January 2015 | back-issues, poetry
Frenzy and folly,
Gaudy music and fantastic dancing,
A moving party of
Scarlet, orange, golden, green, blue, and purple.
Glittery “dames”,
Circuit swells,
Fashion fancies,
And erect wantons
Step stately and deliberately out of bounds.
Security within,
The eccentric takes care of the bizarre.
For sixty minutes during the sixth month,
A dense crowd of friends,
Gay and straight,
Are entertained
And inspired by a life of courage.
—a mashup using words only found in Edgar Allan Poe’s The Masque of the Red Death (1842)
by Dennis Bensie
Dennis lives in Seattle and works professionally in theatre. He has two books published through Coffeetown Press (Shorn: Toys To Men In 2011, and One Gay American In 2012) as well as numerous short stories and essays around the web. The piece included in this issue (73) of Burningword Literary Journal will be part of a 40-poem anthology entitled Flit: A Gay Man’s Poetry Mashup Of Classic Literature, which will be released by Coffeetown Press in October 2015.
January 2015 | back-issues, poetry
the clear blue sky a hovering Narcissus
sets cerulean shapes undulating the whole estero
winking the sun seducing my eyes sweet waters from the land
pulsing into salt ocean slipping its way onto the land I sit on one bank
looking across wobbling yellow slits tight to this shore reflect cliffs
behind me opposite shade shines down liquid black sandy shore and open
water giving way to dazzling light in action
dark underwater blues deeper browns to fertile marsh
brown pelicans fly low fall in akimbo tripping over feet out taut
large floating group some drop half-folded wings loose skin cups air against
water not piston-swimming white pelicans herding fish this a rhythmic applause
varied, playful stops for silence fellow pelicans take up a new patterned patter
making a community music none feed, listening to each other’s versions—plaintive cry
a gull’s—pierces a long pelican pause leaving rings of room around its sound
more pelicans splash in, their own are clapping back more gulls kee-een into the
next rest pelicans wait and syncopate clap-cuba-tap-africa gulls scree-ee
each species receives the other’s new offering never in my thirty years here
over the minutes, the hour the numbers and sound expand birds
hundreds, a thousand their mass louder penetrating gull chorus shrieking
pelicans slapping raucous cacophony pushing out all silence,
enveloping me unease replaces my relaxed wonder mind
taken from me I turn my body away
a skinned stick rosy hint of sunset dancing on it
bright towers waver from now golden
cliffs on the other side about my time
to leave I notice from the quiet
time has moved on so have
the pelicans and gulls I am
only soft again a fresh-
feathered first-year curlew
in the landscape a
waterborne gull makes
wake swimming toward me
winds and currents push west
toward the sea, the sun at the end of day
massed wavelets bunch higher shift shadows, turn darker
I look back to the east the water is calmer oddly more filled with light farther
from the sun. a distant invisible fountain pouring upward tiny scintillations
here the sun is closer streaming directly at me begins to look night
all around a paralyzing beam’s dark halo the known world so
close and closing only the tkk’ings of a bushbird a bee
bumbling for gold come across on the still air
by Jen Sharda
Jen Sharda lives in the San Francisco Bay Area—its fine community of poets, easy access to nature, and liveliness in the arts nourishes her writing. Her work is forthcoming in Forge, Marin Poetry Center Anthology and Spillway. She attended Squaw Valley Community of Writer’s in 2014 and has attended the Napa Valley Writers’ Conference since 2010, working with Jane Hirshfield, Major Jackson, and twice with Arthur Sze. Jen joined David St. John’s Cloud View Poets classes in 2013. Jay Leeming and Carolyn Miller were early teachers.
January 2015 | back-issues, fiction
It took her years, but she made a memory quilt the size of their home. At first, she used her husband’s worn work clothes. Some time passed and she cut, nipped, and threaded a fine needle through her children’s clothes, too. Her husband took to calling her fanatical; saying she no longer honored his wishes. The children grew and fell away like autumn leaves. Then the cancer stuck for good. She rolled her yellow eyes, lit her Marijuana cigarette, and touched him gently as she’d once done. Her life was coming to a close, she knew. Like flash cards in youth, quicker by the day. Now her children and husband gathered by her bedside; said their last goodbyes. They loved her dearly, but none knew what to do with her old clothes. They only wanted their fair share. But she hadn’t divided them; that they had done on their own.
by Bill Cook
Bill Cook lives in a semi-rural area in Southern California’s High Desert, and has stories published in Juked, elimae, Thieves Jargon, Tin Postcard Review, Right Hand Pointing, The Summerset Review, SmokeLong Quarterly and in Dzanc’s anthology Best of the Web 2009.