July 2013 | back-issues, poetry
we were mistaken for sisters, two middle-school blondes,
glasses sliding down noses, volleying secrets
in whispers. winter storm clouds held the promise
of snow days; we crossed our fingers for blizzards.
years later, we sit in her parlor, discussing our lives.
we’ve forgotten much, but memories cut our minds
like dull knives – a butchery too eternal
to reconsider, too sweetly painful to pass by.
I drive away. the moon sags behind the sifting snow,
a frigid night so similar to the ones we used
to hope for together. old dreams are frozen through
from time and cold. what we need is a break in the weather.
by Katherine Vondy
Katherine Vondy is an LA-based writer and filmmaker. A 2009 resident writer at Wildacres, a 2012 resident artist at Starry Night and a 2013 artist-in-residence at the Vermont Studio Center, her work has appeared or is forthcoming in The Stickman Review, Toasted Cheese, Red River Review, Perigee, Dark Sky Magazine, The Oklahoma Review, Breakwater Review and short story anthology The Lover, the Lunatic and the Poet. Katherine earned a BA in English and Music from Amherst College and an MFA in Film & Television Production from the University of Southern California. Her blog of comedic mini-essays can be found at http://thewalkingdeadpan.tumblr.com/.
July 2013 | back-issues, poetry
Fragments of Southwestern Youth
Stink beetles balance
beaks
on splintered porch.
Arizona daze,
San Francisco Peaks
sanctify.
Dragonflies flash blue
as jelly shoes.
Chicken-egg scoop
coop.
Sunflowers arch
rock-hunked roads
through ponderosa pine.
Jewelry-maker
neighbor, turquoise nuggets
machine drills, echoes.
Pine bough huts,
Sinagua potsherds,
black-on-white patterns
fragment underfoot;
daydreams dead awaken
earthen palms:
ontological monsoon.
No cell phone, no gps.
Sun out time: time-in
moon orb oozes behind
Mars Hill:
no ears ringing, no calls
from home or to home,
not in far-gone
forest of youth.
Visitor at Tsaile Lake
It’s dry as drought. A freckle-face cow startles the way, horns point tips to hip. Sun bleached tree limbs strew land all over the place like moo bones. Indian paint brush flame. Grasshoppers buzz the path, streak sand with dot lines, sashaying among piñon pine and juniper to a clearing. Clouds smile wisping turquoise sky, reflecting Tsaile Lake. Horsetails, four, dance lyrical. A pale pony, muscle-legs shades of sage, ignores, mane and tail, ink-black as raven wing shine, tendril a bellowing sky. A pitch-black horse, white splotched down its sides like a painted on saddle, skedaddles. Albino stallion, eyes lined pink, bucks. Hoofs tread coral sand amidst thickets of sea-green sagebrush: itch, itch, I itch, sneeze, wheeze. Wind blows a current to a reddish mare grazing a frenzy feed of native grass. All the wild horses I pass. Folks at lakeshore tug trout while bridal-white pelicans rise, rise. A truck of boys get stuck today–muck spins wheels, stop again, again spin, at lakes end. Navajo women in a pickup pull up, say: “Are you from around here?”
Wendy Sue Gist’s poems have appeared or are forthcoming in Dark Matter, New Plains Review, Oyez Review, Pif Magazine, Rio Grande Review, RipRap, The Chaffey Review, The Fourth River and Tulane Review for your consideration.
July 2013 | poetry
I shake the leash
hoping the vibrations
loosen your bladder
I hold you
over a bush
beside a hydrant
and next to a tree
yet you refuse
We keep climbing
the hill
We reach the top,
our home entangled
in the ghetto
below, you decide
you’re ready and
let loose a stream
of neon yellow,
a small puddle
trickling along the
sidewalk
You’ve finished
but we stand here
The wind forcing
air into my
nostrils, your nose
perked up
Both searching for
our scent in the
city surrounding
the hill
by Ryan Hammond
Ryan Hammond is previously unpublished.