Jeremiah Gilbert is an award-winning photographer and travel writer based out of Southern California. His travels have taken him to over a hundred countries and territories spread across six continents. His photography has been published internationally and exhibited worldwide. He is the author of three travel books, including Can’t Get Here from There: Fifty Tales of Travel and From Tibet to Egypt: Early Travels After a Late Start. His most recent, On to Plan C, documents his return to travel in a post-pandemic world and is the first to include his photography. He can be found on Instagram @jg_travels
Rebecca Pyle is an artist whose work (drawings, photographs, oil paintings) appears as images in many art/literary journals, including MAYDAY,Watershed Review, TINT, The Moving Force Journal, New England Review, Gris-Gris, West Trestle Review and La Piccioletta Barca. Rebecca is also a writer of fiction and poetry and essays. American, she is living most of this year in Europe; find her in rebeccapyleartist.com.
Fabio Sassi makes photos and acrylics using whatever is considered to have no worth by the mainstream. He often puts a quirky twist to his subjects or employs an unusual perspective that gives a new angle of view. Fabio lives in Bologna, Italy, and his work can be viewed at www.fabiosassi.foliohd.com
Jim Ross jumped into creative pursuits in 2015 after rewarding career in public health research. With graduate degree from Howard University, in eight years he’s published nonfiction, fiction, poetry, photography, hybrid, interviews, and plays in nearly 200 journals on five continents. Photo publications include Alchemy Spoon, Barnstorm, Burningword, Camas, Feral, Phoebe, and Stonecoast. Photo-essays include DASH, Kestrel, Litro, NWW, Paperbark, Pilgrimage Magazine, Sweet, and Typehouse. Recently nominated for Best of the Net in Nonfiction and Art, he also wrote/acted in a one-act play and appeared in a documentary limited series broadcast internationally. Jim’s family splits time between city and mountains.
DM Frech holds a BFA and MFA in dance from the Tisch School of the Arts at New York University. She has worked at the Governor’s School of the Arts in Virginia and is an active member of several writing organizations, including The Muse Writers Center, Hampton Roads Writers, Poetry Society of Virginia, and The Writers Guild of Virginia. DM Frech writes poetry, children’s stories, fiction, nonfiction, and screenplays. Her photography was showcased on the Streetlight Magazine website in October 2022 and featured in the New Feather anthology in April 2023. She has won multiple nonfiction awards at The Hampton Roads Writers Conference. Both her poetry chapbooks Quiet Tree and Words From Walls, published in 2023 and 2022 by Finishing Line Press, featured her photography.
Bordnick’s interest is to create meaningful works of art that all people and cultures can enjoy. As a photographer and sculptor, he has been able to share his professional experiences in ways that benefit both business and community projects. With over twenty years of experience, he has successfully designed, fabricated, and installed a wide range of projects. He is an industrial design/sculpture graduate of Pratt Institute in New York, where he has had his own professional design business and has been a design director for numerous companies and local government projects. They included a major children’s museum for the city of New York and the Board of Education.
Featuring:
Issue 114, published April 2025, features works of poetry, flash fiction, short nonfiction, and visual art by Virginia Barrett, Julie Benesh, Alyssa Blankenship, Alex Braslavsky, Vikki C., Tetman Callis, Roger Camp, Zack Carson, John Colburn, Ben Guterson, Tresha Faye Haefner, Moriah Hampton, Sher Harvey, Penny Jackson, Carella Keil, Sam Kerbel, Amy S Lerman, Valentine Mizrahi, Christian David Loeffler, Judith Mikesch McKenzie, Jiyoo Nam, Megan Peralta, Andy Posner, Jim Ross, Beth Sherman, J.R. Solonche, Alex Stolis, Maxwell Tang, James Bradley Wells, Tracey Dean Widelitz, and Stephen Curtis Wilson.
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