July 2017 | poetry
Natal Motions
You blame me for rumors
floating across highways
which come to rest uneasily
among swans
and other natal motions.
The voice you claim
to speak with may be your own
or the disembodied sound
of warm intentions you thought
had finally been quelled.
Like a spin of insects
beneath an evening streetlamp
it’s useless to sleep
when you could be awake
imitating life and tracing art.
I appreciate the false existence
you’ve found in a patch of tulips
but I don’t want
an expression of your tenderness
chained to a bird of song.
The Highest Reaches
Beneath the highest reaches
in a yellow-gold field
your eyes are filled
with gestures of joy
and light-blue bends
but sadness and star grains
still cling to your hair.
I rise to my feet
even in an anatomy
of insignia and pins
obscured beneath a canopy
of crippled captivity.
The birds have ended their ostinato
and we’re left
with only a stuttering silence
of leaves.
My dream is cracking open
the egg of a white lizard,
a little girl pounding
on a locked door.
If it’s me you’re crying for
then no, I don’t want you to stop
until we’re separated again
by sutures of emerald green
and pinches of black.
Gelatin Plateaus
You’re scared to exchange words
fearing that I’ll intersperse my voice
with a disastrous elixir
designed to make you love me.
In my guise as a simple hitchhiker
with a broken guitar
you’ve driven past
at least a dozen times
coursing the roundabout
with your left foot tapping out the window.
Cast from the joke of a raven
you dance naked but impenetrable
in a tongueless world of gelatin plateaus
and abalone snow.
The sound you’re hearing in your mind
is only a mortar and pestle—
the killing powder was consumed
when you first imagined
the swollenness
of my lips around your nipple;
felt the insistence of glacial stone
opening furrows of ochre and loam.
Disconnected Flickers
Never does my mind
consider the disappearance of earth—
my thoughts go even further than that
a grisaille balance of stars
and starlessness
the high pitch of emptiness
and the decaying swingset in my backyard;
warped, brittle wood
and tattered canvas.
A calm has descended upon
morning grass
and the departure of small mammals
for more secluded silences—
the faintest trace of your instep
makes the world more
than a sequence of disconnected flickers
running in the direction
I suppose.
Richard King Perkins II
Richard King Perkins II is a state-sponsored advocate for residents in long-term care facilities. He lives in Crystal Lake, IL, USA with his wife, Vickie and daughter, Sage. He is a three-time Pushcart, Best of the Net and Best of the Web nominee whose work has appeared in more than a thousand publications.
April 2017 | poetry
When they were small, I’d line them up
before we’d go into the grocery store,
spit on a tissue and wipe their faces,
straighten their hair, inspect.
They say now I was marking them.
I’ve watched how ravens raise theirs.
By fall, big enough to fly for an hour,
the parents lead the grown ones
away from the nest up the mountain forest
as they squawk and loop,
following to a new silence.
The old book of cobbled myths
prescribes how fathers
should rub the newborns with salt.
The patriarchs dictated,
they must mark the children,
perform the ritual
as a sign of their covenant with god,
disinfect the corrupt tendencies of the heart,
so that the child would be truthful.
But it is no guarantee.
Though you believe they never will,
when they lie to you the first time,
you ache as though you’ve been cut,
as though something has broken,
never thinking you could ever close
such a wound.
You try to construct the lesson of forgiveness.
You think for days
that it is a fault of your own making.
But the lies are critical,
it is the way we learn to forgive,
the way we learn
that our eyes give us away.
Mark Burke
April 2017 | poetry
I.
Blacksmiths re-arrange
silken threads
Tailors forge
horseshoes
Where do you form, irony, to then become formless?
What whistles these are, from disintegrated yokes afar?
Fourteenth century subjugation, still prepared for trade
A hankering globe feeds on soluble and insoluble fibre,
O prodigal atoms of billowy attestation.
II.
An undulant weather is characteristic of rectified revisions
Continents and natural components perish simultaneously,
What well behaved skin of decorum, unwatched, undresses?
A lexicographer could coat tribes in cycles of gestations
Hence sap inside barks must be both; reminders and properties
The wonder, a superficial matter camouflage of damp interiors,
What perishes,
cartouches of
Ancient pharaohs
say geologists.
III.
Now, I will listen to them through mutations of my speech,
I will unlearn their ghastly spells when graveyards un-disguise,
Bleak moments
odorless air
practised inception
creation born.
The world communicates, where were you born, are headed to?
Leaves stiffen as they are spread out on bare grounds, everyplace —
These fitful events.
IV.
The exact value who can decipher? Value vexes fathomless froth.
Death descends upon a clear birthed moment while it undrapes
The broadcloth
over a carcass,
peruse discarded
companions and boots,
Death fetches and encourages filtered fibres of breaths.
Sneha Subramanian Kanta
Sneha Subramanian Kanta is pursuing her second postgraduate degree in literature at the United Kingdom and has been awarded the GREAT scholarship. Her work has appeared or is to appear in Ann Arbor Review (MI, USA), The Rain, Party & Disaster Society (USA) and in poetry anthologies such as Dance of the Peacock (Hidden Brook Press, Canada), Suvarnarekha (The Poetry Society of India, India) and elsewhere.
April 2017 | poetry
Since you left,
this apartment got smaller.
Like you packed away
the space you existed in,
and carried it off with you.
A whole world by your side,
in a purse.
What you left
are echoes of questions
drifting in a fog,
hoping you’ll return to rescue them.
Just like me.
I don’t feel like a mother bird,
after her baby has flown.
I feel like the nest.
Abandoned, up on a branch,
watching birds flying by,
knowing that none of them are coming here.
None of them are mine, any more.
Dazzler
Dazzler is a British-American poet living in Arizona and Washington State. Having survived corporate and Academic lives, he now spends his days dedicated to poetry, family, and black labs.
April 2017 | poetry
After Margot Canaday’s The Straight State
1
At Ellis Island
they found the immigrant’s body
indeterminate.
Protuberant breasts;
also a small, atrophied penis,
testicle undescended.
“Now,” the interrogators asked, “back home,
“did you sleep in the room with your brothers
or the room with your sisters?”
I always slept alone.
2
The interrogators stamped the folder:
UNDESIRABLE.
They sent for the father,
who made the crossing.
Meanwhile, this determination was
reached: “He is male.”
They shaved the head,
gave the immigrant
ratty trousers, cinched with string.
The father arrived
and did not recognize
her, stranded before him
awaiting either official
entry or deportation.
“If you took him home,”
they asked the old man,
“how would you treat him?”
As I always have.
3
They
undid the string
and let the ratty trousers fall.
They showed the man the small,
atrophied penis, the undescended
testicle. And asked him to explain.
(Their mouths glowed like incinerators.)
It is true,
she becomes a man for a day or two
each month, when the moon is full.
They asked, “How could you tell?”
At those times, there is always deep sorrow in her eyes.
Justin Vicari
April 2017 | poetry
Dissolving through the throngs on LoDo streets.
Beer soaked smiles and purple clothed melee.
Bars brimming full with possibility.
First Rockies home game only minutes away.
The golden bubbly flowing from the taps.
Anticipation in the on deck circle.
Optimism cheering from the stands.
At the plate the hopes of all the people.
And on the mound our cynicism fades.
The windup for the season has begun.
Is our fate to be despair or victory?
We’re tied for first but yet to score a run.
Each day is opening day- we start anew.
Our destiny depends on what we do.
Mike Coste
