In This Issue

Jane Hammons taught writing for three decades at UC Berkeley, where she received a Distinguished Teaching Award. Upon retirement, she moved to Austin, Texas, for five years before returning home to New Mexico. Her writing appears in numerous journals and anthologies: Alaska Quarterly Review, Southwestern American Literature, The Main Street Rag, Yellow Medicine Review, Hint Fiction, (Norton), The EastOver Anthology of Rural Writers of Color, 2023 and 2024, The Maternal is Political (Seal Press), and Selected Memories, (Hippocampus Books). She enjoys photography as part of her writing practice, and three of her photographs are included in Taking It To the Streets: A Visual History of Protest and Demonstration, an exhibition of the Austin History Center. She is an enrolled citizen of the Cherokee Nation.

Michael C. Roberts is a retired pediatric psychologist and professor. He has digital and film photographs in Burningword, The Canary, The Storms, FERAL, Cholla Needles, Cantos, The Healing Muse, Cold Moon, Right Hand Pointing, Door is a Jar, Camas, Hindsight, Straylight, Thimble, Ponder, Closed Eye Open, Alchemy Spoon, 3rd Wednesday, The Right Words, Cardinal Sins, Human Obscura, Blue Mesa Review, The Word’s Faire, and elsewhere. In his recent photography, he has been exploring minimalism as projection and abstraction. The simplicity of minimalism reduces both nature and the human-made to their basics, revealing the essential beauty in structure and form. Although austere, these silhouetted images of nature allow the viewer to appreciate the world’s simple complexity and basic beauty.