’t have?”

 

I shrugged.

 

“Why don’t you at least keep the genres organized?” you pressed.

 

“Why put songs in boxes? Why label them?” I was being ornery.

 

“Angel Pop? What the hell is that? Rainy Day Rock? Sci-Fi? What kind of musical genres are these?” You sounded sick.

 

I shrugged. It was all downloaded. Some legally, some not. The music came from pretentious blogs and Russian websites and some place called torrent. Data mountains from Korea, Morocco, mouth-breathing basements.

 

“You know that’s stealing,” you lectured.

 

***

 

It was Veteran’s Day when we decided to call it quits. It was raining. We called it quits, whatever ‘it’ was. We had never labeled it.

 

“I can’t make you happy,” you said.

 

“I can’t give you anymore,” I said.

 

You got out of bed, even though you hate the rain. I started scrolling through the songs by genre.

 

Afropop, Avant Folk, Crossover, Death Electro, Ethnic, Forgiveness Rock, Future Roots, Gracenotes, Merengue, Mexican Summer, Noise, Progressive, Surge, Trip-Hop, Tropical.

 

I x’ed out. There was no use. You took everything and left me with a head cold. 

 

by Sonya Bilocerkowycz

 

The Last Adventure of the Scorpion and the Frog

The worst thing you can say about her is that she was once your friend.

Perceiving that you stood side-by-side, you courted battle fighting the giants, while she secretly cheered for them to win.

On the last night you invited her into your home, you welcomed her to sit at your table, to eat, to talk of life. Recounting your adventures together would make for a feast, but she would only taste bitterness.

On that last night as the conversation dwindled in the air until there was only the sound of forks and knives clinking on empty plates, she began to tell you the story of the frog and the scorpion. The Great Adventure of the Scorpion and the Frog, she called it. You felt something there, in between the words.

Her voice carried on as you cleared the empty plates. Stopping short of the ending, right as the two are about to reach the riverbank together, she paused with an air of great satisfaction. Placing the dishes in the sink, your back turned, “Well, what happened next?” you asked. But you knew what happened.

It was for only a moment that it stung; the knife piercing flesh, scraping bone, a finite point in the unraveling.

The worst of it would come as you lay on the floor. Consuming you, the inevitability of reality, the world for what it was swirling in emotions of shock and disbelief and giants that were nothing more than windmills, adventures that were charades, friendship and loyalty, and belief in things that could be and should have been breaking before actuality and frogs and scorpions. You always knew that scorpions existed. 

 

by Michelle Hanlon