Primary and Companion

Her love is binary
off or on
yes or no
zero or one
but if she could rest
in the untapped mantle
between extremes
or even possibility
there is acceptance
and tranquility
like liquid tangibility
no tears or lament
just a trace of light
enough to see
a love that is
one more than one
and two more
than nothing
at all.

by Richard King Perkins II

Out of Body

103 degrees, the city’s pavement cooks lovers like us sunny side up. But no one’s smiling. We sweat to forget the heat, sit down on a banged up bench at Van Cortland Park, devouring those dollar mango icies I love so much. We lazily reminisce about our foreclosed childhoods, watching a giddy girl and boy play in grass-stained overalls and clunky sneakers. They fantasize about being us, assigning each other scripted destinies through bossy fingers, yelling–You’re the man. You’re the woman. And we’ll play Love! Inspired, we clutch wet palms and pull each other to the direction of our own playhouse.

We go home. Forget past-due Con Ed bills and put that gray, old fashioned air conditioner on high– teasingly butt-bumping each other to get some one-on-one with its artificial breeze. No use, our bodies keep humming. So we improvise. If anyone’s looking for us, they can follow the trail of musty clothing we peeled off each other with great speed and ‘who-cares-right-now’ precision– the soiled socks, the pit-stained t-shirts, the dingy undies. To my closet of a bathroom, where we let cold tap water hit our bare backs, watching escaped hairs,
pollen,
soap suds,
and unfinished love poems trickle down to join the liquid chase.
The sun’s kisses are still pressing down on us, kissing dry the little droplets of satisfaction.

So we defy nature. We unzip and slip out of our sandpaper skins, throw them over my black ottomans, and play a sultry Sade track to help us catch the Holy Ghost, dancing tight and slow , whispering, Let’s play Love. A purple aura surrounds our souls and we levitate above the heavy heat. We play nude patti-cake in the lavender phenomenon; our limbs finally fuse into each other. We hope our game can continue to the moon. Before we know it, we’re flirting with the dusty ceiling, tapping our translucent toes to the last notes of the tune we left playing. The aura dims and we begin descend down,  
disoriented
And zig-
zagging
back to the gas oven of a Bronx apartment. I cannot help to perspire you and
you perspire me. We don‘t give each other destined locations. You can sleep in my body and I sleep in yours.

by Karina Billini

I am currently a Drama Specialist and Literature Arts instructor for Harlem Center for Education in New York City. I graduated from Marymount Manhattan College with a B.A. in playwriting. My poetry has been published in the Marymount Manhattan Review, along with other literary magazines. My poetry has won honorable recognition in the national Random House Creative Writing Competition and my theatrical works have received numerous honors from the Young Playwrights of New York City.

Eviction, Upstate New York, 2009

Loose steps lead down to the dusty porch

surrounded by the graffitied stone wall  

I watch the sun rise from the lawn chair 

paces from the small bungalow where we lived

sharing cinnamon rolls, spaghetti, lemonade

all of us stuffed in tight

the blue coat of paint on the house so worn

we see rough splintered wood underneath

the shutters squeak in the wind

the roof leaks and my father curses, puts

back the split shingles and reseals them  

the sun high and hot over the flagstone path 

the front door with the torn screen

my grandmother grows tomatoes along that walk  

near the boulder left sometime after the last ice age

I imagine its ancient world when dinosaurs 

and woolly mammoths roamed among the trees 

now the lawn is crushed by dandelions

and giant ragweed bushes stampede across

red tailed hawks screech in wheezing oaks

as my heart sinks with the sun on the planks

and I slip into a place of buzzing voices

my brothers plead 

and my mother bangs the car keys on the table

The driveway up front by the big willow 

points away from the house onto the broken road 

with millions of hairline cracks

like fault lines to other houses, other families.

 

by Alison Carb Sussman

Alison Carb Sussman’s chapbook, On the Edge, is scheduled for publication by Finishing Line Press in May, 2013.  Her poetry has appeared in The Sow’s Ear Poetry Review, Cutthroat: A Journal of the Arts, The Meridian Anthology of Contemporary Poetry, Eclipse, Slipstream, and elsewhere.  She currently studies at The Writers Studio under the direction of Philip Schultz.

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