Peycho Kanev

Song

 

When we were together, we were not.

I was alone with you and with all the animals,

all the cherry blossoms, Chrysanthemums and

the rising sun. Is this Japan? But I’ve never been there.

 

Daylight is just the messenger of the secrets of

the night’s hidden and utter darkness.

Moonlight is just the reflection of the ashamed sun

and nothing else.

Twilight – the hermitage of the unholy things

squatting in the mud, waiting for dark and godly hours.

Love is a turkey when every day is Thanksgiving.

Love is cow in the slaughterhouse, bending down its

head to the ax.

The mountains stand tall and proud, talking in dead

language with the birds in the sky, resembling unknown

hieroglyphs.

Rivers flow with no time left, to the edge of

the horizon.

Logs split back into logs in the deep and still virgin

forests.

And then silence descends.

 

When we were together, we were not.

We tried to be something else,

but that was impossible,

because we were already completed,

and silence that descended was the end of everything.

Or it was the new beginning,

just like that moment when the orchestra conductor

stands still, before the first note of the symphony,

with its baton in the air, above his head,

and then he swings.

 

 

What is This

 

This is not the thing I want,

this is not the thing I don’t need,

this is not the thing that it thinks it is.

 

I sit on the writing table and think

about it. But at the same time I can not

think, therefore what?

 

The wine is decanting, my Gitanes sits unlit

in the ashtray and I watch trough the window

how the misty sadness is clearing over the grove.

I tend to take everything as it is, to make some

sense out of it, some shapeless meaning.

 

And I remember now how when we were with

together, everything around us would cease

existing. Maybe this is it. This everything.

The Cosmos, the Universe, the stars and nothing

else, just pure pleasure, when everything comes

to light. And it, of course, was standing between us.

 

And then, in fact, there was nothing but pure silence.

 

Peycho Kanev

 

Peycho Kanev is the author of 4 poetry collections and two chapbooks, published in USA and Bulgaria. He has won several European awards for his poetry and he’s nominated for the Pushcart Award and Best of the Net. His poems have appeared in many literary magazines, such as: Poetry Quarterly, Evergreen Review, Front Porch Review, Hawaii Review, Barrow Street, Sheepshead Review, Off the Coast, The Adirondack Review, Sierra Nevada Review, The Cleveland Review and many others.

The Department of Otolaryngology

The perpendicular marks on the carpet,

Below my blistered boots, mark my path to this

Place of auditory affirmation.

The noise from the tv tells me to stop

The silence and listen to

Talking mocking teething media personalities:

I feel the hereness of hearing and for this reason,

All is perfect.

 

The questions my mind beckons to

Consciousness are neither new nor old but

Persistent: this steadfastness feels normal—

A salutation of life and auditory awareness.

 

The fortunate falls we face and fear

Hear no cries of regret but rather,

Cries of confidence that propel new-

ness and resilience.

Like the spindly carpet from the waiting room floor,

I stand still and sally my silent awakening.

 

Joey Kim

Joey Kim is a Ph.D. student in English at Ohio State. Her research interests include British Romantic poetry, Romantic Orientalism, gender and sexuality, and postcolonial studies. She is particularly interested in the intersections of theories of sexuality and Orientalist literatures. She earned her MA in English literature at Ohio State as well, and is currently reading for her PhD candidacy exams.

Natural Causes

In dusty houses

with sallow shades

floating ghostly

past books, pictures,

broken furniture

 

unconnected

disengaged

 

Functional rubble

of teeth, knees, hips,

skipping the charters to Branson,

afternoon performances

of Hamlet

 

writing in their journals

how the view from the end of the road

mirrors the view from the beginning:

a thoughtless line

vining to mind,

a heart of treetops,

vanishing unsurprised

through the floorboards.

 

Craig Evenson

Craig Evenson is a school teacher.  His poems have appeared in such magazines as Lalitamba, Midwest Quarterly, and Common Ground Review.  He lives in Minnesota.

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