Ossuary

Oh, home of cracked bones,

crypt of condensed composure.

My time has arrived.

 

One bone, two bones, three bones, rattle my bones,

shake the box until its cobwebbed truth tumbles out

onto hard-packed dust. Shredded into ivory splinters,

you’ll find the derailed train that hurtles toward you,

only a few feet away now. Before you crash, look

closer. Find the starfish patterns that sway on my

prison’s wall and congratulate them for commendable

perseverance. Scratch the surface of the midnight air.

Breathe the chemicals that rise from your skin. Pray

to the earth, press your lips against the summer’s final

remaining blade of grass and beg release from your

bindings. Remember the last time you swallowed

a watermelon seed, and remember the first time

the winter wind clutched your umbrella, allowing

the cold to seep quietly, smoothly into your bones.

 

Oh, home of new bones,

crypt of condensed composure.

Your time arrives soon.

 

by Hannah Warren

Hannah is currently an undergraduate English major at Mississippi State University. Upon graduation, she wishes to pursue a Master in Fine Arts degree in Creative Writing; she is published in Nota Bene. She may be found rambling at inksplatteredwords.blogspot.com.

Tables and Chairs

It’s all firewood now, the scarred, splintered,

broken-apart tables, benches, and chairs piled

 

high far behind a country inn, all the dinner engagements

and family celebrations they’ve accommodated now firmly

 

past, service so demanding as to render this furniture

debris, the owner and his son, keeping a hose handy,

 

igniting the fire, flames swirling the mound instantly,

the crackling from within it at first spare and subdued,

 

then turning resonant and rhythmic as if in recitation

of its own, long, complicated story, the story of work

 

well done, of promises kept and promise redeemed, all

ending in this blaze through which it relives its history

 

of giving, the woodsmoke scent—lingering

long after the fire expires—surprisingly sweet.

 

 

by Mark Belair

 

Mark Belair’s poems have appeared in numerous journals, including Alabama Literary Review, Atlanta Review, Harvard Review, Michigan Quarterly Review, Poetry East and The South Carolina Review. His most recent collection is Breathing Room (Aldrich Press, 2015). Previous collections include Night Watch (Finishing Line Press, 2013); While We’re Waiting (Aldrich Press, 2013); and Walk With Me (Parallel Press of the University of Wisconsin at Madison, 2012). He has twice been nominated for a Pushcart Prize.

 

Dancing with Time

I see corpses when I look at people

they are dancing with the past and dreaming about future

they desperately mark their territory

they scream

yelp

make noise

thinking that returning echo

will be them

or their soul

 

and there is silence

there is nothing

not even as much as blackness

that would have a meaning

 

they are standing squatting

it is very funny

 

one leg here

and there without a leg

 

by Frederick Rossakovsky-Lloyd

 

Frederick Herbert Rossakovsky-Lloyd lives and works in UK. He published nine volumes of poetry. His work can be found in numerous international anthologies.

 

On the Road to Atheism

She looked into the mirror very closely

As she just combed her hair morosely.

 

No doubt she was extremely beautiful;

Beauty dumped on her by the merciful.

A face that could launch million ships;

Eyes that so sent men on ecstatic trips

 

But her life had been a crisis-series;

Crises that chronically really wearies;

A ton of poison for an ounce of gold.

She would not return to the Divine fold.

 

 

She looked into the mirror very closely

As she just combed her hair morosely.

 

by Rajagopal Kaimal

Faith

The images of school children

Dead

Arms up

Like they are resting

Stars

Everywhere

In the wreckage of a

Great plane

 

With burning rubble

And skin

I am now weakened

And dulled

So much that I do not

Feel a thing

At the site of this

Carnage

 

Focusing instead

On my performance

Metrics

And rhythms of

Holiday planning

And school breaks

And oil changes

“Nothing new

 

To look at

Here”

The signs read

I acquiesce

And turn my head

Down

To focus on lines

In the pavement

 

by Morgan Bazilian

 

Morgan Bazilian is a short story writer and poet based in Dublin, Ireland, and Telluride, Colorado. His poetry has appeared in: Exercise Bowler, Pacific Poetry, Angle Poetry, Dead Flowers, Poetry Quarterly and Innisfree. His stories have been published in Eclectica, South Loop Review, Embodied Effigies, Shadowbox, Slab, and Glasschord.

Bridge

rails ascend into gray pneumonic sky

but infinity is not allowed,

cars rush to fall off the edge of sight,

the wind chants with keening gulls

above the bay slap, chopping, cutting at the base,

 

rip my head clear,

carve yesterday on a stone thrown

to plunge down half seen

and then gone in the sea-haze

before the concrete ribbon hits the hills

 

I peer seeing sky sheets tossed used and wet

and her skin rising, falling,

her Judas breath trapped by the rhythm

of the pillars stiff over the green estuary,

the thrall broken by sun’s late-day fire

 

as the nav commands

turn to Paradise Drive,

there the white tablecloth is gilded,

the blooded wine arrives for fugue-rites,

I drink, trading masters,

 

I swallow to cross to another land.

 

by Bruce Bagnell

 

After Bruce Bagnell received his bachelor’s in English from Fairleigh Dickinson University, he went on to earn his master’s from John F. Kennedy University. Throughout the years Bruce has worked as a cook, mechanic, and college professor; held various management positions; and was a USAF captain in Vietnam. Now retired, he focuses wholeheartedly on his writing and has been published in Zone 3, Westview, OmniVerse, The Scribbler, The Round, Blue Lake Review, Crack the Spine, The Griffin, Oxford Magazine, The Alembic, Studio One, and several online magazines. Bruce is a member of the Bay Area Poets Coalition and has twice been awarded honorable mention in their Maggi H. Meyer Memorial Poetry Contest.