New Jersey

The world has found
New Jersey, the
new entertainment capital.
like an ant farm on a glucose high, now,
we crawl, we build, we eat each
other, we carry the dead, we swarm the
living, and we sit in your living
room, while getting picked apart,
and give joy to those viewing-that life can always
hit a new low.
they understand that when fate gives them
the dagger, at least it didn’t come
soaked
in coconut oil.
usually when the networks
come and the advertisers pay,
those on the other end- providing the
laughs and memorable quotes, are the ones
with the last laugh, that the spectators
and the tourists are the fools
for tuning in.
but like the bad end of a casino game,
it seems the joke
is on us.
and even though
our pizza
is better
I’m pretty sure
the masses are right.
and for the first time
in all history
the masses are right for the right reason,
and i’m not invited to the
victory party.

by Scott Laudati

How the Movie Ends

In the sci-fi movie, plants drifted
through space and took root
in fields outside our city, blanketing
them with a sinister green until they fattened
on cow’s blood and rain. When they ripped
free from their roots and began to walk,
strangely graceful, gliding more than hopping
on those bending tendrils, we knew that fire
couldn’t stop them, nor cyclonic winds
nor prayer. Merciless in their calm, asexual way
they marched on Paris and Rome, we saw them
waving down Fifth Avenue, hideous parody
of Saint Patrick’s Day. We saw them
clustered in Beijing exhaling carbon dioxide
and fluttering like deadly daffodils
until the factories shut down, and gradually
earth grew calm and waters swelled
clean and crystal blue and the aliens began to sicken
because there was no acid in the cold rains to fuel
those bodies raging for silence and the ancient breath of stars.

by Steve Klepetar

Steve Klepetar teaches literature and writing at Saint Cloud State University in Minnesota. His work has received several nominations for the Pushcart Prize and Best of the Net. Flutter Press has recently published two of his chapbooks, “My Father Teaches Me a Magic Word” and “My Father Had Another Eye.”

Electric Pictures / With Disdain

Electric Pictures

lend credibility to imaginary walls.

The perfect frame for time-

stopped moments of mind rain.  

They flair to life.  Laugh, dance, twirl

an eternity into the blink 

of an eye that only pretends to be

blind.

 

With Disdain

I hand over the two

dimensional datum ephigical

laminated version of myself

to anonymous hands.  

Fingers fly

over keys.  Stroking, 

entering my parameters.  I am

essentially logged, filed

away for future reference.

 

by AJ Huffman

While You Were Gone

While you were gone
We talked
We touched
We slid melting
Ice cubes over
Sweat slick thighs
While you were gone
We danced barefoot
To the little radio
In the kitchen
Naked
Ate chocolate chip
Cookies and licked
Crumbs off our faces
Together
While you were gone
We laughed
Softly and hard
As the light fell
We sat face to
Face and fingered
Eyelashes
Until
With an unwarning whir
You returned
In blaze of light and
Blaring voice
And caught us
In reimpowered
Sixty inch eye
Shamed separate
we covered ourselves
And resumed
Our silent watch
Power restored

by Pearl Ketover Prilik

Pearl Ketover Prilik, freelance writer/psychoanalyst, is a believer in the spark that flickers within each and connects all. She has three nonfiction books published, was editor of a post-doc psychoanalytic newsletter and lately, editor/contributor of two collaborative international poetry anthologies.

Primary and Companion

Her love is binary
off or on
yes or no
zero or one
but if she could rest
in the untapped mantle
between extremes
or even possibility
there is acceptance
and tranquility
like liquid tangibility
no tears or lament
just a trace of light
enough to see
a love that is
one more than one
and two more
than nothing
at all.

by Richard King Perkins II