Ellen June Wright lives in New Jersey. Her work revolves around the power of color and the emotions and memories they evoke. She is inspired by the works of Stanley Whitney, Mary Lovelace O’Neal, and Frank Bowling. Her art has most recently been published online by Gulf Stream Magazine.
Holly Willis uses text and image to wonder how we might reimagine our relationship to the world, not as autonomous beings moving through isolated landscapes but as embodied forces intimately enmeshed with the matter around us. These images capture islands, sunlight, and water from the Penobscot Bay in Maine.
Dave Sims makes art and music in the old mountains of central Pennsylvania. His paintings, comix, stories, and poems appear in dozens of tactile and virtual publications and exhibits. See more at www.tincansims.com.
Michael C. Roberts is a licensed clinical psychologist who has published professional and scientific articles, chapters, and books. Seeking to fulfill his creative side, he values things and scenes that are overlooked or backdrops to everyday life. His photographs have appeared on journal covers and in literary publications. He often uses cheap plastic cameras, such as the Diana, Holga, and La Sardinia for making photographs on film, but also resorts to digital at times. A photographic book on Amazon is Imaging the World with Plastic Cameras: Diana and Holga.
Edie Noesser lives on Balboa Island, California. She is interested in nature, bird watching, and urban scenes, bringing her camera along as much as possible.
Featuring: Issue 117, published January 2026, features works of poetry, flash fiction, short nonfiction, and visual art by Amy Agape, Lizbeth Bárcena, Joan E. Bauer, Tetman Callis, June Chua, Carlos Cunha, Steven Deutsch, John Dorroh, DM Frech, Avital Gad-Cykman, Jamey Hecht, Richard Holinger, Michael Horton, Dotty LeMieux, Priscilla Long, Grace Lynn, Robert Miner, Jim Ross, Fabio Sassi, Kyle Selley, Sarah Sorensen, Kimm Brockett Stammen, Billie Jean Stratton, Michelle Strausbaugh, Emma Sywyj, Cindy Wheeler, Holly Willis, Francine Witte, Holly Redell Witte, and Alina Zollfrank.
52 Pages, 6 x 9 in / 152 x 229 mm, Premium Color, 80# White — Coated, Perfect Bound, Glossy Cover
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent may adversely affect certain features and functions (bookstore, announcements, submissions, etc).
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to send newsletters, calls for submissions, and for similar publishing purposes.
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to send newsletters, calls for submissions, and for similar publishing purposes.