The Forgotten Holocaust

it spills, like ink drooling into graveled
roads, hair hanging from the broken neck—
i run—past the smoked houses that smell of
firecrackers on new year’s—but too
heavy—it drags across my skin;
they said the wokou are coming! ri ben ren lai le!
but the peonies dressed with summer’s qipao
told us stay, stay, stay.
did we stay to die here?
his stomach bulged as they forced water
down his throat, eyes screaming mercy—
uncle, your swollen body haunts me now.
and mother, lullabies and village songs have grown
into the pig’s squeal just before the butcher’s mark—
what did you sing to me before? all i recall is,
“don’t touch me there!”
they said “world war”
but what did we do?
i have seen things. pregnant women with torn open bellies,
heads of our ragtag soldiers in target practice.
the red scarf of a schoolgirl.
her body splayed open, dumped in our once-blue pond.
why did we stay?
i did not want this adventure.
my voice has stilled; i am no longer brave like mulan, my hero.
wait, i wasn’t ready.

Allison Chen

Allison Chen is a writer from Queen Creek, Arizona. She has been published or upcoming publication in the Paha Review, Canvas Literary Journal, Shine: Best Arizona Teen Writing of 2016, Brushtalks Magazine, and the Writer’s Slate. Her work has been recognized by the Scholastic Arts and Writing Awards, Mount Mercy University, and Skipping Stones Youth Honor Awards.

Canada Lynx—Schoolcraft Game Refuge

December collapses
with a heaved sigh.
Only the bachelor jay
bathed in his cerulean vest
resists the fait accompli
of ephemeral gray.

The lynx pads soundlessly
into this laundered, stony light,
tufted ears twitching
to the avian colic
attending her

of wending,
eremitic hare.
Mounting spoor—
shallow spoons
from snowshoed feet;
roods upon whispered white.

Deep inside this refuge,
her feline eye—burnt
ochre to its edges—
promises peril
in a clasping, crushing end.
Though a button breeze,

Time’s muted arbiter,
foretells some misgiving:
cryptic rendezvous
in a lethal distance—
the southernmost verge
of an endangered range.



Gina Bernard

Gina Marie Bernard holds B.A., B.S., and M.A. degrees from Bemidji State University. She writes and teaches high school English in Bemidji, Minnesota. Her daughters, Maddie and Parker, are the two halves of her heart. Her work has recently appeared in Appalachia, Balloons Lit. Journal, The Bat Shat, Border Crossing, Cimarron Review, Fox Cry Review, Glitterwolf Magazine, Tule Review, and Uprooted: An Anthology on Gender and Illness.


Howard Brown



Give me poems—

poems which speak to the heart

and not the head;

whose words roll from the tongue

like water over polished stone;

which say straight out

what they have to say;

whose truth does not lie buried

beneath endless layers

of meaningless metaphor;

poems unlike those

fawned over by the literary elite,

but leave me asking:

What fuckery is this?





Standing in the bathroom,

attempting to text

and pee at the same time,

I dropped my cell phone in the toilet.


In a flash, I saw the phone’s

micro-circuits signing off, one by one,

as I reached down and took hold of

the little urine-soaked rectangle.


And now,

after three days of silence,

no texts, no emails

no help from the ubiquitous Siri,


the phone still buried

in a bowl of Uncle Ben’s long-grain rice,

I wonder who, in truth, has been rescued—

the cell phone or me?



Bad Kitty


He was a bad kitty,

and did not care.


Dining according to the dictates

of his own finicky palate,

he turned up his nose

at all the rest.


Without warning, he would

bite the very hand which fed him,

if that hand strayed where

he deemed it should  not be.


He shat and pissed and wiped his butt

wherever he chose—oriental rug,

litter box or easy chair,

they were all the same to him.


Clueless that he owed us anything,

he slept through the day curled in front

of the big glass door, twitching in the sunlight

as he dreamed his ephemeral, feline dreams.


For he was a bad kitty,

and did not care.



Howard Brown

Howard Brown is a poet and writer who lives in Chattanooga, Tennessee on Lookout Mountain. His poetry has appeared in Old Hickory Review and Poetry Super Highway. In 2012, he published a book of poetry entitled “The Gossamer Nature of Random Things.” His poem “Pariah” placed first in the poetry division of the 2015 William Faulkner Literary Competition put on by Mississippi’s Tallahatchie Riverfest. He has published short fiction in Louisiana Literature, Extract(s), Gloom Cupboard, F**k Fiction, Crack the Spine, Pulpwood Fiction and Mad Hatter Review (forthcoming).