August 2002 | back-issues, Janet Buck, poetry
The basement was always locked,
locked tight as a nut in a bolt.
From here the magic grew,
a guess gone wild,
a brothel of abandoned hours.
Having nothing to say,
we pressed our ears to the walls
until a story, a ghost
dropped seeds for inquisitive eyes.
Sweating like glasses dripping in heat,
we parted the cobwebs,
their living room drapes —
knew by instinct tied to time,
this place was a sunken ship
where chandeliers once burned
their tenuous suns.
A million crevices and caves,
eros of a question’s lid,
underwear drawer of a house,
forbidden but calling our hands.
Bridges we found to the sea –-
piers of an ancient storm.
A dusty chair missing a leg,
someone’s palsied, pilfered dream,
its cushion a tongue
that spoke with silence and tilt.
Too young to embrace satin dark,
accept an unanswering world
of strapless luggage,
boxes wet from a flood
like faces in an old folk’s home,
a dirty handkerchief that knows —
we listened for marching mice,
making the best of jetting
across their little roads.
Here the beams were odysseys –-
rod and staff reduced to twig.
We left the door of fear ajar
so tiny streaks of light could talk.
On the other side of the slab
colors were even and clean –-
drafts of red spaghetti sauce
promised us no poverty.
August 2002 | Patrick Seth Williams, poetry
It happens in the middle of the night
when I am dreaming in pastels,
I’ll sit up in bed and shiver in the dark,
sweat trickling down my forehead
in the same sickening way it drips
from a faucet with faulty seal.
I’m nauseous, weak; I stand and pace
in my plaid boxer briefs to the bathroom
where the mirror reflects an image
I paid $5 to see at the last carnival.
My taut skin making my veins
look varicose in the glow of the vanity.
I run to the kitchen screaming:
there are scars underneath my skin
awaiting a knife to uncover them.
August 2002 | back-issues, Janet Buck, poetry
“I want to go!” was all you said,
as if you were slamming a book.
So I laid out your hat,
a tube of pink lipstick and blush
replacing the color
drained from my cheeks.
Death struck me then
as pottery with handles loose.
To you it snapped like fingernails —
a casualty of brushing up
against the hardness of a life.
“You don’t need eyes to see a forest.
The picture stays in your lungs.”
I packed a red checked tablecloth
pretending the dice weren’t close.
At the edge of a grave,
even the desert looks green.
Country roads spit gravel back
like bacon cooking in a pan.
You needed the custard of clouds
while I busied my triggers
shooting at hail.
The end was soft alyssum grains
finding the gust of a faithful breeze.
Sweat on your brow
could have been streams,
could have been rain licking the moss.
A stone divided by will
is still a stone in reckoning.
Innocence was telling me
to drive around the avalanche.
*First Published in Megaera
August 2002 | Janet Buck, poetry
In the wake of serpentine limos,
saccharine cards, carnation fields
arranged just so, the water
in Simon’s pond went black.
Our house grew laughless, tombstone cold —
spiders ran their gamuts of lace.
It was 1959 — computers hadn’t been born,
so Daddy deleted our stringless harps
with gin or a beer, something with ice
and a fragrance that stung.
I sensed it was our medicine.
I thought I should learn to pour.
Sunday was our lazy hour —
a game of camping under sheets.
The mattress seemed a vacant lot
some CAT had cleared by accident.
Lip of the cotton always infused
with the liquid of eyes.
Exhausted from spearing
unspearable moods like silver trout.
He sent me out to hunt a bear.
My tiny hands came back
with one of your socks still smelling
of leather in shoes that were gone.
I boxed your pillow with a fist
until the feathers left in air
like blackbirds struck by B-B guns.
Father’s bed, a wasteland now
where bridges of touch
seemed useless iron.
With rivers dry, no wonder
the lake of our chatter was low.
At barely four, I ran my digits
over the lumps of crumbling coal.
Found rattling gourds of his arms
reaching for flesh in a grave.
*First Published in Rustlings of the Wind
August 2002 | Janet Buck, poetry
She walked straight into the gaping wound
of another woman’s death —
wondering no doubt, if such a war
could ever be won.
I was six, afraid of her clothes,
her swinging purse that pruned
dead limbs of unfixable dreams.
All at once, old photographs
came off the walls.
A moving truck arrived like mace.
Perhaps I grew envious moss
the color of emerald and grass.
Father’s kiss forgot my forehead,
tried her lips like brand new shoes.
I wanted them to pinch and hurt.
Suddenly I was pocket change —
she was stacks of dollar bills
bribing the grief to retreat.
I didn’t want a different draft
of sweet perfume on apron strings.
I didn’t want to sew a button
only to lose its circle to fate.
“You’ll call her Mom,” he said aloud.
With lilies gone, planted at tilts
around the stone of a grave,
I looked for black capes and a broom —
a cauldron of logical steam.
I didn’t want her slippers
lounging near the bed.
I didn’t want yours
boxed and left beside the trash
for passes of a Goodwill van.
I was still grabbing at sleeves
of your shirts like willow puffs that
settle away from a desperate hand.
“You’ll call her Mom,” he said aloud.
Those letters were shreddable stars.
August 2002 | back-issues, Janet Buck, poetry
I’m five again. Dresses with bows
in the back become an impossible reach.
Mother’s death is everywhere — especially
in speechlessness, in flour bags
beneath dark olives of Daddy’s eyes.
He’s earned this shade of painful pitch.
Phrases that corner her name
rub rocks in the gaping sore, create
a kind of carpet burn when
elbows touch by accident.
My sister tries on all her clothes —
ghostly blouses hang below her shaking knees
like circus tents without their pegs.
She throws them on the bedroom floor
in angry heaps of autumn leaves.
Soon enough we’ll learn to sweep,
pull the weeds where flowers grew.
Every trinket in the house —
from dishes to porcelain cats,
from quilts to tables set for three —
business cards with edges curled
smeared with the ink of her grave.
Her shiny brown piano seat
has cobwebs in its antique joints.
A maid comes in to clean the keys
that seem to shrink like bars of soap.
Soon we’ll plant a fence or two
as if they’re trees and have a place.
He’ll water them at cocktail hour,
watch the fog as it fixes
the absent to nothingness.
I stay in the gloves of my skin.
afraid to window-crack a tear.
Questioning the cauterized
with crayons and an empty page,
I draw her name in large red streaks
as if its lipstick colored gray.
Wedding photos disappear.
Another woman’s furniture arrives in trucks.
I look for a cushion with pins.
