Harold Olejarz began his career as a sculptor. He worked mostly in wood and created wood sculptures ranging from waves to figural sculptures inspired by Greek sculpture. In the 1980’s he exhibited in and participated in managing the only Soho Cooperative gallery dedicated to sculpture. Later, he turned to Performance Art and created wearable sculptures. He installed himself, as a work of art, in museums and public spaces across the country. Articles about Olejarz’s performances appeared in many newspapers and were featured on TV news programs, including NJN and WOR in the New York area. He even made the cover of the NY Daily News. Olejarz’s art has been exhibited in numerous galleries and at the New Museum in New York and The Newark Museum, The Morris Museum and The Jersey City Museum in New Jersey. Olejarz was awarded a public art commission by NJ Transit. For this commission he created two etched glass block windscreens, that are installed at the Pavonia/Newport Light Rail Station in Jersey City. Image manipulation has fascinated Olejarz since 1990 when he first explored image manipulation with early digital tools like ColorIt! and early versions of Photoshop. Born raised and went to two colleges in Brooklyn, NY. Brooklyn College, BA, 1975; Pratt Institute, MFA 1977. He now lives in Tenafly, NJ
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Issue 110, published April 2024, features works of poetry, flash fiction, short nonfiction, and visual art by Seo Jin Ahn, John M. Blodgett, Roger Camp, Teresa Hyoju Chang, Sarah Chavera Edwards, Mark Connelly, Mark Crimmins, Elias Diakolios, Kim Farrar, Steve Fay, Sam Graham, Sydney Greiner, Angie Hexum, Ken Hines, Richard Holinger, Aidan J Hong, Diane Hueter, Kathryn Jordan, Jian Kim, Jihu Kim, Josef Krebs, Linda Laderman, Nicholas Mayo, Martha Nance, Larena Nellies-Ortiz, Gloria Demasi Nixon-John, Edie Noesser, Larry Oakner, Yeobin Park, Eric Roy, Claire Scott, Cindy Sams, Vimla Sriram , Maxwell Tang, Jim Tilley, Katherine Tunning, William J Waters, Ian Wells, and Stephen Curtis Wilson.