July 2014 | back-issues, poetry
In dreams or in sweaty moments driving, the classroom—
clarity spins away like water carving out a canyon.
I do not know when mind sinks into past crevasses
if it is Rumpelstiltskin padding down the dark hall
outside my room, or Captain Hook who will play
forbidden games.
These ill spirits are not poured from a bottle.
The hands sliding like serpents under the covers
are not healing. I go away and become a new
born, sleek baby seal swimming in arctic
waters with my mother. I nurse at her nipple,
the milk fat, hot, thick, nourishing, as she
protects me from those who would fill me.
This is the ocean womb, where I can take refuge
in shadowed canyons, hidden, watery valleys.
Safe from those who take away my blanket,
Nazis with lugers aimed at my being, panzer
hands driving their muddy tracks over my body.
Corrupted beyond their concentration minds,
deeper into shadow’s valley, I go to earth’s
heart beneath salvation’s waves.
This is the secret place that I prepare.
Here I will grow big, grow strong.
Here I will prepare for reckoning’s resurrection.
Here I will build the russet fire.
Here I will eat the hearts of men.
Ralph Monday
Ralph Monday is an Associate Professor of English at Roane State Community College in Harriman, TN., where he teaches composition, literature, and creative writing courses. In fall 2013 he had poems published in The New Plains Review, New Liberties Review, Fiction Week Literary Review, and was represented as the featured poet with 12 poems in the December issue of Poetry Repairs. In winter 2014 he had poems published in Dead Snakes. Summer 2014 will see a poem in Contemporary Poetry: An Anthology of Best Present Day Poems. His work has appeared in publications such as The Phoenix, Bitter Creek Review, Full of Crow, Impressions, Kookamonga Square, Deep Waters, Jacket Magazine, The New Plains Review, New Liberties Review, Crack the Spine, The Camel Saloon, Dead Snakes, Pyrokinection, and Poetry Repairs. Poet of the week May, 2014 Poetry Super Highway. Forthcoming: Poems in Blood Moon Rising. His first book, Empty Houses and American Renditions will be published by Hen House Press in Fall 2014.
July 2014 | back-issues, fiction
Bill’s desk was clean, nearly antiseptic, holding a stapler, a rolodex and a computer terminal, the computer tower stashed under his desk. He had always believed the neatness of his desk represented his efficiency, and thus his value. That and his expertise with the Infamous system. By now, he was its resident expert. Surely that guaranteed job security.
He had recently seen others “let go” during the current downsizing, but he knew he was safe. Until he tried to log on to his computer:
LOG IN FAILED. SYSTEM DOWN.
Then his phone rang. It was Jim from Human Resources.
“Bill, can I see you in my office for a minute?”
Walking down the hall, his footsteps muffled on the carpet, Bill felt as though he were following an invisible executioner leading him to the gallows.
Jim’s office was sparsely furnished: a wastepaper basked next to a desk with a chair on casters behind it and a straight-backed metal chair in front.
“I’m sorry it has to be this way, but the company’s been downsizing for some time now…” Jim droned on. Bill stopped listening and stared at the curtain fluttering at the window.
After eighteen years, no retirement, no “golden parachute,” just a man saying something about “references” and “severance pay.” References? For what? At 58, who would hire him? He was alone; no children, his wife dead five years.
He began to listen again. Heard “… let you go,” and, at the word “go,” did just that – ran to the open window thirteen floors above a concrete sidewalk.
Lon Richardson
He has been writing non-fiction and fiction for about 20 years — in journalism having been published in newspapers, magazines, industry newsletters, and have had short stories published in two literary journals: From The Depths (“Two Tickets,” December 2012) and The Torrid Literature Journal (“One Thing Led To Another,” October 2013).
July 2014 | back-issues, poetry
i.
Raise a flag, cast a glance,
and it’s all over now.
ii.
It was me. I triggered the mechanism
that cut off my own hands.
iii.
When I had the chance,
I should have kissed her
with conviction.
Should’ve slipped her poems
on folded paper,
the sweat from my palm
still lingering on the creases.
Should’ve bought her flowers
or some similarly obscene gesture.
Or left vivid lipstick prints
in the soft angle of her breast.
iv.
If I’d known that was a singular moment,
I would have devoured her –
no question,
no hesitation blooming
like a tumor.
A fish-eye gaze on that basement room,
the only two people in existence.
v.
Even though your ignorance was not permission,
your silence not a gesture inside,
I smuggled her heart for a little while.
And your heart may burn with love for her,
but my touch left her scorched through the skin
so deeply the marks cannot be washed away.
Sarah Marchant
