Keeper and Hawk

Outside, herself again, effects of kill

and cure alleviated by the news,

she’s dancing early morning Braille grace notes

along the woodland ride. She pauses, high

on her consultant’s view, “Not visible,”

charmed by a ring-of-feathers fairy sign

against the broken stile. “Yon sparrow hawk,”

he answers to the question on her mind

as yet unasked; “her feeding post.” She knows

him from the local, captain’s chair, beer mug

above the bar; old gamekeeper, skin like

gnarled bark, wax jacket, corduroy, retired.

Whole different world,” to poison, trap or shoot

all compromises to his grand design:

I’d bide nest-side for hours, stock still. One day

she lighted on my gun, dark mantle, wing,

locked feet, mere inches from my gaze.” He peers

behind her fear-crazed eye and reads her pain,

admires her pulsing breast, life force within.

I let her be that spring. Next year? Lord knows!”

 
Peter Branson

Peter Branson has been published or accepted for publication by journals in Britain, USA, Canada, EIRE, Australia and New Zealand, including Acumen, Ambit, Envoi, Magma, The London Magazine, Iota, Frogmore Papers, The Interpreter’s House, Poetry Nottingham, Pulsar, Red Ink, The Recusant, South, The New Writer, Crannog, Raintown Review, The Huston Poetry Review, Barnwood, The Able Muse and Other Poetry.

Christina Borgoyn

human sky

tendrils of flaxen wind dance

unbeknownst,

 

billows & curls into incandescent

orbs, blinded-

blinks, and heaves open

 

the mouth and its million raindrops,

faint caress of song lingers, a heavy fog;

and shoulder blades beg to beat

faster

to the tune of flight, arms flail solo-

a slow push and legs swim

amid stratus

 

as naked moons peek toward a sunrise,

hail intensifying the mien.

 

holiness hurts

night and her mortifying

caress,

 

beautiful lightening-

I am lonely child

deserted and small,

 

insignificant to your power,

crouched without morning’s touch.

 

Christina Borgoyn

The Hours Between Our Feet

When you breathe,

I see the map materializing

like it’s a cold day in winter.

I pluck it from the air,

and I am finally able to hold distance in my hand.

It’s a delicate, beautiful flower,

though poisonous to ingest.

 

But when I set the flower on the road,

it blossoms into mileage⎯

millions of feet of choking vines

sprout between our feet.

And it occurs to me that you’re breathing

an hour into the future,

five away from me.

And I want nothing more

than to lie tangled naked in the vines

and swallow the distance

until it kills me

 

Sirenna Blas

 

Sirenna Blas’ short story “Maps & Men” was published in the 2011 winter edition of the Rose & Thorn Journal. Her poem “Paradelle for the Poet” won first place in humorous and satirical poetry in Purdue University Calumet’s Stark-Tinkham writing contest, and “The Sky Swallows Us All” won second place in their short story category. She is a freelance nonfiction writer, as well as a peer tutor at Purdue Calumet’s Writing Center.

Nina Bennett

Dispersing Luck

April wind whips tumbleweeds

across the plains of Santa Fe.

Some wedge in barbed wire fences,

others bounce along I-25

like children playing hopscotch.

Maybe that is what happens

to the souls of the dead. They travel

unfettered, gather the detritus of life

as they journey from ocean

to mountain to desert.

 

What we call luck

might be what a soul grabs

from one person as it passes,

delivers to another on its way out of town,

the way tumbleweed disperses seeds

as it spins across the plains.

 

 

Since You Asked

You want to know why I don’t

watch the news. The anchor

lays out local stories the way

a casino dealer reveals

the house hand. Puppy attacked

by machete-wielding neighbor,

three children dead in house fire,

college lacrosse player murdered.

 

You want to know why I don’t

read the newspaper. Train derails

in India, more than 70 killed.

U.S. military dead in Afghanistan

hits 1,000. Robbers distract

victims at cash machines,

squirt them with feces

before stealing their money.

 

You want to know how I spend

my time. I listen to Simon and

Garfunkel in the car, read poetry

out loud in the evening,

line breaks punctuated

by the call and response

of songbirds in my back yard.

 

Nina Bennett

 

Nina Bennett  is the author of Forgotten Tears A Grandmother’s Journey Through Grief. In 2006 she was selected to participate in a master writer’s retreat with the poet laureate of Delaware, sponsored by the Delaware Division of the Arts. Nina’s poetry has appeared in publications including Drash:Northwest Mosaic, Pulse, Alehouse, Panache, Yale Journal for Humanities in Medicine, The Smoking Poet, Oranges & Sardines, Philadelphia Stories, Pirene’s Fountain, The Broadkill Review, and the anthologies Mourning Sickness and Spaces Between Us: Poetry, Prose and Art on HIV/AIDS.

C. Dylan Bassett

A Meditation

weakness never goes out of the body, we only learn how to use it.

*

death is built into us, it’s better that way:

we already have enough debt to repay.

*

what we really want is touch,

although, for mankind, it will never be enough

 

Cafe Life

coffee cups cream-purling with a swirl.

 

walls, milkweed-green and gray-naked against the dull-burnt blaze. a capped chap in a raincoat; tongue-rough.

some spots on the jotted carte; flecks on a wet-cedar bough.

 

from some youthful corner:

a radiation of red and a blueprint-blue tint shooting from screens.

 

against the pane-brace:

bristlecone sprigs scrapping themselves square: The world still asking us to watch.

there is faith here, too: a thing of gunk-strung feathers. this cafe life is life itself:

the host of hope and loss.

 

C. Dylan Bassett is a poet and artist from Las Vegas, NV.

Corridors

I tell you I’ve seen corridors.

More than many, fewer than few.

Corridors that lead to pain,

Drawn out from the plants and weeds.

Delinquent in the autumn breeze.

Corridors of burlap love,

Common clothed in revelry.

Corridors that feed an urge

And milk it, drain it, constantly,

Then carve it, broken, on the street.

These corridors of death and wine,

Corridors of ragged breaths

And stencils on an evening sky.

Corridors that coax you in.

Corridors that spit you out.

Corridors that command a break,

From synapse wars and obscured eyes.

I tell you I’ve seen corridors.

More than many, fewer than few.

Corridors that have no names

And corridors that do.

 

Matt Medved

 

Matt Medved is a recent graduate from the Medill School of Journalism at Northwestern University, where he majored in journalism, minored in political science and had a concentration in creative writing. Matt has covered stories in South Africa, Swaziland, Mozambique, Zambia, Zimbabwe, South Korea and Australia in the form of hard news and narrative features. He traveled to Harare to cover the 2008 Zimbabwean presidential elections and has written extensively on South African street children and prison gangsters. Matt is currently pursuing degrees in international law and international affairs at George Washington University.

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