Ashlie Allen

Terrifying winter night

 

Plum fog drowns

the winter sky

and frost makes furniture

on the ground for insects

I stagger through the forest,

having just buried 12 possessed puppets

and 17 bloody jabots

 

by Ashlie Allen

 

Bees and ghosts

 

Blue hues of winter

flicker against your pale skin

I remember when you were a child

screaming in the garden

because there were too many bees

and too many ghosts

Now the garden is dead

and the ghosts and bees

reside inside your eyes

 

by Ashlie Allen

 

Cactus balloons

 

Her ghost whimpers

in the flower pot

as I pop balloons

against the cactus she held

the day she sighed, “Sayōnara.”

 

by Ashlie Allen

 

“Gothic colors”

 

The shadow of bats

through mauve fog,

the rattle of violent violin music

through skeletons and wood

I weep beneath

a dead woman’s window

as I pretend the world

is a funeral and I am a ghost

trapped in gothic colors

 

by Ashlie Allen

Ashlie Allen writes fiction and poetry. Her work has appeared in The Birds We Piled Loosely, Blink Ink, The Assonance Literary Magazine, Literary Orphans and others. She plans to become a photographer in the future. Her greatest influence is Anne Rice.

Jennifer Wesle

The Gypsy

 

Green solar plexus envious

fastidious and plagued in dis-ease

 

 

bikes to ride past your house

eye balls on springs and wide open

 

 

glued hairs in scrapbook

voodooed photographs and bottled tears

 

 

grimaced grew cats teeth and whiskers

grew a warm layer of fur

 

 

scratched you+me on my bedpost

and voodooed that too

 

 

stole ten dollars from the grocer

stole ten persimmons and thirteen oranges

 

 

sold persimmons and oranges on the bridge

sold collages of voodooed photographs

 

 

sold tears as divinity potions

glittered the cement with golddust

 

 

grinned despite green chakras

and hid envy underneath my shawl.

 

by Jennifer Wesle

 

 

portrait of the lady in a big blue hat

 

so this squishy underbelly fleshy tender

pescanoce-nectarine tummy

your pink-white fruit

juicy

dangle gently

swaying

with the movements of limbs

arms    like snake trees

long limbs

fine form         of genetics

praises and salutations

to grandparents with good family planning

generations of high cheekbones

thick shiny hair

straight legs

& fine noses

 

like thoroughbred

you are agile and conditioned

high strung

high society

with hat (bridle)

hanging precariously

tipped over one dainty ear

you careened

on heels of crocodiles

on carpeted boulevards

into studio

out of navy blue diane furstenberg

you undressed

splashed onto canvass

and became

immortal.

 

 

by Jennifer Wesle

 

Jennifer Wesle is a Canadian writer/artist/musician. She is working on a poetry manuscript and studying English and Psychology. She leads a semi-nomadic life and is currently living, finding inspiration, learning Italian and eating in Italy.

Deadpan

I know what you mean

about the whiteness of paper,

the inevitability of the sharpened pencil

and the exactitude of the forgotten

line that curves

to the contours of the robin’s egg

discovered beneath a hammock

resting on the freshly cut grass,

speckled for all it’s worth.

 

You talk about the weight

we all must learn to bear

and the nutmeg

you heard as a child

before you smelled it.

 

Because so much is lost

in translation

at least in theory,

the way the knuckleball

flutters and resists

understanding and gravity.

The way each Thursday

figures me

in the sparse shade provided by the simile

of a date palm.

 

by Christopher T. Keaveney