The Haunting of Winter People

 

Patches of flattened brown grass

like those that would peek

through snow, a mid-March

yawning into spring.

 

Dust motes masquerading

as silver snow trickling

from above. Dendrites

settling without shivers .

 

The fossilized riverbed

begging for cold fingers

to play crystalline tarantellas

down desiccated spines.

 

Mud caked deer prints

the echo of white snow drifts

etched with broken hearts

that mend when melted.

 

A stripped maple smooth

as icicles sheared and raw

under the moon’s cool

and unblinking glare.

 

Exhalation from an open freezer

that whispers like a long deceased love:

How can this heat be anything

but apocalypse? The answer –

 

A painting of a cabin in a forest

carpeted in soft white

with footprints that lead toward or away,

a lost trail, invisible

 

under sun and summer sweat

that never ceases, while winter

becomes an artifact

in the amber of memory.

 

Permafrost

 

How did we get here?

Weighed down by the unsung

sorrys in our pockets, dragging

the hems of loved ones

like beggars, seeking

 

a redemption colder,

more remote than the tops

of distant mountains.

Even though permafrost

never melts, it still blooms

 

in summer, green blades

pearled with buds. And if

it does melt, if somehow

that ground, known

for its hardness, its inability

 

to change with seasons,

suddenly finds change rooted

ripening in the hard soul

of its body, carbon kept

cozy and restrained

 

between soiled arms, then

the silent bomb will spill

like our emptied pockets, eking

secrets into soft places, destruction

that comes like a warm pillow

 

across a wet mouth.

It’s the simple things that bring

us to our knees, that make us

ask how did we get here? And also

is there any way back?

 

Lesley Hart Gunn

Lesley Hart Gunn is the winner of the Fall 2022 F(r)iction Poetry Contest and has upcoming or previous publications in Carve Magazine, Strange Horizons, Litmosphere, West Coast Review, Avalon Literary Review, Flash Fiction Magazine, Phantom Drift Journal, and others. She is originally from Nova Scotia, Canada, but currently teaches college writing at Utah Valley University, where she lives with her partner, three children, and two cats.