January 2011 | back-issues, poetry
Prohibited
Remember the power of a single nail to talk to an obstinate wall.
Men act as a safety issue.
He has worked under the cheek.
Turn and eat! Turn and shout!
But do not worry, do not worry: the spirits of the community are trying to protect his fingers.
They learn that the secrets of the true diameter cannot be broken.
But your body is full wrath.
We will help you force a stubborn, but spiritual, oak.
In the study you can hear my friend.
But the dictator will eventually be lost.
Please dare to try to learn your enemy.
I caught a heavy cold.
If the sink was buried in a damaged and repellent beard.
We are all paid within inches of hearing of prisoners in winter.
Strike! Strike! Drive from the bees.
He was found dead of smoke.
The victim is not your problem, large or small.
The word most often heard words:
Onions, fish, the first question, why you did not hear me complain.
Primarily
As first waves crash over first faces
We realize the desk’s purpose has been compromised
By our growth. You are more than you were.
We’re looking for the right translation, but you have to turn around.
It’s the question of whether it just keeps extending in space
Or stops because you stop. But its lack of life
Offers life to another in the future
(he can keep calling that stone my stone) if you get my meaning.
We must conceive it thusly, because to do otherwise
Would be to deny the orchestra its due (they take an obligatory bow)
And it will surely be remembered that
Not a few men have been killed by trumpets to the head.
I’m watching the spray.
I’ve thought about what hat you will wear.
It’s the only thing on my mind.
You wake, at first, in the clothes of ideas
And settle finally, fitfully, into
The rushing of traffic on early rain.
January 2011 | back-issues, poetry
Emergency Room
The receptionist is calm.
An old woman
is trying to vomit
behind a figured curtain.
A white wimpled nun
slides by
automatic door
closes without sound
against rubber bumpers.
Squeal of burned baby
rises to dog whistle soundlessness
behind another curtain.
Two security guards in tight Hessian blue,
pistols on hips,
walk around a supine third
who lies,
chest bare black against white bandages,
on cold chrome trolley
for x-rays.
It is 12:32 A. M.
and the doctor is explaining test results
to the ear
of a beige push-button phone.
Pain sits in straight-backed chairs,
crouches on couch cushions,
holds its guts
before ambulance entrance,
raves in a draped alcove,
waits to vanish
one way or another.
Explorer
The man who had never eaten spaghetti,
hard to believe,
of course,
was nevertheless eager to try.
“How do you do it?” he said
to anyone willing to answer.
Ordinary to some,
it looked formidable to him,
strings coiled in whiteness
with blood sauce
like a tangle of tape worms.
Someone said around a smile,
wrap it in the tines,
twirl it to submission.
Cut it,
end to end,
another friend suggested
or just
suck it up.
Dog History
There is only pavement here.
Odors float, invisible cirrus,
from weeds in cracks
between stones or from dried urine
disappearing except to dog’s scent.
No dog is naked, although
unclothed they present
buttocks to the sun
and consider genitalia
of chance acquaintances.
Without past, each writes
present with raised leg
or natural squat tickled
by grass or capricious winds.
No heaven waits perfection of dogs
but other dogs
sniffing, running, eating.
January 2011 | back-issues, poetry
New Somalia
Wherever she walks
that is Mogadishu.
Her ruby-colored veil cascades to her knees.
Her posture is not left to nature’s vices
like these impressionable
sidewalk-tamed and -framed trees.
The crosswalk blushes beneath her feet
for she weaves a red carpet out of its common,
striped concrete and, as she glides past,
cars stand at attention on the street,
giving her all but a military salute.
As she forges ahead, resolute as a general,
the mind conjures the flourish of a trumpet
and a desert wind is felt, carried inexplicably
upon an ocean breeze. Meanwhile,
seagulls on curved lampposts sit still
and the second-story dentist looks on,
mesmerized, at his window sill.
The traffic light gives green cards
but not all take off at once.
Somalia, for one, is still learning the roads
but she is with strength and drive replete.
I do not worry about her, that Somalia,
for, though she comes as a surprise to this town,
this town doesn’t surprise her in the least.
the (snow) globe
an arab who looked up to the west
until she looked it up
got the rundown
got run down
now looking up at stars
a female under males
trying to understand them
trying to get around them
without getting around
an american idolizing
the rising sun
but damning its horizon
a zealot searching for absolutes
in a chain reaction
a civilian hoping her soldier
will not be killed
by friendly fire
his memory steeped, dyed
in cold blood
people building up walls
walls tearing people down
human aliens invading
old stereotypes gracefully aging
actors without stages staging protests
picket lines shouting for an audience
lines of itinerant workers
for hire
and hopes for higher wages
falling to the ground
foreigners working as domestics
brown eyes becoming statistics
children whose existence
is resistance
unsympathetic weather
unnatural disasters
parents beating each other to pieces
trying to stay together
a family dilating and constricting
as the light comes out a rainbow
a human trying to be humane
a predator climbing down
the food chain
a storeowner resisting a window sale
a dog chasing after its own tail
an independent girl
still a dependent
a prisoner escaping
to confinement
a misguided man who considers
all but himself lost
another religiously secular
an atheist who wants to believe again
but has forgotten how
a virgin who always chastens herself
but wants to do it now
a millionaire who flies coach
a poor man with a porche
a liberal with a crocodile purse
a mercenary unattractive nurse
innumerable iterations of 0 and 1
wars both peoples lost
ones both countries won
ignoble nobel laureates
a disunited united nations
an inoperative surgeon
leading countless operations
sky rises raising eyebrows
not standards of living
and standards waving
over double-parked cars
over double-doubles
over double standards
i stand sometimes looking
at this small curious world
in a snow globe
sometimes
in the snow globe
looking out
curiously
at the world
Epitaph
I didn’t know what to do, at first,
with their last remains
so I lined them shoulder to shoulder
and ran over the bodies.
If burning a book is sacrilege, then what of human flesh?
If burying is cruel in life, how much more in death?
This way they’ll not repel the eye should they be unearthed.
This way not gods but simple men will trigger their rebirth,
and if a chance puff of dust tempts from you a sneeze,
it’ll be a comfort to know that those weren’t arms and knees.
So bury the urn and burn the blasted coffin.
I want to be the death of a few hundred trees;
I want to be a character in your memories.
January 2011 | back-issues, poetry
City of Trope L’oeils
It goes without saying
that a newly married American
accompanying her husband
to Naples on business
wants to avoid
the stares
of handsome Italian men
and thereby
the appearance of impropriety
while sipping espresso
at a café outside the hotel.
Instead, she looks at a magazine,
perhaps Vogue.
Of course, out of a sense of decorum,
she refrains from wearing 3D spectacles
while gazing at layouts of seminudes
lest a half-starved model
escapes the pages
and takes off down the street
in search of a slice of pizza (or lemon
gelato.)
Later that afternoon
fresh from a little nap,
the lady goes in search
of the city’s artistic treasures.
she pulls a purple scarf
from her purse
and covers her sleeveless top
before entering San Severo Chapel
where she intends to view such sculptures
as Queirolo’s Release from
Deception.
She passes by Jesus Under a
Shroud
almost missing the illusion
of a sheer, frail gossamer
draped about the body
of the Christ.
There can be no mistaking though
the other veiled creation,
a transparent-marble masterpiece
whose modest figure
Corradini deceptively displays
beneath a thin, fine gauze
causing the lady,
out of decorum,
to blush.
Just then the sound of someone singing
lures the visitor from the church
in time to find
no one at all
standing in the courtyard.
From whence came the Siren song
now suddenly silent?
She looks for a clue
but finding none
cannot be sure
she heard anyone at all.
“Ancient Casserole”
My mother’s own mother
and many another
going back to Toulouse
have slaughtered to the goose
the fowl and the pig
to make a stew twenty quarts big.
I stand by the oven trying to peak
at what’s taken all day but seemed like a
week.
Then I open the door and what should
appear
but a garlic herb crust quite golden and
dear.
Though it may seem a bit dumb,
I poke under the crumb,
but instead of finding a fatty feast
I discover a dish fit for neither woman nor
beast.
The white tarbais beans are not on my
side
but poke all about quite shriveled and
dried.
The bouquet garni has crumbled.
My hopes have now tumbled.
The duck is amock.
I’ve run out of luck.
Oh my. Oh my.
Hello and goodbye.
Ave atque vale,
cassoulet.
Lara Dolphin is a freelance writer. Her work
has appeared in such publications as “Word Catalyst Magazine,”
”River Poets Journal,” “The Foliate Oak Literary Journal” and
”Calliope.”
January 2011 | back-issues, poetry
Far worse than being unemployed,
in some respects;
Employees with nothing to do.
The Dubai street sweeper polishes his sidewalk,
that is already polished.
His mate pretends to pick up garbage with a pole grabber,
the streets are absolutely empty.
Ana, my hotel tourism saleswoman
sits at her little table by the exit,
tries small talk with the Pakistani bell boy
to no avail.
She stares out the glass door at the rain.
Muhammed at Fish World has fish sandwiches to sell
but no one is biting.
With his blue collared shirt, yellow vest, and sailor’s hat
he scratches his arm,
reads the menu for the thousandth time,
stares out at the rich mall rats who are free.
Wishes he could be beautiful,
like the azure-suited Chinese in Chinese Palace
or at least popular,
like the baseball-capped Filipinas in Burger King.
At last, the fish-eaters have arrived,
he smiles.
Bio note: Brian Briscombe burns wood in Falls Church, Virginia, USA. He’s never been published before unless you count his 60 Facebook Notes or the 600 US Government publications of his economic analysis. Recently Brian edited four painful papers that analyzed the costs and medical benefits of conducting male circumcisions in selected African countries. Although those papers might never be read, at least they paid better than Burning Wood. Brian likes it when strangers email him, so long as they are not Nigerian scam artists.
January 2011 | back-issues, poetry
The chocolate-covered calendar read August
yet the citrus pork bellies lounged
casually on Christmas china waiting
for their escorts to the table, pigeon peas
freshly picked and still boiling
in a pot on the iron stove
the iron as black as night
the coals singing below
while nearby they lay
the potatoes quiet and still
meticulously scrubbed
carefully dried and seasoned
now asleep in a glass bowl
the red Idaho’s peeled
and poached in white wine
as the blind man sniffed the air
surrendering to the smells, succulent smells
pungent like cloves or tar;
the aromas escaped from the kitchen
entered the dining room, then hovered
like an eagle over the table
right above the midget squirming in his chair
his eyes fixed on the Christmas tree, an old wood pole
with branches made of toilet bowl scrubbers
their green bushy heads as prickly as pine needles
their arms draped in Christmas lights
trembling, shimmering, blinking rhythmically
to the music seeping into the midget’s head
the sound escaping from him, an iPod perhaps
as he sat on a high chair, his legs swinging
his mouth chewing on chocolate
his hands creating hills in front of him
hills of chocolate raisins
hills of M & M’s
hills he will hide in
when the pigeon peas appear.
