Hugh Findlay
The artist lives in Durham, NC, and would rather be caught fishing. He drives a little red MG, throws darts on Tuesdays, reads and writes a lot, dabbles in photography and makes a pretty good gumbo.
The artist lives in Durham, NC, and would rather be caught fishing. He drives a little red MG, throws darts on Tuesdays, reads and writes a lot, dabbles in photography and makes a pretty good gumbo.
I.
There’s a chance everything has been assumed incorrectly.
There’s a chance I’ve gotten it all wrong.
Misplaced the dangling modifiers.
Left decimals out of column.
Commas forgotten, and misfired chromosomes
flipping an entire species on its genealogical frontal lobe.
Prophets tried to warn.
Seers and shaman returned
carrying markers of indemnity, lived experience
suffered and survived, until now
becomes instinct, systemic acceptance
defining the limits of beauty and love.
II.
Compressing time compares
particle versus wave, proxy tunnels
navigating both like wormholes
linking process and form.
Conceptual technology owes its existence
to the human body, the internalized
network of firewalls, end-stops, cul-de-sacs
of private intentions needing protection
from fear of the anonymous hack.
Conjunction subordinates proper speech.
By all indications, pop stars leave the myth-
making to poets and teachers.
Take a straw poll of life’s greatest fears.
See how many answers feature
bridges and tunnels connecting us,
and all things.
III.
I carry weight around unknown,
height a cradle-fantasy of remembered baptism.
I am never smart enough to think like a foreigner,
an outsider accustomed to facing nature
in its raw nakedness, beauty balanced and awe.
Some tastes require jugular sweetness,
warm country tabernacles surrounded by thick night.
Preachers wed desire with a mother’s faith,
common metaphor saving its best for last days
of character-selling, shelter-space limited
to flesh and imagination.
IV.
Sanctuary splits me confused, me not smart enough
to skate across thin layers of meaning.
Not understanding but knowing the difference
between here and not here
simultaneously. Nowhere to be found
depicted in watercolors is too diluted
for aristocrats and the general
practitioners of the Sacred Arts,
the Primal Magic of self-doubt,
paranoia, and its shady base
of operations in poetry.
Patrons pay my expenses, photograph my receipts.
Desire allocates, critiques my inner algebra,
formulas setting parameter for stammer
too elastic to eliminate its brittle shell.
After questioning, beauty accepts
quiet comfort, knowing fear remains
the only modern ignorance left to eradicate.
Marc Meierkort is a writer and educator who has taught high school English for 19 years. He is a graduate of Southern Illinois University at Carbondale (B.S.) and National-Louis University (M.A.T.), and he currently lives in Chicago’s suburbs. A Pushcart Prize nominee, he has recently had poems published by The Main Street Rag, Columbia College Literary Review, The Nassau Review, Inscape, and Spectrum.
Sand is future glass, so get in the car,
fast-forward into the future, and stand
on the giant glass bridge of the beach.
We can listen to the waves while we stare
at the creatures frozen below, encapsulated—
there’s a crab mid-stride and there’s a plastic
cup. There will always be a band-aid, and we’re lucky—
the washed-up jellyfish is under glass—just
step right on it and laugh. Mostly there’s just rock, though,
and it’s too hard to sit on all day. Let’s take the car
to the diner and the past. Let’s stare out the window
and watch the fish bones and shells, glistening in the sun.
Danielle Hanson is the author of Fraying Edge of Sky (Codhill Press Poetry Prize, 2018) and Ambushing Water (Brick Road Poetry Press, 2017). Her work has appeared in over 70 journals, won the Vi Gale Award from Hubbub, was Finalist for 2018 Georgia Author of the Year Award and was nominated for several Pushcarts and Best of the Nets. She is Poetry Editor for Doubleback Books, and is on the staff of the Atlanta Review. Her poetry has been the basis for visual art included in the exhibit EVERLASTING BLOOM at the Hambidge Center Art Gallery, and Haunting the Wrong House, a puppet show at the Center for Puppetry Arts. More about her at daniellejhanson.com.