The flame on the candle wick sways
The ghost has entered the room
and he looks exactly
like me when I was a child
by Ashlie Allen
Ashlie Allen writes fiction and poetry. Her work has been published in The Jet Fuel, The Screech Owl, The Crab Fat Literary Magazine, The East Coast Literary Review, The Squawk Back, Conclave: A Journal of Character and others. Besides writing, she has plans to become photographer.
Life radicalized,
into roots.
But fear loomed like
a stitched whale song.
Laying in the fetal position
wrapped in the arms of solitude,
worse than trapped, no bird songs—
under the cover of a static quilt,
with imprisoned hushed mind voices
beneath and their spun spiraling eyes,
whispers that cycle like lightning
along the trails, bolting down
around Remorse Passage, surging across Regret Line,
plowing straight into Resentment Way,
silent electronic surges boom,
amplified by the hollowed inner walls.
A steel wheelbarrow dumps pile after
pile of hot steamy hopelessness
into the echoing abyss, packing it tight
like a trunk, until it overflows.
Then light cuts down the stock,
and carries the whole heap—
back to the radical,
a mere pretext
without context
masquerading
in extremes.
Dark spread across the land
in strange westward blows,
from the mouth of a Titan.
Black blanketed the forest,
the gray squirrels hid in trees,
the rabbits to their burrows.
An egg was left by a mother
in the middle of the forest’s
floor. Silent guilt oozed from
the egg toward its neglector,
suffocating her to death.
Night set in for the long hall,
weighing down the trees,
and the bushes longed to see
the sun dancing around the earth
with free food like Jesus.
The once pleased owl
grew tired of the perpetual
blackness, became depressed
as he stared out at the sky,
missing the absence of difference.
And the moon no longer shone,
it slinked back into the abyss.
The owl stopped hooting
and started to lose its feathers.
by S. Babin
S. Babin holds a BA in English Literature from the Ohio State University, and a JD from the University of Pennsylvania Law School. He lives with his family, and works in Columbus, Ohio. His work will be forthcoming in The Wayfarer; Spark: A Creative Anthology; Bop Dead City; Cactus Heart; Star 82 Review; and many more.
The Old Dog finds its legs in the corner. He wants to take me for a walk, but I’m too weak. He knows that better than anyone. He’s been waiting.
We found each other the day I sank into my cups and carved up a drifter for sport. Together we buried the corpse underneath a wooden shed. I remember thinking how deftly his charcoal legs beat back mounds of frozen earth. Back then the Old Dog was only a pup with thoughtless marble eyes and fangs like sewing pins. He’s walked in my shadow ever since, placing paw after paw in my wayward steps. He’s seen me lie and cheat to cover up my crime. He’s watched me kill again and again. With each transgression the Old Dog took on weight and edges and heat. Now his claws glow like coals in a forge and his old bones land like anvils, cracking my ribs as he mounts my chest. His jaws close around my throat and I can taste his canine breath. The scent of eggs fills every cavity in my skull.
My Old Dog wants to take me for a long walk.
Zach Lisabeth is a Los Angeles-based speculative fiction author. His work has appeared in the anthology RealLies (The Zharmae Publishing Press and he is a graduate of the 2014 Clarion Science Fiction & Fantasy Writers Workshop.
*
Here, there, the way silence
tows you below the waterline
and though you are alone
you’re not sure where her name
is floating on the surface
or what’s left
grasped by a single wave
that never makes it to shore
splashes as if this pen
is rowing you across the stillness
the dead are born with
–you are already bathing, half
from memory, half by leaping
from the water for flowers
growing everywhere –for you
this page, unclaimed :a knife
dripping with seawater
and your throat.
Simon Perchik is an attorney whose poems have appeared in Partisan Review, The Nation, Osiris, The Nation, The New Yorker, and elsewhere. His most recent collection is Almost Rain, published by River Otter Press (2013). For more information, free e-books and his essay titled “Magic, Illusion and Other Realities” please visit his website at www.simonperchik.com.
Today I thought I saw an ex-love
driving an old Mercedes
with stinking exhaust.
He had a beard
and drove slowly
as if he had no where to go,
as if he wasn’t the younger man
I held captive
in my memory.
Years ago,
right there in the dark—
we became birds
standing on a wire of resistance.
He was a flight risk.
I had a nest.
Ex-loves are panhandlers
of the heart.
They beg for remembrance—
loose change in a cup,
memories clink and spill.
Who can survive on this change?
At the intersection of Washington Boulevard
and North Roosevelt Street stands a man
with a sign that reads:
Bet You Can’t Hit Me
With A Quarter.
I pass him every Monday morning.
I’ve yet to throw a quarter his way.
Sometimes he smokes
and it’s so cold
I worry his hands are too numb
to pick up that quarter—
thrown hot from some hand.
by Sarah Lilius
Sarah currently lives in Arlington, VA with her husband and two sons. She is a poet and an assistant editor for ELJ Publications. Some of her publication credits include the Denver Quarterly, Court Green, BlazeVOX, Bluestem, and The Lake. She is also the author of the chapbook What Becomes Within (ELJ Publications 2014).
before
I’m stricken down
by overwhelming
heartiness
Lindo,
remember
my hands flagging
down my elbows
when I suddenly bent
them at asymmetric angles
and thrust them toward my second rib
to cry out a phlegmy Milwaukee born
Hrrrrraaghh!
I’m stricken up
like that often
you know-
I’ve watched you
you flinch with a smile
three seconds before it comes
knowing all
about the blended
and aimed reverence
laced tolerance
masking irritation
and dismissal I shove
into every
boisterous afternoon
I spend with you
Steven enjoys capturing things he’s seen almost as much as things he has not. To date he has quite a collection of both. He makes Facebook his artistic warehouse and periodically promotes dead people there, elsewhere his work has appeared in Mad Swirl, Heavy Hands Ink, Short, Fast and Deadly, vox poetica, and Crack the Spine.
