Darren Demaree

Emily As a Fifth Tattoo

 

The spell

& form

of Emily

 

is no longer

temptation

only

 

& when I

didn’t fidget

at all

 

as the needle

action(ed)

into my ribs,

 

Eddie said

my skin was

really soaking

 

her up

this time.  He

was impressed

 

by Emily, her

dark math,

her mining

 

of my body

that rejoiced

in being

 

an element

found to be

possible heat.

 

 

Emily As a Correlative Truth

 

Emily is Emily

because I am

me. She would

 

be a different

Emily without

me. That Emily

 

would be better,

but far less

important to

 

the Emily in

this poem that

exists beyond

 

this poem.

Emily is Emily,

but that is

 

a certainty

based on Emily

& based on me.

 

by Darren Demaree

 

Darren’s poems have appeared, or are scheduled to appear in numerous magazines/journals, including the South Dakota Review, Meridian, The Louisville Review, Diagram, and the Colorado Review. He is the author of “As We Refer To Our Bodies” (2013, 8th House), “Temporary Champions” (2014, Main Street Rag), “The Pony Governor” (2015, After the Pause Press), and “Not For Art Nor Prayer” (2015, 8th House). Darren is Managing Editor of the Best of the Net Anthology.

Losing Teeth

Someone once told me that

if you dream your teeth

are falling out,

it means you’re dying.

 

It happened in a breast cancer

support group. Nancy said she

dreamed her teeth came out

in four great clumps,

and two weeks later,

she was dead.

 

Grandpa only dreamed

his false ones fell out,

but when he woke,

he couldn’t find them.

He walked around the

house for a week

looking like a mummy,

sipping from straws.

 

The sign in Dr. Wong’s waiting room said,

You don’t need to floss all of your teeth—

only the ones you want to keep.

That was fifty years ago, and I still have

them. But when I broke my lower incisor

on a crust of rustic bread

in a trattoria near Campo de’ Fiori,

I swear to God

the Angel of Death sped

by in his Vespa, whining

down Via della Corda.

 

 

by Abby Caplin

 

Abby Caplin’s poems have appeared or are forthcoming in Adanna, Forge, The Healing Muse, Night Train, OxMag, The Permanente Journal, Poetica, Tikkun, Willow Review, and several anthologies. She is a physician and practices Mind-Body medicine in San Francisco.

Song for a Roadside Motel Room

Gravel crunches as I pull into an almost empty parking lot
Cut the engine, watch it shudder a weak protest
Slump back in the torn leather seat
And light a cigarette
Eyes jumping to and from the few scattered cars
Like an old detective film
Make sure the coast is clear

Office door creaks open just enough for me to slip through
See a lonesome burning smoke in a overflowing ashtray
Call out a “Hello” in a shaky voice
Then stammer an “Is anyone there?”
He lumbers out, another cigarette stuck in his unshaven face
Caters to my demands, passes a worn silver key
The door shuts itself on the way out

Unlock room 23 and make a beeline to the mini bar
Drink a fifth of Gin and stare at the peeling paint on the ceiling
Breath in deep and try to subdue qualms
Misgivings are unattractive
Though more faithful for certain
Drain the remaining 1/4 and toss the bottle at the trash
And duck out for a six-pack of Bud from the corner store

The knock is soft and drawn out, almost ghost-like
Before the door opens and she enters
Unsure steps and uncertain smile
Watch her clumsily undress behind a curtain of blue smoke
Fumble nervously with your keys
Take one last swig of beer
Then hold her like you would a dying child

Wake hungover the next morning
Wearing nothing but a tee-shirt and a headache
Blindly reach out to the bedside drawers
In search of the remains of last nights crumpled soft pack
Strike a match and light
Focus gets shifted to the fire fly like ember
Meekly smile and turn over to find her gone

Office door is stuck tight
Spit out a string of expletives while banging on the smudged glass
Stubbly smile soon appears behind
Eagerly ushers me in, exclaiming that he saw
A pretty young thing leaving earlier on
He bums a cigarette and raises his grubby hand in hope of a high-five
I leave him hanging

Damn New Yorker has trouble starting
Splutters and then purrs
Under a murky grey impressionist sky
Press last limp excuse for a cigarette against a solemn mouth
Bid farewell to a road-side motel
That rings a little close to home
Gravel crunches as I pull out of an almost empty parking lot

 

by Benjamin Blake

Benjamin Blake was born in the July of 1985, in the small town of Eltham, New Zealand. His fiction and verse have appeared in numerous journals and magazines including, The Los Angeles Review of Los Angeles, Morpheus Tales, Black Petals and Danse Macabre. He was a contributor to the 2012 anthology, A Feast of Frights from the Horror Zine. He is the author of the poetry and prose collections, A Prayer for Late October, Southpaw Nights, and Reciting Shakespeare with the Dead. He currently lives in a cabin, somewhere in the New Zealand countryside.

 

“The rain fell like applause”

(M. Ondaatje)

 

 

The rain fell like applause

it fell all night

and it fell like applause

though for whom or why

I do not know

it fell and it fell and

I couldn’t help but wonder

if perhaps it was for the moon

this hollow moon

or the trees drained of birds

there was rain

and the applause fell like thunder

broke like glass

on an iron floor

since the birds had flown

the air was full of something sinister

there was something sinister

in the applause

which fell all night

like rain like

night like

applause

the rain fell like applause

though for whom or why I do not know.

 

by Jamie Thomson

Hummingbird Becoming

red drop

blur down

hover first, then

rush with helicopter

sound on mute, between

a Monday and the lavender

bush, aligned aside a

moment you forgot to even

notice; still, on wings, it

seems to rise in up and

down motion, the hope of each

becoming squeezed inside

the beat of wings, a

quantum fine that lasts for

you a glance or two but

for the hummingbird

a lifetime.

 

by K.C. Bryce Fitzgerald

 

K.C. Bryce Fitzgerald has been writing stories since he learned to read. A native of Los Angeles, he is inspired by the daily truths of the world around him. In addition to moonlighting as a bartender, he is an avid writer and filmmaker whose production company C4 Films specializes in visually groundbreaking, character-driven storytelling. He has had several screenplays featured on Hollywood’s prestigious Black List and was recently the featured author in Burningwood Literary Journal. When not sending rich producers and literary agents gift baskets, he is hard at work perfecting his craft. He has currently written numerous short stories, two books of poetry, a debut novel, and many screenplays.

Three Changes

This isn’t about a man evaporating to skeleton,

or joe bargaining with air

from a combat zone

as his father lies on the crucifix bed,

moaning so coherently the sins of the world

coalesce, come forth in black chugs

of foam, intestine, final whispers of God.

 

Not the twenty-by-twenty-foot crater

where the memory of joe’s name lay

less than a week before,

and the surgically sliced face of Khobar Towers,

and the blood, and the globs of flesh

that may someday be you or me.

 

Not even the memory of morning drill

at Rocky Mountain Arsenal—numbered

chairs matched to numbered masks,

assigned lanes, impromptu sirens,

seven-second scramble to don

writhing rubber faces before nerve gas

can drop the body in a heaving break dance.

And after, stepping outside, the ice fog lifts

as from a lunar landscape,

iridescent sun rising between snow plain,

mountain and smog crest.

 

This is what joe means—three changes

of clothes (enough in his college days),

three pairs of shoes with no holes (enough

for old age), a quiet room with comfortable

bed and covered mirrors.

 

by Will Harris

Originally from San Antonio, Texas, Will Harris was born into a military family and spent most of his public school years outside the U.S., particularly in England and Germany. After serving two military staff tours in the Middle East, he left the military but returned to live in the United Arab Emirates. He and his wife visit the U.S. during the summer months. Will’s writing is forthcoming or has been published in African American Review, The Austin Writer, Cold Mountain Review, College Language Association Journal, Colorado-North Review, decomP, Eleventh Muse, Existere, Mantis, MELUS, NEBULA, Reunion: The Dallas Review, Storyscape, The Trinity Review, Voices in English, Wascana Review, Word Riot, Writers’ Forum, and The Zora Neale Hurston Forum.