Wedding Predictions

My children will beg me to carry them all over San Francisco, their bodies sticking to me, their voices question marks and exclamations.

My heart will roar like a train when I see my father, yet I will stay pleasant, quiet, impenetrable. My brother, who never asks anything of me, will ask me and my mother to pose in nuclear family photos. As the camera clicks, I will grind my teeth down into short, flat plains.

My mother will pace in high heels, perpetually sipping Diet Coke. Her friends will encircle her, a tragic queen, create a shield around her so that she won’t need to see my father or remember that he is there.

Halfway through dinner, I will give a speech about the buoyant nature of love. I will dance all night. I will bring back disco. I will spin my children in the air, and the flame of their joy will launch the dance floor into a plane of happiness.

When my husband carries our children away to sleep, his twin will corner me. He will find a reason to call me a frigid bitch to my face. And I will tell him that I am not frigid, and he really should look up that word. I will keep speaking to him because he is kind to my children, nicknaming them and looking at them the way he wished someone would have looked at him when he was a boy.

I will run miles until I turn into a bird and fly away but I won’t fly away; instead I’ll just stop hitting the pavement with my body. I will fall in love with the fresh salty air and rolling hills and $7 coffee, and then I will board a plane and go back home.

 

by Jamie Wagman

Jamie Wagman is an Associate Professor of Gender Studies and History at Saint Mary’s College in South Bend, Indiana. Her creative work has also appeared in The Adirondack Review, Newfound, Hip Mama, and Nashim: A Journal of Jewish Women’s Studies and Gender Issues.

Status Updates and Russian Trolls

Your neighbor Dorie says it’s hard to leave a man who is emotionally abusing you. Mom likes Franklin Graham. Your cousin Brian shared a selfie. Your colleague Jacquard published a poem that took years to write. Your niece’s husband Jesus ran Bloomsday while pushing his daughter Gabriela in a stroller. Your friend Mei is taking an online class with a comedian who kicks cismales off the stage. Brian likes Defend the 2nd.  Gaia says being online is living in Plato’s cave. Defend the 2nd wants people to join their community of patriots. Dorie harvested a thousand delicious plums from her backyard. Blackivist says the government dismantled the Black Panthers because black people stood up for justice. Brian likes cutting big trees and watching them fall.  Mei likes Blackivist. Sounds True says mindfulness is being fully awake. Brian can’t believe a naked woman walked into an elevator at the middle school. Mei wants people telling Hillary to shut up, to shut up. Dorie says the naked woman was on drugs and just trying to find her dog that had wandered into the school. Jacquard’s poem features three men, one of whom raped her. Dorie wants advice on how to get rid of hornets nesting under her house. Franklin Graham thanks President Donald J. Trump for his support. Jacquard learned there’s such a thing as an Assassin Caterpillar and is using that as her spirit animal. Sounds True says mindfulness is about not having a self. Dorie shared a video of three men rescuing a goat from an electrical wire. Brian likes Secured Borders.

Gaia says we are just little waves in a great big ocean. Brian and Mei checked in at Murphy’s brew pub, Jesus is at the Mariner’s game, and Mom is babysitting Gabriela.

by DJ Lee

DJ Lee is a professor of literature and creative writing at Washington State University with an MFA from the Bennington Writing Seminars and a PhD from the University of Arizona. DJ’s creative work has been published in Narrative, the Montreal Review, Vela, and the Los Angeles Review of Books, as well as other journals and anthologies. One was a nonfiction prize finalist at Terrain and The Offbeat; another received a Pushcart Prize special mention. Yet another was shortlisted for the Disquiet International Literary Prize.

It’s Gingko Season

This is not a metaphor for anything. I am talking about a very real pungency. Smashed yellow cherries on the concrete sidewalk. It’s check-the-bottom-of-your-shoe season, it’s did-I-step-in-dog-poop season, it’s no-you-didn’t season: it’s Gingko Season.

It’s that one spring in Brooklyn where we finally discovered that the Chinese restaurant on the corner had been using the construction dumpster by our house to get rid of their old fry oil, mouldering baby corn, yellowed tofu corners, slimy strips of chicken fat.

You can’t call 311 on a tree.

It’s the constant whiff of judgment: who threw up here? It’s the smell of some young person’s humiliation: partially-digested macaroni and cheese soaked through with liquor and bile. It would not be an exaggeration to say I always gag when walking under a gingko tree. It would not be an exaggeration to say that I almost always automatically ‘tsk’ when walking under a gingko tree. Its effects are both physiological and psychological.

There is no solution to this problem except to be glad that gingko trees are one of my problems. And anyway, gingko season doesn’t last long: soon the cold air will take the edge off the stench, soon the pulpy sidewalks will be layered over with snow. Soon enough, I could live somewhere else entirely. The gingkos would still be here, steady canopies with a million little fluttering leaf fans. The gingkos would still be here, obstinately performing their ritual above our heads.

 

by Olivia Dunn

 

Olivia Dunn is a Visiting Professor of English at Skidmore College and a graduate of the Nonfiction Writing Program at the University of Iowa. Her work has appeared recently in The Pinch Journal, SHANTIH Journal, Tinker Street, The Nervous Breakdown, River Teeth, and McSweeney’s.

Listless

✓ Eggs
✓ Cheese
✓ Meat
✓ Spinach

Are the items most frequently listed for my grocery getting. When I check off each item on my phone, I wonder if I should just uncheck it for next week’s go round. To switch it up, I’ll get different cheeses. Or hummus. Even a zucchini. God knows which vitamins I’m overloading or lacking. I dare not try to find out and alter my recurring list.

That wasn’t how it was. Half a life ago meals were full of turmeric and cloves and mustard seeds. Lentils and peas and eggplant delight. My mom’s hands are art. Her rhythmic strokes are apparent in watercolor, hair braiding, and deep frying. Prettiness is ubiquitous with her touch. Her salads present perfectly married greens, a balanced spice profile, topped with pomegranate gems.

I remember that with beauty comes the beast. “That okra is too expensive.” “Don’t put too much ghee on the roti.” “You’re wasting your food!” So many moving parts would come together for her delicacies, but they gave rise to my shoulders. Froze my initiative. Beleaguered my soul. What was normal half a life ago is simplified now. A basic list. Week after week.

I don’t dislike cooking. But recipes with ingredients galore revive the tension of not enough. I recall Saturday mornings milling through coupons while going between the sales at four grocery stores. I always missed Saturday morning cartoons. They were a mystery to me. I was a fake kid. A grown-up kid. Not a kid.

I get to shop for myself now. When I’m armed with a coupon, I rejoice in my roots. But having the choice offers Saturday mornings all to myself. I eat a breakfast of eggs, cheese, meat, and spinach with a dose of my favorite TV.

 

by Nisha Mody

 

Nisha Mody is a librarian, writer, and cat mom. She hails from Chicago and currently lives in Los Angeles. Her writing has been published in Everyday Feminism, Role Reboot, and Chicago Literati. Follow her on Twitter @nishamody.

Toxic Gaming

The father with oil stains on his button-down shirt is enraged he cannot find a golf course in Tijuana. A perverse butt of a chewed cigar hangs on his lower lip flaking tarred edges onto his chin. Spitting slurs he moves among the crowd, his daughter twisting underneath him. He insists people are lying to him. He demands knowledge. The crowd parts to make room, turning three-quarters to observe the spectacle.

One man steps out from the crowd to direct the father. He takes contained steps, edging the Big Man and little daughter to a lone paradise.

It is safer with only daughter, father, tantrums. No audience. Ghosts of trees and annihilated bushes and flowers haunt a cloudless sky. White bright light.  Mule-like a caddy follows on the heels of the father (as does his 5 year old), rolling over green dominated hills.

Mastery of this game consists in striking precisely in order to sink wrinkled white balls into an abyss,

dark narrow curved

elusive.

On again off again: padding, spitting, squinting. Relentless pursuit meets relentless failure.

Squint, shift voluminous hips, pad torn yellowed turf, aim.

Sweatily he goes, quarters ripping holes in his shorts, to the pinball machine, which he strikes with his hip and bangs more successfully. The daughter steps on a milkcrate and wraps her arms around the width of the machine. The father goads, then yells at her for losing.

At five this ends. A Siren sounds. He responds as if he had been waiting his life for this signal. The casinos are open! He wanders, the weight of his belly speeding him down paved roads towards machines and tables where he’ll work to forget people, the world and people in the world. He never gets far enough away into the fog to make them disappear.

 

by Patricia Coleman

 

Patricia Coleman is a writer/director whose pieces have appeared or will be appearing in presses including Bennington Review, Maintenant 11, Poetica, PAJ, Bomb and The New Review of Literature. She has staged 25+ productions at venues including The Kitchen, Chashama, and JACK. Her adaptation of Euripdes’ Medea was performed by glass-blowers and puppeteers at Brooklyn Glass in 2014.

Felipe

I saw Felipe yesterday. It was the first time I’d seen him since his brother’s wedding, and he looked just the way he’s always looked when he was sleeping.

He’s slept the same way since we were born. Mouth open, the thoughtful look on his face accompanied by a scab or scrape for good measure.

Those scabs when we were little were often my fault. Even now, at 22 we both still have reminders of our childhood wars: his on his forehead, me on my hand. We poked, hit, bit, pushed, kicked, and absolutely refused to be separated.

We were a team at that age. We were for better of for worse.

The “worse” was public. It was in everyone’s faces and at the expense of our Uncle’s and Aunt’s, and parent’s energies as they would try to chase us around the house pulling us off of each other or whatever cabinet, or shelf, or tree we had decided to scale.

The “for better” part was ours. It was quiet and mostly private. They were the times he’d try to nurture and fix my wounds regardless of the fact he mostly caused them. The way he absent-mindedly played with my hair at 8-years old while we were squished together on the couch with his sister watching the scary movies we’d found tucked away in a closet. The way he always made me laugh. Sharing his journal writing with me and the stories behind it as we grew a little older. And, the occasional heart-to-hearts we’d have at 2am when our late teens brought greater distance between the amount we’d see each other.

Being exactly three weeks apart we spent our lives arguing about who should get the final say while renting videos, buying snack food, deciding what to do, where to go. But we also shared stories from grade to grade about adventures, teachers and what we were learning, and sometimes we even revealed secrets on how to get in good with the opposite sex.
All the millions of memories forgotten in the back of my mind, and all the ones still colorfully vivid came to me as I watched him. My Felipe. Just lying there.

I waited for him to wake up. I kissed his cheek and he didn’t swat me away. I twisted his hair in my fingers and whispered, ‘I see you finally decided to brush it’.

But still he didn’t move. And when I took his hand, I really knew for the first time that he never would again.

It felt so cold. I wanted to wrap him up in a blanket. His fingers were waxy and smooth like they’d been scrubbed clean—a long way from the rough and strong hands that had shaken me awake almost every Christmas morning since we were born.

There he was. Little Felipe. Little teaching me to play Nintendo, holding my head under the covers after he’d farted, swaying with me for hours in the basement hammock, Felipe. My partner in mischief and the only person who’s ever shared the loves of my life: scheming, and dreaming. There he was.

Still managing to bring life, tears and love into the room, even in death.

Amaya Duran

Amaya Duran is a Latina American writer based in Seattle, WA. For her day job she works as a humanitarian in disaster zones. Her off time is spent with her family, and 1 year old Maltipoo.