Featured Author: John L. Stanizzi

FRAMED

…for my father

 

To love a person with Alzheimer’s is to learn the song

in their heart and sing it to them when they have forgotten.

– Arne Garborg

 

He spent years in the basement

at war against forgetting.

Scissors and tape were his weapons,

the conflict relentless,

his ability to recall

anything was vanishing.

 

He cut up hundreds of old photos,

following the lead of his demolished brain.

Anything he believed excess

he cut from the photo-

trees, cars, houses, the sky.

It was the people he was holding on to.

 

Like the cat pushing his whiskers into

the corners of walls,

my father rubbed against

the corners of his longing,

leaving a vague imprint of his losses,

the stain of the past he was trying to marshal.

Memories he was

not even aware were lost,

had been swept away.

 

The chosen were taped

somewhere into a cheap frame

he’d buy at the drug store across the street,

until he could no longer remember where it was.

 

If someone struck a match

in the trashed warehouse of his brain,

that person was cut from a photo

and taped into his new dwelling-

The Frame of the Familiar.

 

Everyone overlapped-

the newborn, the aged, the dead,

the teens, the young adults…

it made no difference

whether they had known one another or not,

as long as he thought

he might have known them from somewhere,

from some time now omitted.

 

To finish, he’d find a photo of himself,

the one person he was still sure he knew.

He’d hunt for a place

to tape himself

in this new world, part color,

part black and white, part sepia.

 

There were giant people, tiny people,

torn people, faded and stained people,

in this multi-colored person-scape

comprising only those folks

he “sort of” “seemed” to recognize,

even MLK, RFK, JFK, Anita Bryant

made it into a frame.

 

When a frame was completed

he would take it out to his knotty pine porch,

its walls covered with frames,

grab his Black &. Decker

and drill straight through the frame

and into the wall.

 

Done.

Onto the next.

 

He had discovered a way to resurrect

some inner joy,

but the imperative was

to tape securely

lest someone get separated

and forget their way back.

 

He tamed the rough, curled edges

of the old photos with Scotch-tape,

and brought generations together,

a congregation of the living

alongside their ghost kin,

a population of his own design

of faces remembered,

or faces

he thought he remembered.

 

John L. Stanizzi

John L. Stanizzi is the author of Ecstasy Among Ghosts, Sleepwalking, Dance Against the Wall, After the Bell, Hallelujah Time!, High Tide – Ebb Tide, Four Bits, Chants, Sundowning, POND, The Tree That Lights The Way Home, Feathers and Bones. Viper Brain, and SEE. John’s work has been widely published. Johnnie’s poems can be found in Rattle, Prairie Schooner, Plainsong, The Cortland Review, American Life in Poetry, The New York Quarterly, Paterson Literary Review, Tar River Review, PoetLore, Potomac Review, and many others. His creative nonfiction has been published in Literature and Belief, Stone Coast Review, Ovunque Siamo, East Coast, After the Pause, Adelaide, Impspired, and many others. His poems have appeared widely in Italy with profound gratitude to his translator, and dear friend, Angela D’ambra. John has read at venues all over New England, including the Mystic Arts Café, the Sunken Garden Poetry Festival, Hartford Stage, and many others. He also coordinated the Fresh Voices Poetry Competition for Young Poets at Hill-Stead Museum, Farmington, Connecticut. A “teaching artist” for the national poetry recitation contest, Poetry Out Loud, John spent a decade with Poetry Out Loud. He is a former Wesleyan University Etherington Scholar, a New England Poet of the Year, and Poet-in-Residence at Manchester Community College and in the Middletown Connecticut School District. In 2021, John was the recipient of a Fellowship in Creative Writing – Non-Fiction, granted to him by the Connecticut Office of the Arts, Culture, and Diversity for work on his new memoir, Bless Me, Father, for I Have Sinned. His short CNF piece Pants was named by its publisher, Potato Soup Journal, “Best of 2022.” John taught literature at Manchester Community College in Manchester, Connecticut, for 26 years. He taught high school English and directed the theater program at Bacon Academy in Colchester, CT. for 24 years; Johnnie put up 42 plays in 24 years. Johnnie lives with his wife, Carol, in Coventry, CT.

Because the Night

That was when Paul McCartney sang Venus and Mars are all right tonight, and we yelled, “Wings suck!” and punched chrome buttons to change the station on the Dodge Dart’s radio. But some nights we were all right, driving on a dark desert highway, cool wind in our hair, except it was Florida in August and you could swim through the humidity, and the smell of boiling oranges oozed from the Tropicana plant.

That was when we rigged an 8-track under the Dart’s dash, and blasted our own music—screaming along with Patti Smith singing “Gloria,” as we thundered down I-75 from Gainesville to Tampa, to the theater where Patti had fallen off the stage the year before and broken her back, but this night she refused to stop singing and howling and flinging her marionette body around, even as the lights came up and the loudspeaker complained that we should all exit the building immediately.

That was when we drove back through shadowed cow fields, headlights dangerously dimming because an alternator belt had broken. We fired accusations: “What’s wrong with your stupid car?” “Why don’t you help me figure out what to do, instead of giving me shit?” We found an all-night truck stop that could help us out. The radio behind the greasy checkout counter moaned, don’t it make my brown eyes blue?

That was when we returned to the hovel in the student ghetto, to the bed with tangled sheets that never got washed. We put on “Aqualung,” drying in the cold sun, watching as the frilly panties run sounding wrong and dirty and hot. Then, one of us said it. It just slipped out.  And the next album dropped with a flat clunk down the record changer, and the needle hissed as it hit the first grooves.

That was when 10cc sang, I’m not in love.

Kit Carlson

Kit Carlson is an Episcopal priest and a life-long writer with work appearing in publications as diverse as Seventeen Magazine and Anglican Theological Review. She has been nominated for a Pushcart Prize and Best of Short Fictions. She has recently published in EcoTheo Review, River Teeth, Rooted 2: An Anthology of the Best Arboreal Nonfiction, Wrong Turn Lit, and Burningword Literary Journal, among others. She lives in East Lansing, Michigan, with her husband Wendell, and Lola, a nervous rescue dog. Find her at kitcarlson.org.

Decorum

I take in a terrific piano concert: classic

ragtime, boogie-woogie, rhumba-boogie

from New Orleans, a couple of blues numbers.

Professor Longhair tribute. A boogie version

of the national anthem; it never sounded better.

 

The pianist’s fingers blur; from his left hand

the bass rumbles like a train under the street.

Beside him a drummer sits on a box-drum

he beats time on, and

I’m grooving,

moving

my body all over along with the drumbeat;

doing a jitterbug

sitting down.

Big smile all over my face.

Keeping time with every beat. If only

someone else would stand and dance!

 

The Texas town that I moved here from, lots

of people would have been up and dancing—

in the aisles, down front, at the back, anywhere

there was room.  Shouts and whistles

between numbers, hair and feet flying.

 

This Midwest audience: the woman next to me

wears a cautious smile. A couple behind me

peer studiously at the pianist. A few people

tap feet or joggle their heads. That’s it?

After each number, polite applause.

 

I’m totally frustrated! And damn!

That curly-haired drummer is so hot

perched there on his cajón

with his twice-pierced ears

and the stud at the side of his nose.

 

Lynn D. Gilbert

Lynn D. Gilbert’s poems have appeared in Arboreal, Bacopa Literary Review, Blue Unicorn (Pushcart nomination), Consequence, Footnote, The Good Life Review, Sheepshead Review, and elsewhere. Her poetry volume has been a finalist in the Gerald Cable and Off the Grid Press book contests. A founding editor of Borderlands: Texas Poetry Review, she lives in a suburb of Austin and reviews poetry submissions for Third Wednesday journal.

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