Kevin Shea: poems

our grave hearts crave in the dead night

old arms of night have taken our city abreast

our nameless faceless city

sweating/stinking

a broken-down mosaic

red rotting brick/dilapidated alleys

sheltering dark looms

drain pipes drip hot

fire-escapes uproot themselves

from failing architecture

 

music falls onto the street from open windows

a morose violin wheezes out

adolescent/untrained notes

lungs of animals

and men and women

expand and collapse

singing/speaking/crying/loving/hating

 

in this city/all cities

this throbbing/beating/machine-heart

in the infantile hours of morning

black money is changing hands

our grave hearts crave in the dead night

 

i wish i knew like the old trees

another first story of time

our morning street is warm

with the golden coming

from blood and a beating heart

life as it runs off the feet of men

and women singing

swelling undertones

harmonious high keys

distant sirens

 

lost in leaves

men like the grey trunks

overgrown, tired with hating

old men pedal past

flashing golden smiles

dry lipped

dancing

in dim daybreak sun

Landscape / Under the Icy Ash

Landscape

Between waterfalls

a poem written in moss

grows on stone.

Ferns sprout

from words intertwined,

twisted shaggy,

hard to define

in the mist sustaining them.

Under The Icy Ash

She walks her bike past

the dry spot where I sit.

 

We’re shaped the same,

man and woman,

lumpy and woolen.

 

She doubles back

and stops a few steps away.

 

Her breath unfurls as it fades

cloud after cloud out to the lake.

 

I open my mouth without a word.

We shade our eyes and squint

at the glare on the snow.

 

Michael Morical is a freelance editor in Taipei. His poems have appeared in The New York Quarterly, The Pedestal Magazine, The Hardy Review and other journals. Sharing Solitaire is his first chapbook.

White Shorts

Humans in white shorts

are vulnerable

yet strangely aggressive.

What with their bare-legged dexterity,

if you’re a bug

there’s nowhere to hide.

The hand is mightier

than a horse’s tail,

or hind claw

hacking a basset hound’s floppy ear.

Humans plan social events

requiring white shorts.

They enjoy Cricket, yachting expeditions,

Wimbledon and every shopping mall

with an artificial waterfall,

to name four.

Throw in a few corpses

attending family reunions

with summer softball games

and you have

quite a mess

on your hands.

I’m telling you,

if you laid all those

white shorts

end to end,

you could encircle

the earth forever!

 

Alan Britt’s recent books are Greatest Hits (2010), Hurricane (2010), Vegetable Love (2009), Vermilion (2006), Infinite Days (2003), Amnesia Tango (1998) and Bodies of Lightning (1995). Britt’s work also appears in the new anthologies, American Poets Against the War, Metropolitan Arts Press, Chicago/Athens/Dublin: 2009 and Vapor transatlántico (Transatlantic Steamer), a bi-lingual anthology of Latin American and North American poets, Hofstra University Press/Fondo de Cultura Económica de Mexico/Universidad Nacional Mayor de San Marcos de Peru, 2008.

She is Learning About Postmodernism

 

And writing poems about man’s fall

Puts her chips all on black

The redundancy of negativity

Seeps through the pores of her skin

Her first beach house

She wanted high upon a hill

To look over the turbulence

A physical reminder

Of existence

Saying hello to the ladies

As they pass by

Baskets full of turpitude

Her hopes have stopped being mine

A long time ago

I marvel as she fathoms

Multiple realities

Built by your Betty Crocker cookbook

At opposite ends of the cord

Lacing your feelings with an opportunistic spine

And wrap you in leather

We have both seen the wicked street ballet

Only I stood for the ovation

Martin Leonard Freebase lives in Dubuque, Iowa with his wife, daughter, and a black and white cat named “Daisy.” Martin’s work is solidly based on the concept of poetry as a social construction. Through our interactions with others, we create and recreate meanings that allow us to make sense out of a chaotic world full of contradictions. Martin considers the art of writing poetry as one small way of collapsing the confusion of experience into more meaningful patterns of social thought.

Clouds, Rivers, and Minnie Mouse

I was that four-year-
old boy smiling, thumb
aimed at the sky like I was
molding the atmosphere’s clouds
with Minnie Mouse

and my eyelashes, tangled as ever,
winked at each other.

Dimples singed into cheeks
like the atmosphere-clay
after I’d jammed my innocent
thumbprint into it.

And I can’t hold back a laugh.
Blood like fiery yarn
spun into rivers
up and down my coarse

veins until it has nowhere
to trickle except for under those
tacky, plastic Venetian love boats

at Disney World—it’s a small world
after all.

 

Peter LaBerge is currently a sixteen-year-old high school student. His writing is featured or forthcoming in: Indigo Rising Magazine; The Camel Saloon; Down in the Dirt Magazine; Children, Churches, and Daddies Magazine; and more. He is also a photographer, with photography featured or forthcoming in: This Great Society; and Children, Churches, and Daddies Magazine. His flash fiction piece, ‘The Ansonia Girl’, was featured in the January 2010 issue of Burning Word. He is the founder and chief editor of The Adroit Journal.

Like a Silent Lover

 

Like a silent lover,

Summer slipped out this morning.

The sheets were pulled aside.

Summer’s clothes were gone,

and my outstretched arm lay

under the phantom nape of her neck,

my body folded into her vacant back,

my hand caressed her missing thigh.

 

Autumn tried to slide into Sumer’s side of the bed,

(her mattress-impression doppelgänger)

but her feet were cold and sent

shivers through my shins, so

I told her she needed to put on socks

or get out of bed.  She said maybe

it would be better if she started

making breakfast. I went back to sleep

and dreamed us two together again.

Tyler King is currently working toward his B.A. in English at Whitman College. His work has been published in The Binnacle, the December 2009 and 2010 issues of Quarterlife, and featured online at www.365tomorrows.com and trainwrite.tumblr.com. More of his writing can be found on his blog: tkfire.tumblr.com.