November 2002 | back-issues, Janet Buck, poetry
It’s been two years, one month, three weeks,
four days.
Since I sat on the edge of her bed
reading “Dover Beach” aloud
for ears pressed firmly
to the final page of life.
Patches of strength
curling their corners
like bandaids over wetted skin.
And I thought I could.
Make crepes that smiled from the pan
and press her Irish linen
without the steam of tears
and tuck it out of sight.
We matched like new pairs of socks
in my underwear drawer
or widows holding hands at Sunday Mass.
I’m sure she knew I smoked
and never said a word.
But turned faux pas like broken lips
of china cups around to face the wall.
It’s been two years, one month, three weeks,
four days.
And I thought I could.
Sit on her bathroom floor alone.
Use wine to take me places I needed to go.
She had this way —
of revising defeat —
of pouring waterfalls of misery
into margarine tubs
and sending me home,
steering straight.
I still feed the daisies she left
with watered gin, and they flower
even in September’s shade.
Each book she bound with patient flesh.
Advice a gilded potpourri
sprinked like sugar
over bowls of regret.
We both agreed that bridge
was a waste of precious hours.
That poetry and shoehorns
wedged crippled toes
into the “best of times.”
It’s been two years, one month, three weeks,
four days.
And I thought I could.
*First Published in New Thought Journal
November 2002 | back-issues, Janet Buck, poetry
I understood your allergies to ivory,
anything close to white. Perhaps it was
a form to sign inside the morgue.
Vivid frost of lonely winters
after cancer shook the house,
left you only furniture
and pitch black night
without much velvet in its grain.
The livid shade of feckless hope,
of failure knocking at the door.
The color was that pat, that clean.
Death is the ultimate bleach.
The parking lot had memories
of times your shoes kicked a tire,
then returned to dust a shelf of china cups
that rattled in an avalanche.
“I’ll call you on the phone,” you said,
“but I can’t walk the ghostly halls.”
I understood the jail rails of steel beds
and gurneys that carry a world away —
then lie and do not bring it back.
That room with little on the walls but
voiding charts and memos to a passing nurse
who had no answers in her hand
but gentle ways to close the book
as raison d’être lost its glue.
I would have picked the dye myself.
Every lily told a tale
of love as poisoned manuscripts.
Anything in dirty chalk
was just too close to missing angels,
open graves, and pale moans.
*First Published in Epiphany
November 2002 | back-issues, John Sweet, poetry
this image of sid with
GIMME A FIX
scrawled across his scabbed
and bleeding chest
this admission from his mother
that she bought
the shit that killed him
simple pathetic melodrama
that i carry with me for
eighteen years
until all i am is thirty-three and lost
a father driving home from
the sitter’s house after work with
my son laughing in the
back seat
with the sky a smeared glare
through a dirty windshield
and all of my bitter beliefs worn
like a second skin
and do you understand that
poetry isn’t art?
do you care?
and what about the difference
between confession and
sacrifice?
i can’t discuss christ
without thinking of failure
and i’m tired of dissecting my past
i’m tired of the deaths that
have come to shape my life
but if they were taken away
i would only find more
we define ourselves
too easily
by these things we cannot
control