Alexi’s father was the family’s artistic soul, and his legacy influences Alexi’s appreciation for abstract art. Throughout his life, art and drawing provided Alexi with solace and joy, yet he never felt the need to share his work. After his father’s passing in September 2022, Alexi embraced his artistic expression. In the following weeks, his work became more vibrant and personal as he started printing and framing abstract digital paintings, driven by a strong desire to share them. Now, Alexi is passionate about his craft, having cultivated a unique style that stands out. He believes in the lasting strength of his artistry.
each plant i’ve kept alive so far i call my friend.
each of my friends has its own quiet prayer,
it’s called how i’d like to be cared for—
for instance, from a distance, please & gently,
within reach, without expectation but this—
i will try to stay alive if you try to understand me.
one is never not hungry for all my attention—
the gift of you bending you backwards
to please me. still another’s impossible,
erratic at best & unwilling to clarify—
you’ll just have to learn to learn what i want.
what i want? is a room where the light finds me
easy & all that we need, we have.
i tell my kin the world is burning
fetch a cool glass of water. this side of western ruin
we know as much about fire as we do about forever.
we have four words for the fear of everything,
start praying. begin with god / end with specifics.
ask—for your ancestor, the skill to keep all winter
a single flame alive. ask for revelation, for wanting
no weapon. to be closer, now, to you.
Kristin Lueke
Kristin Lueke is a Chicana poet and author of the chapbook (in)different math (Dancing Girl Press). Her work has appeared in Sixth Finch, Wildness, Frozen Sea, Maudlin House, HAD, and elsewhere. A Pushcart and Best of the Net nominee, she was a finalist for the 2024 Porter House Review Poetry Prize and received the Morris W. Kroll Poetry Prize from Princeton University, where she earned an AB in English. She also holds an MA from the University of Chicago. Kristin lives in northern New Mexico and writes at www.theanimaleats.com.
I invent a time machine to go back and witness the moment before my birth certificate signing, my parents’ silent prayer before clicking the pen
To Julie, once, Julie, now, Julien, forever, my heart.
What if your name was Antoine or Rebecca or Augustine or Vicky or Beatrice or Walter? Or Ishmael or Clark or Bianca or Dixie or Shauna or Joey or Thaddeus or Milton? Or world-eater, snail-chaser, big walrus, weak handshake, smoke break, sweet manger, good morrow, high heaven, smug winker, long freight car, old matchbox, big sister, door greeter, worm hooker, over-easy, glossy nightville, snooze daily, toast burning, smell-licker, wet shellac, deer herder, my snowman, hot reminder, the shake-up, boy howdy, listen closest, beggar breadbasket, pigeon spikes, gloveless finger, ugly watch guard, open present, pushing wedlock, a gardenia, child’s shadow, castle drawstring, axe in-motion, mother’s comfort, one toe showing, fish-in-ziplock, dear old fellow, the grand lady, hemline feather, long-lost tabby, “Dad, I love you,” the day after mourning, the night before morning, small star one, dancing creased shoes, how to hold you, someone’s baby, street dog drinking.
Julien Griswold
Julien Griswold (they/them) thinks insurance agencies should cover notebook costs as therapy expenses. When they aren’t laying their thoughts bare in said notebooks, they study at Brown University. Their work has appeared or is forthcoming in Palette Poetry, Pinhole Poetry, The /temz/ Review, Poetry Online, and elsewhere. Connect with them online @cheerupjulien.
Featuring:
Issue 113, published January 2025, features works of poetry, flash fiction, short nonfiction, and visual art by Linda K. Allison, Swetha Amit, Richard Atwood, Rose Mary Boehm, Daniel Brennan, Maia Brown-Jackson, Hyungjun Chin, Amanda Nicole Corbin, Kaviya Dhir, Jerome Gagnon, Jacqueline Goyette, Julien Griswold, Alexi Grojean, Ken Hines, Minseo Jung, Sastry Karra, Joy Kreves, E.P. Lande, Kristin Lueke, Robert Nisbet, Yeobin Park, Dian Parker, Roopa Menon, Ron Riekki, Esther Sadoff, Chris Scriven, Taegyoung Shon, Mary Thorson, John Walser, Julie Weiss, Stephen Curtis Wilson, and Jean Wolff.
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent may adversely affect certain features and functions (bookstore, announcements, submissions, etc).
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to send newsletters, calls for submissions, and for similar publishing purposes.
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to send newsletters, calls for submissions, and for similar publishing purposes.