Night Blooms

Dig down deep enough and you’ll find night blooms—

blue-dusked petals casting runes under forgotten

 

garden reaches, ink-black petals spooning clotted soil

into ever-shrouded stars, an ever-blackening sun

 

wheeling through dark spines and peat-stained teeth.

Lift dirt-caked, delicate slips.  Lift mold and root.

 

Their voices promise neither clarity nor opacity,

offer only a clearing aside of what’s given, what’s

 

taken away.  Their faces mirror each other and yet

are never themselves, never others buried further

 

down the road.  Dig them up and take them home.

Sit on moon-filled porch steps cradling ochre and

 

vermillion pooling on your skin, and they’ll bloom

the simple hierarchies of heaven—untouched

 

and unseen, tasteless and silent, back to the deepest

shadow under the loam, back to the first still breath.

 

John Robert Harvey

John Harvey’s poems have appeared in Cleaver Magazine, Ghost Ocean Magazine, Gulf Coast, The 2River Review, Weave Magazine, and others.  He received his doctorate in Creative Writing and Literature from the University of Houston (UH) and taught in the UH English Department and Honors College. He lives near Stockholm, Sweden with his wife and son.

O The Leaving

I listen to U2

while the MRI machine clinks into action

and Bono croons

I still haven’t found what I’m looking for,

his voice muffled by the hygienic sleeves

covering the headphones,

his words far away,

poltergeist from the past.

 

Eyes closed,

I see myself riding in the Mercury Sable,

traveling from Bakersfield to the Bay Area,

Santa Ana winds whipping

my hair into a frenzied halo,

the setting sun gilding

the hills on Pacheco Pass–

their curves round as sea lion heads–

the highway a gash,

the murky reservoir just one of many

promises that won’t be kept.

 

The road ahead winds serpentine

as we sing

I still haven’t found what I’m looking for

out into the night,

my restlessness the persistent backbeat

pushing us away from here,

the only place

we’d ever really feel

was home.

 

I can tell you now

I’d never felt so free, so alive,

ignorant of all

I was leaving behind,

though the valley below flatlined,

and the Harris Ranch cows

lowed a mournful warning

I never fully understood until

much later:

don’t leave don’t leave     don’t leave

 

Jennifer Randall Hotz

Jennifer Randall Hotz is a poet currently living in Pennsylvania.  She holds an M.A. in English from San José State University.

Kitchen Table Lament

I miss the black wrought iron fire escape with its steps

that rattled outside the kitchen window on its way

up to the tenement roof top.

 

I miss the twin bed next to the kitchen table, where

my mother slept and tried to convince me (and herself)

that it was just like the sleeping alcove in an old Irish cottage.

 

I miss the washing machine next to the sink

that she camouflaged with a pretty table runner

and a vase of plastic daisies whenever it wasn’t in use.

 

I miss the contact paper behind the stove that my mother changed

every now and then to convert the cracked plaster walls into

brickwork or wood grain depending on her mood and what was on sale.

 

I miss it all except the roaches.  Not even through nostalgia’s

gauziest lens could I ever miss them. Even now, fifty years later,

I would still tell those roaches to go straight to hell.

 

Gloria Heffernan

Gloria Heffernan’s Exploring Poetry of Presence (Back Porch Productions) won the 2021 CNY Book Award for Nonfiction. She received the 2023 Naugatuck River Review Narrative Poetry Prize. She is the author of the poetry collection, What the Gratitude List Said to the Bucket List, (New York Quarterly Books), and three chapbooks including “Peregrinatio: Poems for Antarctica” (Kelsay Books) which was a finalist for the 2021 Grayson Books Chapbook Prize. A Pushcart and Best of the Net nominee, her work has appeared in over 100 publications including the anthology Poetry of Presence (vol. 2) and Without a Doubt: Poems Illuminating Faith.