January 2019 | visual art
Balloon People
by Will Huberdeau
Will’s other work appears in Look-Look Magazine, Faultline Journal of the Arts and Literature, The Santa Clara Review, The Bicycle Review, Forge Journal, and the Avatar Review. He was a top ten finalist for the 2009 Wordstock competition. He’s adjunct faculty at Norfolk State University, teaching intro composition. He also does stagehand work at the NorVa in Norfolk, VA and enjoyed summers at writers residencies in Lisbon, Iceland, Quebec, Turkey, Costa Rica, and Morocco.
January 2019 | visual art
Untitled, Black
by Stephen Curtis Wilson
Wilson is a graduate of the fine arts program at Illinois Central College, East Peoria, Illinois, and received his B. A. from the University of Illinois. He is a juried Illinois Artisan for Photography through the Illinois State Museum. During his 35 year professional career as a communication director and specialist, he was a generalist and executive ghost writer, photographer, designer, and media-relations manager. A regionalist photographer, his images have recently been juried into exhibitions in Rhinelander, Wisconsin; Portland, Oregon; Fulton, Missouri; Springfield and Freeport, Illinois, among others. His work can be viewed at stephencurtiswilson.com.
January 2019 | visual art
Blue Glass
by Steve Ausherman
Steve Ausherman is a poet, painter and photographer who lives in New Mexico. Throughout his life, his mercurial personality and restless nature have driven him towards travel and exploration of both the man-made and natural world. His paintings are filled with the rich colors of the American Southwest and his poems are reflections upon travel, family, and wilderness. His camera accompanies him on trips near and far, and allows him to make images that capture his experiences in literal, conceptual and poetic ways. Free time finds him exploring the backroads, hiking trails and mountain ranges of the American West with his wife Denise.
October 2018 | visual art
Solitary
by Jing Lin
In her mysterious monochromatic photographs, Jing Lin reconstructs a familiar world that no one has been to. Her background in motion pictures informs her current work. As a graduate photography student at Academy of Art University, she worked with multiple darkroom techniques in traditional and alternative printing processes. She blurs the edge between photography and painting through the use of experimental processes. Solitary, Jing’s most recent body of work, in which she is portraying a nonexistent place to examine the theme of self-confinement. Constantly, she explores photography with these questions in mind: What did I see? What did I not see? Chinese, b. 1993, Chengdu, China, based in San Francisco, USA. https://www.jinglinphotography.com
October 2018 | visual art
Bunesfjorden, Moskenesøya
by Ben Erlandson
Dr. Benjamin Erlandson is a perpetual skeptic, longitudinal thinker, brewer, gardener, photographer, learning systems designer, and writer of fiction and nonfiction. Combinations of his efforts often manifest as technology, visual media, and printable narrative. Having tried nearly every platter on the capitalist corporate industrial buffet, he’s just not found anything to his liking. He spends quite a bit of time in the mountains and rivers instead. Mostly on foot. Dr. Erlandson has published extensively in academia, including several peer-reviewed articles and co-authorship of the graduate-level textbook Design For Learning In Virtual Worlds. He has self-published the narrative nonfiction work Winter South 02014, about a road trip from California back to his home state of North Carolina. With another nonfiction project in the works, he switches gears between fiction, nonfiction, and photography to keep his mind limber. He’s been shooting for more than twenty-five years and writing creatively for more than thirty. Born and raised in Elkin, North Carolina, Ben has degrees from UNC-Asheville, Emerson College, and Arizona State University, and has lived and worked in Asheville, Boston, Tempe, Monterey Bay, Berkeley, and Washington, DC. He currently resides in Glade Valley, North Carolina, and hopes to build an ecological homestead, or just travel around the North American continent on foot, bicycle, and touring kayak, practicing photography and telling stories.
October 2018 | visual art
White Log Gray
Emergence
Floating in Gray
by Rodrigo Etcheto
A native of the Pacific Northwest, Rodrigo began his excursions into the forests, mountains and coast as an exercise in philosophical contemplation. Spending time alone in the wilds turned from a therapeutic endeavor into a passion for capturing the unique moments he saw. An avid reader and student of philosophy, Rodrigo derives much of his inspiration from the works of the ancient Stoics and Epicureans. He is obsessed with the flow of time and themes of change, impermanence, life death & rebirth, and tranquility. As a father of three young children, he has a daily reminder of the incredibly rapid flow of time and the incessant change deep inside each of us.
