Nathan Gentry is a visual artist and writer who primarily works with the photographic medium and is interested in highlighting the relationship humans have between each other, as well as their relationship with the world in which they live in. Exposing the way in which the living world interacts through communication and physical use is a common visual portrayal that Nathan intends to create through photographic processes. His work often requires experimentation and manipulation to create the communicative experience that is often personified in real life.
Ann Fischer is a writer and photographer living in Toronto, Ontario in an Artscape community on the lake. Her photographs are often of women, girls, flowers, and landscapes. During the pandemic she’s been experimenting with blurring her photos to describe the way so much of our lives have become less sharp and more blurred as the pandemic marches on.
Michael Hower is an artist and photographer from Central Pennsylvania. His work focuses on historical themes. He photographs historical and abandoned places, depicting human objects and structures in modified environments now devoid of human activity. For him, the artwork is always more than the photograph. It is also about the research, the place-seeking journey and the telling of forgotten stories after the capture is made. His artwork has been displayed in galleries, museums, and publications around the country.
Lana Eileen is a musician and visual artist currently based on the island of Tasmania, Australia. As a musician, Eileen has traveled extensively, touring and recording internationally in the United States, Europe and the United Kingdom, before expanding her focus to include visual art, with a particular emphasis on photography. In 2019, she undertook an artist residency in remote Iceland. Previously based in New Zealand, Eileen currently resides in Tasmania, where she attends the School of Creative Arts and Media.
Jack Bordnick started as a product designer, establishing his own design business in New York, Sante Fe, and Europe. He is now an artist with a focus on sculpture work and photography. His artwork is a form of self-reflection on his own story. Many of his pieces involve a unique cross between the living and the inanimate. The humanistic qualities of these sculptures are his way of giving a voice to what were once objects without any sign of life or soul. He often also incorporates surrealist ideas, mythological themes, and magical imagery in order to tell deep, whimsical tales beyond common storytelling.
Lawrence Bridges is best known for work in the film and literary world. His poetry has appeared in The New Yorker, Poetry, and The Tampa Review. He has published three volumes of poetry: Horses on Drums, Flip Days, and Brownwood. As a filmmaker, he created a series of literary documentaries for the NEA’s “Big Read” initiative, which include profiles of Ray Bradbury, Amy Tan, Tobias Wolff, and Cynthia Ozick.
Featuring:
Issue 114, published April 2025, features works of poetry, flash fiction, short nonfiction, and visual art by Virginia Barrett, Julie Benesh, Alyssa Blankenship, Alex Braslavsky, Vikki C., Tetman Callis, Roger Camp, Zack Carson, John Colburn, Ben Guterson, Tresha Faye Haefner, Moriah Hampton, Sher Harvey, Penny Jackson, Carella Keil, Sam Kerbel, Amy S Lerman, Valentine Mizrahi, Christian David Loeffler, Judith Mikesch McKenzie, Jiyoo Nam, Megan Peralta, Andy Posner, Jim Ross, Beth Sherman, J.R. Solonche, Alex Stolis, Maxwell Tang, James Bradley Wells, Tracey Dean Widelitz, and Stephen Curtis Wilson.
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent may adversely affect certain features and functions (bookstore, announcements, submissions, etc).
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to send newsletters, calls for submissions, and for similar publishing purposes.
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to send newsletters, calls for submissions, and for similar publishing purposes.
