After Rainer Maria Rilke, The Book of Hours (III, 20)
Everything is close today, the watery glow
from the daffodils
blooming on the balcony,
the wind inflating the green
sail of the curtain,
the neighbor’s dog
yapping again at a passer-by.
I knew something was wrong
when his bark turned
from annoying to cute.
I’m thawing.
I feel it in my bones.
I’m too close to the rain
that’s been falling for days,
turning flesh to water.
I’m liquid, a jellyfish,
eerily transparent.
Let the city pour through me,
I want nothing of myself.
Whoever I was,
that woman held a box
in her hands and in it, her heart.
Unused for so long,
it slowly turned to stone.
Romana Iorga
Originally from Chișinău, Moldova, Romana Iorga is the author of Temporary Skin (Glass Lyre Press, 2024), a woman made entirely of air (dancing girl press, 2025), Auz simplu (Semne Press, 2000), and Poemul sosirii (Glasul Press, 1996). Her work has appeared in The Nation, Lake Effect, New England Review, Salamander, RHINO, Gulf Coast, and elsewhere. Iorga’s new poetry collection, Witness Protection, won the Fall 2025 Black River Chapbook Competition and is forthcoming from Black Lawrence Press in 2027.
I have the recording scratched bloody as a red record groove into my body, the totality of my body, a needle sending resonant, flowing memory through every vein, cut in rows, scratched, recorded and played, scratched recorded and played, the blood running in and through, drawn back by the writhing mass at my center, the organless weight of consumption, antithetical to being, antithetical to anything but driving the needle, driving the etching and scratching and playing, tasting whiskey and blood and piss and vomit in a kiddie pool of off-color sick-like salmon drool, driven by that corporealizing phantasm of my muffled grunts and his labored breathing, his piston machine desire flowing not through but into, driving like a nail laying track for an express destined to run indefinite, always in, deeper into the dynamite blown cavity of my cervix, over the precipice, into the train graveyard, the organless weighted writhing mass, crashing, compounding, a pear of agony wrought from tortured shrapnel…
Sylvie Oleta
Sylvie Oleta is a poet and fiddler residing in Charlottesville, Virginia. She once fell off a cliff while hunting for the wreckage of a B-25 Mitchell and is now forever grateful for conveniently placed trees.
Roger Camp is the author of three photography books, including the award-winning Butterflies in Flight (Thames & Hudson, 2002). His documentary photography has been awarded Europe’s prestigious Leica Medal of Excellence and published in numerous journals, including The New England Review, New York Quarterly, North American Review, and Orion Magazine. He was a visual fellow at the Fine Arts Work Center, Provincetown, and a Fulbright Fellow in photography in Brazil. His archives are held by the University of California, Santa Barbara, Library, Special Research Collections.
Natalia Danjon is a writer based in the UAE. When she is not writing, Natalia expresses her creativity through photography with a keen interest in color and light. Her work has appeared in Black Fox Review (Japan), Every Day Fiction (Canada), Molecule Literary Magazine, and Brief Ecology.
Roberta Winters was born and raised in New York City and now lives in Sacramento, California. She attended Hunter College/CUNY, Macaulay Honors College and the University of Washington, Seattle Creative Writing MFA program. She is a writer, photographer, and artist. She specializes in nature, architectural, and street photography. She has previously interned with the Asia Society (New York) and the Guggenheim (Venice). Photography credits include Hollow and Sky Magazine, Bare Hands Literary Journal, and Cosmic Daffodil Literary Journal. Publishing credits include Newtown Literary (Queens, New York), Hawaii Review, City Arts Magazine (Seattle), and the Rio Grande Review (Texas). Find her photography on Instagram or Behance.
Featuring:
Issue 119, published October 2026, features works of poetry, flash fiction, short nonfiction, and visual art by Linda K Allison, Gilbert Arzola, Sarah Barbo, Roger Camp, Barbara Daniels, Natalia Danjon, Virginia Doré, Chris Dungey, FruitAndNut, Tom Gdisis, Cleo Griffith, Lesley Hart Gunn, Mark Hendrickson, Zebulon Huset, Romana Iorga, Ryo Kajitani, Carella Keil, Merie Kirby, Grace Lynn, Daniel Moon, Sylvie Oleta, Josh Price, Stacy Rollins, Elizabeth Rosen, David J. Schast, Judith Shapiro, VA Smith, Stefan Sofiski, Lisa Christina St John, Valy Steverlynck, Kathryn Temple, John Walser, Megan Wildhood, Stephen Curtis Wilson, S.E. Wilson, Roberta Winters, Jean Wolff, Jason Youngclaus, Matt Zambito, and Esther Zhang.
64 Pages, 6 x 9 in / 152 x 229 mm, Premium Color, 80# White — Coated, Perfect Bound, Glossy Cover
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