Bridge

rails ascend into gray pneumonic sky

but infinity is not allowed,

cars rush to fall off the edge of sight,

the wind chants with keening gulls

above the bay slap, chopping, cutting at the base,

 

rip my head clear,

carve yesterday on a stone thrown

to plunge down half seen

and then gone in the sea-haze

before the concrete ribbon hits the hills

 

I peer seeing sky sheets tossed used and wet

and her skin rising, falling,

her Judas breath trapped by the rhythm

of the pillars stiff over the green estuary,

the thrall broken by sun’s late-day fire

 

as the nav commands

turn to Paradise Drive,

there the white tablecloth is gilded,

the blooded wine arrives for fugue-rites,

I drink, trading masters,

 

I swallow to cross to another land.

 

by Bruce Bagnell

 

After Bruce Bagnell received his bachelor’s in English from Fairleigh Dickinson University, he went on to earn his master’s from John F. Kennedy University. Throughout the years Bruce has worked as a cook, mechanic, and college professor; held various management positions; and was a USAF captain in Vietnam. Now retired, he focuses wholeheartedly on his writing and has been published in Zone 3, Westview, OmniVerse, The Scribbler, The Round, Blue Lake Review, Crack the Spine, The Griffin, Oxford Magazine, The Alembic, Studio One, and several online magazines. Bruce is a member of the Bay Area Poets Coalition and has twice been awarded honorable mention in their Maggi H. Meyer Memorial Poetry Contest.

 

RAT POO

The woman taking my baby’s information

over the phone asks if I have postpartum

depression. I have no idea, I just want to know

how my reality has become Tucks pads slapped

down in underwear like slices of bologna

and a bra holding rock-hard porn-star tits.

 

Everything is breasts. My husband’s eyes, English

muffin halves, Katie Couric’s saucer. The nightly

sputter of the heater, a breast pump. At dawn,

it groans “Screw you. Screw you. Rat poo.” Regret

for not saving stem cells dangles in the Pottery Barn

mobile and every two hours a gurgling stream

of milk from my nipples shoots me awake.

 

In the nursing chair I recount the ludicrous

contortions between contractions that made

the midwife snort “That eighteen-wheeler plowing

through your uterus, that’s nothing special

happens every day,” while she typed

on her Blackberry. Yet we will do it again.

Forget the moment our vagina, butane-doused

and lit, tore open into the newest scalp on the planet.

Wish to vomit crackers while two hearts

beat inside us.

 

by Marcia LeBeau

 

Marcia LeBeau has been published in Handsome Journal, Poemeleon, Inertia Magazine, and others. She received an honorable mention for the Rattle Poetry Prize. She has attended various workshops with writers such as Sharon Olds, Tony Hoagland, Charles Harper Webb, Molly Peacock, Kim Addonizio, Dorianne Laux, and more. Marcia’s poems have appeared in Oprah’s O Magazine and have been read on the radio. She holds an MFA in poetry from the Vermont College of Fine Arts’ creative writing program. Marcia has played the violin/viola since she was four, and now plays in chamber groups. She is slightly addicted to self-help seminars and can be found cooking when she’s in a good mood.

Blonde Tea

I wanted the ghostliness of Fall,

the thrill of fresh masks

and hard candy

 

I wanted the romance of arguing,

the depression of school nights

and dim lamp lights

 

I wanted the abuse of painful side affects,

the fascination of my shadow

within a crowd,

the excitement of loneliness

 

I wanted the pleasure of demons,

the euphoria of erotic bonding,

the exhaustion of sadness

 

I wanted the love of parents,

the horror of sour nails,

the joy of intentionally sore skin

 

I wanted the relief of exhaling,

the weakness of flu season,

the peace of floating away

 

I fell asleep on black hair

and woke up inside a blonde tea pot

I was served to the earth unsweetened,

every ounce of me disgusting

 

by Ashlie Allen

 

Ashlie Allen writes fiction and poetry. She is also a photographer. Her work has appeared in the Tipton Poetry Journal, Gone Lawn, Spelk and others. She loves the Victorian era.

 

Moving Home

And down the road I look

at Winchester on the Severn, the setting

star glaring amber as ochre-sweet

 

honey spoils with jaundiced age

in November.  I stand on the hill

quietly knowing my life

 

will be unusual, different from how

(and now) it was then.  Déjà vu―

my wood-shingled boyhood

 

home, the mint patch and Pines Park,

ghosts of the elm trees which met

overhead when Rt. 2 was B&A.

 

When dusk enfolds the arbor, mourning

doves sense the mist thinning.  No

significance or scaffold in mind:

 

just a fouling wood and winter

looming in labor, heaped on planks

of limp, listless light.

 

by Zane Anthony

 

Zane is a senior at Middlebury College, studying architecture and biology. Zane’s writing has appeared in The New Yorker, The Star Democrat, Middlebury Magazine, Sweatervest, and Zenith Magazine, and is forthcoming in other journals.

 

Immediate Undertaking

a promise and a secret

written in stone

 

clutched like a dying heart

 

a life untethered

in the loveless ether

 

neither held

nor hoped for

 

too painful to remember

too impossible to forget

 

an anomaly of dark matter

gone supernova

 

between the rock of truth

and the hard place of hurt

 

nerves exposed in stars’ ignition

transmissions muted

 

space at a standstill

 

for it is

both now…

 

and never again.

 

by Edward Canavan

 

Edward L. Canavan (January 19, 1971 – ) is an American poet whose work has been published in such underground and revolutionary journals as Bleeding Hearts, Vice and Verse, Eagle’s Flight, and Oxford Comma. He currently resides in a small room by the freeway in North Hollywood, Ca.

Jeffrey Park

Experiment in Weightlessness

 

Upside down fishbowl

occupant

right side up

tablecloths like spiraling

butterflies

brown lace-up shoe

a woman’s

random receipts brochures

sticky notes

last year’s desk calendar

curling uncurling

a glowing suspended instant

strangers on the ledge

faces averted

unwilling to witness

the tragedy of

scorched birds in flight.

 

 

The Power

 

I plant thoughts in your head,

walk a mile in your shoes

and leave you to wonder

where all that sand came from.

 

You once accused me of being

all talk and no action,

but you would tremble with fear

if you could see me now.

 

Magic dances on my fingertips,

sparks crackle in my hair.

 

I cook my meals these days

without ever going near the stove.

I just sear chunks of flesh

with the heat of my regard.

 

 

By Jeffrey Park

Jeffrey Park’s poetry has appeared most recently in Star*Line, phantom kangaroo, Mad Swirl, and Danse Macabre. A native of Baltimore, Jeffrey currently lives in Goettingen, Germany, where he is lecturer for Scientific English at the Georg-August-Univeritaet. Links to all of his published work can be found at www.scribbles-and-dribbles.com.