In This Issue
JL Smith
JL Smith Since visiting Hiroshima, Smith has been reflecting on power: what overpowers, what empowers us to rebuild, and the ruptures that continue across generations following cruelty. What remains in the wake of disaster? How do we reconfigure a world that is...
Jim Tilley
Shadow of a Doubt Light falling against a solid, upright object casts a shadow, the sun setting behind mountains putting the valley fully in shade, no doubt. In the morning, standing against the railing on the balcony of your forest home, the valley...
Sarp Sozdinler
Carcinisation When we were little, my half-brother named all his pets after different animals, which our mom initially thought was a vocabulary issue. His goldfish was called Butterfly. His hamster was named Lizard. The family dog responded to “Rhino,” though only...
Carlin Steere
I stole your handwriting: Dear Elsie, I know it’s been a while since we last connected. It’s been at least 12 years now, bar the occasional Instagram like or Christmas card from your mother. I have something to confess. You might have caught on in the fourth...
Hannah Voteur
Snail Funeral Between tulip and ryegrass there is a freshly dug grave I might be five, or four black soil beneath my fingernails loss in the hollows of my footprints Its viscous body is buried in a bottle cap coffin offered to the earth under flower beds...
P. J. Szemanczky
Returning Home, Teachers Dying swamp trees are irregularly spaced by lynx’s cry answered indifferently well, resigning itself to a natural Providence: self-satisfied. It filled a belly with wild mice several times more vigilant than dying trees, clicking...
Sayantani Roy
Sayantani Roy Sayantani Roy works out of the Seattle area. Her photography and haiga appear in Rappahannock Review and Contemporary Haibun Online.
Shyla Shehan
Because the moon is moving away from Earth 1.5 inches each year I know someday this will all be over. The churning of the tide will soften as her reliable waxing and waning disappears. Infinite gravity governs absolutely. Each action yields equal...
Meggie Royer
Crawlspace Veronica opened the paper bag of tomatoes, inhaling their earthy scent. Big Rainbow, Early Girl, Jubilee. Her favorite, heirlooms, were stacked at the bottom. They always had such beautiful cross-sections. Outside the window, a trail of birdseed stretched...
Michelle Morouse
St. Mary’s Call Room 403 Dr. G. laughed when colleagues refused to sleep in call room 403. The 4 East wing of St. Mary’s once housed pediatrics, then orthopedics, then maternity. They said people had heard things in 403—the rattling of long-gone nuns’ rosaries, a...
Jim Ross
Jim Ross Jim Ross jumped into creative pursuits in 2015 after a rewarding career in public health research. With a graduate degree from Howard University, in nine years, he has published nonfiction, fiction, poetry, photography, hybrid works, interviews, and...
Kaitlyn Owens
Vanishing I wish I didn’t cry at creeping vines forming on bungalows, at bus station lost and found receipts and forgotten gloves. At the 60s spirits smoking Pall Malls in my living room on Sundays evenings in February when the heat kicks on. Old dogs and moth-bitten...
Alice Lowe
Last Dance Take politicians, for example. Some know when to bow out gracefully; others hang on doggedly, even after their health, energy, and mental acuity have begun to compromise their effectiveness. (Sorry, Joe, that includes you.) The time of reckoning seems to...
Mary Ann McGuigan
Sleeping Arrangements On a Bronx fire escape, curled up on couch cushions, desperate for a breeze With my sister in a top bunk that belongs to our cousin, in a room that isn’t ours, in a Brooklyn apartment never meant for us In a bedroom hardly bigger than the bed,...
Miranda Morgan
Between Starbucks and Malibu Yogurt Eight of us sit in Sunset Plaza, sipping our lackluster decaf Americanos a little too slowly, savoring our last few moments outside The Center. The non-caffeinated version doesn’t taste the same as the real stuff, but caffeine is...
Karen Kilcup, Featured Author
Tract Housing, 1950s My father pushes a red mower with swirling blades he sharpens first, scraping a black stone over every spiral edge. His grass is precisely one inch high from top to bottom. I roll in the neat cut, stubble pricks my cheek. Sneeze. Face down...
MFC Feeley
Transfer Long crooked stem, blunt thorns, deep red, tight center, black ridging outer petals that curled back—I forget how I acquired the rose. People were always giving me flowers, but I bought them, too. I could guess a bouquet’s price in any neighborhood, or vased...
Don Farrell
thieves and murderers she gently sacrificed the sparrow eggs under a strawberry moon to a mother and her baby raccoons. just cells in shells, nothing breathing or eating. it had to be hard for her. so soft, her critter loving soul will be haunted until wrens...
Pete Follansbee
Why Thinking About Taxis Makes Me Sad I could never trust an Uber or a Lyft, and I have my own car anyhow. But should I have the need, I’d prefer a taxi with bright colors or checkers and the wide, bulbous car body, as if other car bodies or frames are underneath, so...
Nicholas Haines
Walking Beds Not in any particular direction. But somehow in concert with the other furniture. Me as a boy says to me “Why don’t you stop them?” “The days go by,” I say, praying that this is weighty, meaningful. But I know me as a boy knows that it means as much as...
Deron Eckert
A J. G. Ballard Kind of Gone after Patti Smith The first cool dawn following the unwavering humidity Kentucky summers are known for, a layer of mist containing upwards of a century of morning dew rises eye level from the farm, like fallen soldiers...
Wes Civilz
Self-Portrait as Carefully-Written Poem Each line a soft and velvet shelf upon Which every syllable’s a gem. A notch For each to sit in, snug … ten gleaming swans Perched rung-like on the water’s plane. Now watch How, necklace-like, each gem will sound in turn Its...
Paula Burke
What I Could Have Said Instead “Selfish!” he spat towards me as I stood to leave. “Huh, I wonder where I learned that?” Holy crap, I think to myself. Where did that come from? I mean, it’s true. Dad was selfish and self-centered. Now, his dementia puts him into a...
Benjamin Erlandson, Featured Artist
Benjamin Erlandson Dr. Benjamin Erlandson is the founder of an ecological educational nonprofit fostering bioregionalism, ecological literacy, and stewardship across the biosphere, an outsider scholar following dynamic inquiry to defy disciplines, practicing...
Eileen Vorbach Collins
Chasing Lasers The cat will sit on my desk and help me write stories about love. About loss. About a cat who will claw up the furniture, but I won’t give a damn because she will make biscuits on my poofy belly and never suggest I work on strengthening my core. I know...
J.M. Emery
Ode to T-Pain Like an octopus crowning itself with mollusks you took pains to hide your beauty. Auto-tuned a voice that needed no tuning, that sounds clear and honest as winter on the nape of the neck. Often, if not always, we ask angels to play the kazoo. To suffice....
Jean Wolff
Jean Wolff Jean Wolff has had group and solo exhibits in various galleries in New York City and internationally. In addition, she has published 154 works in 105 issues of 61 magazines. Born in Detroit, Michigan, she studied fine arts at the Center for Creative...
Rome Smaoui
The Tender Earth Our mothers die quickly. When we grieve, time rushes out of us like old light. They lowered the body into the black end of the ground. All the worms turned, delighted. The sun threw itself on the dirt like a lover returning. I couldn’t help but sink...
Jessie Wingate
My Body, Your Choice Chromatic prism, ultraviolet light waves toward my flat black pupil a record shuffling the same few songs. Isn’t that what womanness has been about? Repeated scenes: the bonnet-donned bonnie forking at the hay bail the fish wife catching her baby...
Stephen Curtis Wilson
Stephen Curtis Wilson Wilson is a designer and photographer. Central Illinois has been his frame of reference for a lifetime. His well-considered perspective provides him with an intimate, unique understanding of the artistry of this region, quintessentially...
VA Smith
Wheels It began in our bodies, parts of us craving release, the Let It Go of Elsa’s icy power, the freedom of her frozen solitude. You, car-seated chanteuse, fresh from Montessori Pre-K, I, your chauffeur grandmother joining you in a ramped-up CD sing along, chanted...
Dylan Willoughby
Dylan Willoughby Dylan Willoughby’s photography has appeared in On the Seawall (10-photograph feature), Wrongdoing, Rejection Letters, and many other venues. Dylan has been a residency fellow at Yaddo and MacDowell and holds an MFA from Cornell.
Lucinda Trew
Huck at the altar of drainage culverts twice a day he leans into concrete tunnels that run beneath driveways, trusting in what waits amid wet leaves, grass clippings, the effluent of suburbia - he is a true believer, a witness who recalls a raddled tabby within one...
Lisa Lopez Smith
Exhalations untethered from my daydreams my husband says ¿Que te pasa? ¿Por que tanto suspiro? it’s even a joke now—my fictional characters respond to every line of dialogue with sighs. Like me. We’re illegible, scrawling out the only possible response, knee-deep in...

Jane Hammons taught writing for three decades at UC Berkeley, where she received a Distinguished Teaching Award. Upon retirement, she moved to Austin, Texas, for five years before returning home to New Mexico. Her writing appears in numerous journals and anthologies: Alaska Quarterly Review, Southwestern American Literature, The Main Street Rag, Yellow Medicine Review, Hint Fiction, (Norton), The EastOver Anthology of Rural Writers of Color, 2023 and 2024, The Maternal is Political (Seal Press), and Selected Memories, (Hippocampus Books). She enjoys photography as part of her writing practice, and three of her photographs are included in Taking It To the Streets: A Visual History of Protest and Demonstration, an exhibition of the Austin History Center. She is an enrolled citizen of the Cherokee Nation.
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Michael C. Roberts is a retired pediatric psychologist and professor. He has digital and film photographs in Burningword, The Canary, The Storms, FERAL, Cholla Needles, Cantos, The Healing Muse, Cold Moon, Right Hand Pointing, Door is a Jar, Camas, Hindsight, Straylight, Thimble, Ponder, Closed Eye Open, Alchemy Spoon, 3rd Wednesday, The Right Words, Cardinal Sins, Human Obscura, Blue Mesa Review, The Word’s Faire, and elsewhere. In his recent photography, he has been exploring minimalism as projection and abstraction. The simplicity of minimalism reduces both nature and the human-made to their basics, revealing the essential beauty in structure and form. Although austere, these silhouetted images of nature allow the viewer to appreciate the world’s simple complexity and basic beauty.
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